https://nosubject.com/api.php?action=feedcontributions&user=Riot+Hero&feedformat=atomNo Subject - Encyclopedia of Psychoanalysis - User contributions [en]2024-03-28T17:53:24ZUser contributionsMediaWiki 1.31.0https://nosubject.com/index.php?title=Robots.txt&diff=53156Robots.txt2024-03-17T08:23:08Z<p>Riot Hero: </p>
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Disallow: /wiki/User_talk%3A</div>Riot Herohttps://nosubject.com/index.php?title=Books/Lacan,_Jouissance,_and_the_Social_Sciences:_The_One_and_the_Many&diff=53154Books/Lacan, Jouissance, and the Social Sciences: The One and the Many2024-02-07T01:01:01Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" <!-- |+ Download Free Ebook!--> | PDF: |style="font-weight:..."</p>
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{{Infobox book<br />
|name = Lacan, Jouissance, and the Social Sciences: The One and the Many<br />
|image = Lacan,_Jouissance,_and_the_Social_Sciences-_The_One_and_the_Many.jpg<br />
|caption =<br />
|orig_title =<br />
|author = Raul Moncayo<br />
|editor =<br />
|publisher = Routledge<br />
|pub_date = 2023<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 107<br />
|isbn = 9781032515977; 103251597X; 9781032515946; 1032515945; 9781003403012; 1003403018<br />
}}<br />
<noautolinks><br />
==About this book==<br />
Exploring how a Freudian-Lacanian approach to psychoanalysis intersects with social and cultural theory, ''Lacan, Jouissance, and the Social Sciences'' demonstrates the significance of subjectivity as a concept for the study of leadership, social psychology, culture, and political theory.<br />
<br />
Raul Moncayo examines Lacan’s notion of surplus jouissance in relation to four types of socio-economic value: Productive Value, Exchange Value, Surplus Value, and Profit. Also drawing on the work of Slavoj Žižek, Moncayo contends that surplus production cannot be reduced to alienated labor but rather includes various levels of jouissance-value. In this way, the jouissance that drives capitalization and organization can be theorized as constructive rather than destructive and encompass satisfaction and prosperity rather than individual suffering and asceticism or living with less.<br />
<br />
This volume will be of great interest to psychoanalysts both in practice and in training and to academics and scholars of psychoanalytic studies, Lacanian studies, and social sciences.<br />
<br />
==Table of Contents==<br />
* Cover<br />
* Half Title<br />
* Series Page<br />
* Title Page<br />
* Copyright Page<br />
* Dedication<br />
* Table of Contents<br />
* Introduction<br />
* 1 The Primal Horde of Primates and Early Humans<br />
* 2 The Primordial History of Symbolic Exchange<br />
* 3 Benevolent Tyranny and Love as a Motive for Repression<br />
* 4 The Group<br />
* 5 The Polis<br />
* 6 Practice and Labor as Undivided Activity, Alienated Labor, and the Question of Surplus Value<br />
* 7 The One and the Many<br />
* 8 Equality, Inequality, Meritocracy, Excellence, Talent, Defect, and Disability<br />
* 9 Animal and Human Spirits or Jouissance in the Economy<br />
* Appendix I: An Outline of the History of the Symbolic Order or the History of Human Wisdom and Knowledge<br />
* Appendix II: Theory of the Libido and Lacan’s Three Jouissances: Freud, Jung, Bion, and Lacan<br />
* Glossary<br />
* Index<br />
<br />
==About the Author==<br />
'''Raul Moncayo, PhD''', is a supervising analyst and a founding member and past president of the Lacanian School of Psychoanalysis, USA. Dr. Moncayo was also the training director of a large psychiatric clinic for many years in San Francisco. In 2022 he founded The Chinese American Center for Freudian and Lacanian Analysis and Research. He has been an adjunct faculty and a visiting professor both locally and abroad and is the author of 11 books.<br />
<br />
==Review==<br />
‘This original text presents an innovative interdisciplinary approach, where key concepts within different paradigms - such as jouissance in Lacanian theory, surplus value in Marxist theory, and nothingness/emptiness in the Buddhist tradition - relate to each other, challenging the boundaries of traditional political theory, and inviting us to rethink the relations among power, ethics, and civil society.’ -- '''Martin Hopenhayn''', social theorist for United Nations; author, Beyond Nihilism and the Sense of Belonging in Fragmented Societies<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]] [[Category:Books/Slavoj Zizek]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Lacan,_Jouissance,_and_the_Social_Sciences-_The_One_and_the_Many.jpg&diff=53153File:Lacan, Jouissance, and the Social Sciences- The One and the Many.jpg2024-02-07T00:57:22Z<p>Riot Hero: </p>
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<div></div>Riot Herohttps://nosubject.com/index.php?title=Category:Books/Slavoj_Zizek/Freedom:A_Disease_Without_Cure&diff=53152Category:Books/Slavoj Zizek/Freedom:A Disease Without Cure2024-02-06T03:15:14Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" <!-- |+ Download Free Ebook!--> | PDF: |style="font-weight:..."</p>
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{{Infobox book<br />
|name = Freedom: A Disease Without Cure<br />
|image = Freedom_a_Disease_Without_Cure.jpg<br />
|caption =<br />
|orig_title =<br />
|author = Slavoj Žižek<br />
|editor =<br />
|publisher = Bloomsbury Academic<br />
|pub_date = 2023<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 328<br />
|isbn = 135035712X, 978-1350357129<br />
}}<br />
<noautolinks><br />
==About this book==<br />
'''We are all afraid that new dangers pose a threat to our hard-won freedoms, so what deserves attention is precisely the notion of freedom.<br />
'''<br />
The concept of freedom is deceptively simple. We think we understand it, but the moment we try and define it we encounter contradictions. In this new philosophical exploration, Slavoj Žižek argues that the experience of true, radical freedom is transient and fragile. Countering the idea of libertarian individualism, Žižek draws on philosophers Hegel, Kierkegaard and Heidegger, as well as the work of Kandinsky and Agatha Christie to examine the many facets of freedom and what we can learn from each of them.<br />
<br />
Today, with the latest advances in digital control, our social activity can be controlled and regulated to such a degree that the liberal notion of a free individual becomes obsolete and even meaningless. How will we be obliged to reinvent (or limit) the contours of our freedom?<br />
<br />
Tracing its connection to everything from capitalism and war to the state and environmental breakdown, Žižek takes us on an illuminating and entertaining journey that shows how a deeper understanding of freedom can offer hope in dark times.<br />
==About the Authors==<br />
'''Gautam Basu Thakur''' is associate professor of English at Boise State, USA and author of Postcolonial Theory and Avatar (2015) andPostcolonial Lack (2020) and co-editor of Lacan and the Nonhuman (2018).<br />
<br />
'''Jonathan Dickstein''' is an Independent Scholar of Lacanian psychoanalysis, computer science, and mathematics. He is the co-editor of Lacan and the Nonhuman (2018).<br />
<br />
==Table of Contents==<br />
* Part I: Freedom As Such<br />
<br />
* Chapter 1: Freedom and its Discontents<br />
** i) Freedom versus Liberty<br />
** ii) Regulating Violations<br />
** iii) Freedom, Knowledge, Necessity<br />
** iv) Freedom to say NO<br />
<br />
* Chapter 2: Is There Such a Thing as Freedom of the Will?<br />
** i) Determinism and its Ragaries<br />
** ii) Rewriting the Past<br />
** iii) Beyond the Transcendental<br />
** iv) Pascalean Wager<br />
<br />
* Chapter 3: Indivisible Remainder and the Death of Death<br />
** i) The Standpoint of the Absolute<br />
** ii) The Death of God<br />
** iii) Suicide as a Political Act<br />
** iv)The Failed Negation of Negation<br />
<br />
* Appendices I<br />
** 1 Potestas versus Superdeterminism<br />
** 2 Sublation as Dislocation<br />
** 3 Inventing Anna, Inventing Madeleine<br />
** 4 The Political Implications of Non-Representational Art<br />
<br />
* Part II: Human Freedom<br />
<br />
* Chapter 4: Marx Invented not Only Symptom but Also Drive<br />
** i) Instead of...<br />
** ii) Progress and Apathy<br />
** iii) Dialectical Materialism<br />
** iv) Yes, but...<br />
** v) How Marx Invented Drive<br />
<br />
* Chapter 5: The Path to Anarcho-Feudalism<br />
** i) The Blue Pill Called Metaverse<br />
** ii) From Cultural Capitalism to Crypto-Currencies<br />
** iii) Savage Verticality Versus Uncontrollable Horizontality<br />
<br />
* Chapter 6: The State and Counter-Revolution<br />
** i) When the Social Link Disintegrates<br />
** ii) The Limit of the Spontaneous Order<br />
** iii) The State is Here to Stay<br />
** iv) Do not give up on your Communist Desire!<br />
<br />
* Appendices II<br />
** 5 “Generalized Foreclosure”? No, Thanks!<br />
** 6 Shamelessly Ashamed<br />
** 7 A Muddle Instead of a Movie<br />
** 8 How to Love a Homeland in our Global Era<br />
<br />
* Finale: The Four Riders of the Apocalypse<br />
** i) De-Nazifying… Ukraine, Kosovo, Europe<br />
** ii) The End of Nature<br />
** iii) DON'T Be True to Yourself!<br />
** iv) Whose Servant Is a Master?<br />
<br />
==About the Author==<br />
Slavoj Žižek is a Hegelian philosopher, a Lacanian psychoanalyst, and a Communist. He is International Director of the Birkbeck Institute for the Humanities, University of London, UK; Global Distinguished Professor of German at New York University, USA; Professor of Philosophy at The European Graduate School / EGS, Switzerland; and Senior Researcher in the Department of Philosophy at the University of Ljubljana, Slovenia.<br />
<br />
==Reviews==<br />
<br />
“Žižek is at heart really a close reader and a seriously inventive one.” ―The Spectator<br />
<br />
“Master of the counterintuitive observation.” ―The New Yorker<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]] [[Category:Books/Slavoj Zizek]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Freedom_a_Disease_Without_Cure.jpg&diff=53151File:Freedom a Disease Without Cure.jpg2024-02-06T03:12:43Z<p>Riot Hero: </p>
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<div></div>Riot Herohttps://nosubject.com/index.php?title=Books/Exploring_Lacan%E2%80%99s_Encore_Seminar_XX:_The_Torus_of_Reason&diff=53149Books/Exploring Lacan’s Encore Seminar XX: The Torus of Reason2024-02-06T03:02:03Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" <!-- |+ Download Free Ebook!--> | PDF: |style="font-weight:..."</p>
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{{Infobox book<br />
|name = Exploring Lacan’s Encore Seminar XX: The Torus of Reason<br />
|image = Exploring_lacan%27s_encore_seminar.png<br />
|caption =<br />
|orig_title =<br />
|author = Raul Moncayo, Barri Belnap, Greg Farr<br />
|editor =<br />
|publisher = Routledge<br />
|pub_date = 2024<br />
|language = English<br />
|other_lang_pub =<br />
|edition = <br />
|pages = 226<br />
|isbn = 9781032543772<br />
}}<br />
<noautolinks><br />
==About this book==<br />
''Exploring Lacan’s Encore Seminar XX'' examines the themes presented in Encore, the seminar presented by Lacan between 1972 and 1975.<br />
<br />
Raul Moncayo, Barri Belnap, and Greg Farr focus on Lacan’s presentation of the theory of the Third Jouissance, clarifying the difference between jouissance as a concept and as a word. The authors argue that although there are many words that Lacan uses for jouissance, there are only five concepts of jouissance: the first is inconvenient, the second is convenient and inconvenient, while the last three are convenient and constructive.<br />
<br />
''Exploring Lacan’s Encore Seminar XX'' will be essential reading for academics and scholars of Lacanian studies, Lacanian analysts, and readers interested in Lacan’s theories of the 1970s.<br />
<br />
==About the Authors==<br />
'''Dr. Raul Moncayo''' has taught at many academic institutions in the Bay Area and abroad. As a retired training director of a large public psychiatric clinic in the Mission district or barrio of San Francisco, he formed and informed generations of clinicians. Dr. Moncayo was founding member of LSP (Lacanian School of Psychoanalysis). He is also the founder of the Chinese American Center for Freudian and Lacanian Analysis and Research. He has published 12 books with Karnac and Routledge. Among them are Psychoanalysis and American Literature; Lacan and Chan Buddhism; The Practice of Lacanian Psychoanalysis; and Knowing, not-Knowing and Jouissance.<br />
<br />
''Dr. Barri Belnap, MD'', is a physician and psychoanalyst. A graduate of Geisel School of Medicine at Dartmouth, she completed residency and fellowship at The Austen Riggs Center in Stockbridge, Massachusetts, where she served as a senior clinician for 27 years. Now she is devoted to her private psychoanalytic practice, study of group relations, and leadership. Her speaking and writings span topics from psychoanalytic techniques of PTSD and psychosis and psychopharmacology to affect theory.<br />
<br />
'''Greg Farr''' currently serves professionally as the Archivist of the Episcopal Church in Connecticut and was formally employed as the Archivist and Librarian at the Austen Riggs Center in Stockbridge, Massachusetts. Greg first developed his interest in Lacan’s works during his doctorate studies in the Philosophy of Religion at Boston University. He earned his undergraduate degree in Religious Studies at the University of Montana and his Master’s Degree of Theological Studies again at Boston University. Greg additionally completed two years of graduate study in Philosophical Theology at the University of Virginia and subsequently earned an MLIS degree at Drexel University in 2012.<br />
<br />
==Table of Contents==<br />
; ----Cover<br />
: Half Title<br />
: Title Page<br />
: Dedication<br />
: Table of Contents<br />
: Preface<br />
: Acknowledgments<br />
: 1 Writing, Love, and the Four Levels of the Signifier<br />
: 2 “Idizwadidiz”<br />
: 3 The Metapsychology Past, Present, and Future<br />
: 4 Listening to Signifiers and Hearing the Effect of Meaning<br />
: 5 Clarity and Conceptual Uncertainty (The Universe as a Flower of Rhetoric)<br />
: 6 Apparatus of Jouissance, a New Ego in the Real, and the Question of a Protolanguage<br />
: 7 S[sub(1)] –S[sub(0)] Relations: You Only Know the Unmarked Zero by First Knowing the One Mark<br />
: 8 Being, Language, Love, and ‘Be–ternal–ing’<br />
: 9 A Logic and a Grammar That Cannot Be “Arithmetized”<br />
: 10 The Ethics of the Second Death in Psychoanalysis<br />
: 11 The Language of the One and the Language of the Other<br />
: 12 Sexuation and Three Forms of Jouissance Beyond the Phallus<br />
: 13 Differences among Femininity, Mystical Jouissance, <br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Exploring_lacan%27s_encore_seminar.png&diff=53148File:Exploring lacan's encore seminar.png2024-02-06T02:55:02Z<p>Riot Hero: </p>
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<div>#REDIRECT [[Metonymy]]</div>Riot Herohttps://nosubject.com/index.php?title=Metonymy&diff=53122Metonymy2022-04-18T21:53:02Z<p>Riot Hero: </p>
<hr />
<div>{{Top}}métonymie{{Bottom}}<br />
<br />
===Linguistic Definition===<br />
[[Metonymy]] is usually defined as a [[trope]] in which a term is used to denote an [[object]] which it does not literally refer to, but with which it is closely linked. This link may be one of [[physical]] contiguity, but not necessarily.<br />
<br />
===Roman Jakobson===<br />
However, [[Lacan]]'s use of the term owes little to this definition apart from the [[notion]] of contiguity, since it is inspired by the [[work]] of [[Roman Jakobson]], who established an opposition between [[metonymy]] and [[metaphor]].<ref>[[Roman Jakobson|Jakobson, Roman]]. "Two aspects of language and two types of aphasic disturbances," ''Selected Writings'', vol. II, ''[[Word]] and Language'', The [[Hague]]: Mouton, 1971 [1956]., p. 21.</ref><br />
<br />
===Metonymic Axis of Language===<br />
Following [[Jakobson]], [[Lacan]] [[links]] [[metonymy]] to the combinatorial axis of [[language]], as opposed to the [[substitutive]] axis.<br />
<br />
===Diachronic Dimension of Signifying Chain===<br />
In his most detailed work on [[The Subject|the subject]], [[Lacan]] defines [[metonymy]] as the [[diachrony|diachronic]] relation between one [[signifier]] and [[another]] in the [[signifying chain]].<br />
<br />
===Metonymy Versus Metaphor===<br />
[[Metonymy]] thus concerns the ways in which [[signifier]]s can be combined / linked in a single [[signifying chain]] ("horizontal" relations), whereas [[metaphor]] concerns the ways in which a [[signifier]] in one [[signifying chain]] may be substituted for a [[signifier]] in another [[chain]] ("vertical" relations). Together, [[metaphor]] and [[metonymy]] constitute the way in which [[signification]] is produced.<br />
<br />
===Formula for Metonymy===<br />
[[Lacan]] provides a [[formula]] for [[metonymy]].<ref>{{E}} p.164</ref><br />
<br />
[[Image:Lacan-metonymy.jpg|center]]<br />
<br />
This formula is to be read as follows: <br />
<br />
On the lefthand side of the [[algebra|equation]], [[outside]] the brackets, [[Lacan]] writes '''<i>f</i>''' '''S''', the [[paternal function|signifying function]], which is to say the effect of [[signification]]. [[Inside]] the brackets he writes '''S . . . S'''', the link between one [[signifier]] and another in a [[signifying chain]].<br />
<br />
On the righthand side of the [[algebra|equation]] there is '''S''', the [[signifier]], and ('''---'''), the [[bar]] of the [[Saussure]]ean [[sign|algorithm]]. The [[sign]] <b>=</b> is to be read "is congruent with."<br />
<br />
===Formula for Metonymy - Summary===<br />
Thus the [[whole]] formula reads: <br />
<br />
<blockquote>"The signifying function of the connection of the signifier with the signifier is congruent with maintenance of the bar."</blockquote><br />
<br />
The formula is meant to illustrate [[Lacan]]'s [[thesis]] that in [[metonymy]] the [[resistance]] of [[signification]] is maintained, the [[bar]] is not crossed, no new [[signified]] is produced.<br />
<br />
===Contexts===<br />
[[Lacan]] puts his [[concept]] of [[metonymy]] to use in a variety of contexts.<br />
<br />
===Metonymy and Desire===<br />
[[Lacan]] presents [[metonymy]] as a [[diachrony|diachronic]] movement from one [[signifier]] to another along the [[signifying chain]], as one [[signifier]] constantly refers to another in a perpetual [[deferred action|deferral]] of [[signification|meaning]].<br />
<br />
[[Desire]] is also characterized by exactly the same never-ending [[process]] of continual [[deferred action|deferral]]; since [[desire]] is always "desire for something else,"<ref>{{E}} p. 167</ref> as soon as the [[object]] of [[desire]] is attained, it is no longer desirable, and the [[subject]]'s [[desire]] fixes on another [[object]]. Thus [[Lacan]] writes that "desire ''is'' a metonymy."<ref>{{E}} p. 175</ref><br />
<br />
===Metonymy and Displacement===<br />
[[Lacan]] also follows [[Jakobson]] in linking the [[metaphor]]-[[metonymy]] [[distinction]] to the mechanisms of the [[dream work]] described by [[Freud]]. However, he differs from [[Jakobson]] over the precise [[nature]] of this link. Just as [[displacement]] is logically prior to [[condensation]], so [[metonymy]] is the condition for [[metaphor]], because "the coordination of [[signifiers]] has to be possible before transferences of the signified are able to take [[place]]."<ref>{{S3}} p. 229</ref><br />
<br />
==See Also==<br />
{{See}}<br />
* [[Bar]]<br />
* [[Desire]]<br />
||<br />
* [[Displacement]]<br />
* [[Language]]<br />
||<br />
* [[Metaphor]]<br />
* [[Signification]]<br />
||<br />
* [[Signifier]]<br />
* [[Signifying chain]]<br />
{{Also}}<br />
<br />
== References ==<br />
<div style="font-size:11px" class="references-small"><br />
<references/><br />
</div><br />
<br />
[[Category:Psychoanalysis]]<br />
[[Category:Jacques Lacan]]<br />
[[Category:Linguistics]]<br />
[[Category:Dictionary]]<br />
[[Category:Language]]<br />
[[Category:Symbolic]]<br />
[[Category:Concepts]]<br />
[[Category:Terms]]<br />
[[Category:OK]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Lacan-metonymy.jpg&diff=53121File:Lacan-metonymy.jpg2022-04-18T21:51:44Z<p>Riot Hero: Riot Hero uploaded a new version of File:Lacan-metonymy.jpg</p>
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<div>{{Top}}[[discours]]{{Bottom}}<br />
<br />
<br />
=====Discourse of the Other=====<br />
The term "[[discourse]]" is used by [[Lacan]] to emphasize the ''[[intersubjectivity|transindividual]]'' [[nature]] of '''[[language]]''', the fact that '''[[speech]]''' always implies [[another]] [[subject]], an interlocutor.<br />
<br />
The '''[[unconscious]]''' is the "[[discourse|discourse of the Other]]", the effect on the [[subject]] of [[speech]] that is addressed to that [[subject]] from elsewhere, by another [[subject]] (who has been [[memory|forgotten]]), by an [[scene|other scene]] or [[scene|psychic locality]].<br />
<br />
=====Social Bond=====<br />
In 1969, [[Lacan]] begins to use the term "[[discourse]]" to denote a "[[discourse|social bond]], founded in [[language]]."<br />
<br />
He [[identifies]] ''four'' types of [[discourse|social bonds]], four articulations of the [[symbolic order|symbolic network]] which regulates [[intersubjectivity|intersubjective relations]].<br />
<br />
=====Four Discourses=====<br />
These "[[discourse|four discourses]]" are<br />
<br />
* the [[discourse]] of the '''[[master]]''',<br />
* the [[discourse]] of the '''[[university]]''',<br />
* the [[discourse]] of the '''[[hysteric]]''', and<br />
* the [[discourse]] of the '''[[analyst]]'''.<br />
<br />
=====Four Algorithms=====<br />
[[Image:Letdis.jpg|thumb|250px|right|[[Algebra]]ic [[symbol]]s from the [[Four Discourses]]]]<br />
<br />
Each of the [[discourse|four discourses]] is represented by an [[matheme|algorithm]] which contains ''four'' [[algebraic]] [[symbol]]s.<br />
<br />
The names of these ''four'' [[symbol]]s are shown to the [[right]].<br />
<br />
The ''four'' [[symbol]]s correspond to ''four'' different [[discourse|positions]] in each [[matheme|algorithm]] of the [[discourse|four discourses]].<br />
<br />
Each [[matheme|algorithm]] of the [[discourse|four discourses]] has ''four'' different [[discourse|positions]] with which the ''four'' [[symbol]]s correspond.<br />
<br />
[[Image:Discourse-Structure.jpg|thumb|250px|right|The structure of the four discourses]]<br />
<br />
The [[discourse|position]] of the ''four'' [[symbol]]s in each [[matheme|algorithm]] is what distinguishes the [[discourse|four discourses]] from one another.<br />
<br />
The [[discourse|four discourses]] are distinguished from one another by the [[discourse|positions]] of these ''four'' [[symbol]]s in each [[matheme|algorithm]].<br />
<br />
Each of the [[discourse|four discourses]] is defined by the [[discourse|position]] of the ''four'' [[symbol]]s in its [[matheme|algorithm]].<br />
<br />
The names of the ''four'' [[discourse|positions]] are shown to the right.<ref>{{S20}} p. 21</ref><br />
<br />
=====Discourse of the Master=====<br />
[[Image:Madis.jpg|thumb|right|[[Discourse]] of the [[Master]]]]<br />
The [[discourse]] of the [[master]] is the basic [[discourse]] from which the other [[three]] [[discourse]]s are derived. <br />
<br />
The '''dominant [[position]]''' is occupied by the [[master signifier]] ([[Image:SS1.gif]]), which represents the [[subject]] ('''S''') for another [[signifier]] or, more precisely, for all other [[signifiers]] ([[Image:SS2.gif]]); however, in this [[signification|signifying operation]] there is always a [[surplus]], namely, ''[[objet petit a]]''. <br />
<br />
The point is that all attempts at totalization are doomed to failure. <br />
<br />
The [[discourse]] of the [[master]] "masks the [[division]] of the [[subject]]."<ref>{{S17}} p. 118</ref> <br />
<br />
The [[discourse]] also illustrates clearly the [[structure]] of the [[dialectic]] of the [[master]] and the [[master|slave]]. <br />
<br />
The [[master]] ([[Image:SS1.gif]]) is the [[discourse|agent]] who puts the [[slave]] ([[Image:SS2.gif]]) to [[work]]; the result of this work is a [[surplus]] (''[[objet (petit) a|a]]'') that the [[master]] attempts to appropriate.<br />
<br />
On the gif the right-side S barré is a typo. It must be changed to [[objet]] [[petit a]] (as rightly described. <br />
<br />
=====Discourse of the University=====<br />
[[Image:Unidis.jpg|thumb|right|[[Discourse]] of the [[University]]]]<br />
The [[discourse]] of the [[university]] is produced by a quarter turn of the [[discourse]] of the [[master]] (anticlockwise). <br />
<br />
The dominant position is occupied by [[knowledge]] (''[[savoir]]''). <br />
<br />
This illustrates the fact that behind all attempts to impart an apparently "neutral" [[knowledge]] to the [[other]] can always be located an attempt at [[master]]y ([[master]]y of [[knowledge]], and domination of the [[other]] to whom this [[knowledge]] is imparted). <br />
<br />
The [[discourse]] of the [[university]] represents the [[hegemony]] of [[knowledge]], particularly [[visible]] in [[modernity]] in the [[form]] of the hegemony of [[science]].<br />
<br />
=====Discourse of the Hysteric=====<br />
[[Image:Hysdis.jpg|thumb|right|[[Discourse]] of the [[Hysteria|Hysteric]]]]<br />
The [[discourse]] of the [[hysteric]] is also produced by a quarter turn of the [[discourse]] of the [[master]], but in a clockwise direction. <br />
<br />
It is not simply "that which is uttered by a hysteric", but a certain kind of [[discourse|social bond]] in which any [[subject]] may be inscribed. <br />
<br />
The dominant position is occupied by the [[split|divided]] [[subject]], the [[symptom]]. <br />
<br />
This [[discourse]] is that which points the way towards [[knowledge]].<ref>{{S17}} p. 23</ref><br />
<br />
[[Psychoanalytic treatment]] involves "the [[structural]] introduction of the [[discourse]] of the '''[[hysteric]]''' by means of artificial [[conditions]]"; in other [[words]], the [[analyst]] "[[hysteria|hystericises]]" the [[patient]]'s [[discourse]].<ref>{{S17}} p. 35</ref><br />
<br />
=====Discourse of the Analyst=====<br />
[[Image:Anadis.jpg|thumb|right|[[Discourse]] of the [[Analyst]]]]<br />
The [[discourse]] of the [[analyst]] is produced by a quarter turn of the [[discourse]] of the [[hysteric]] (in the same way as [[Freud]] developed [[psychoanalysis]] by giving an [[interpretation|interpretative]] turn to the [[discourse]] of his [[hysterical]] [[patient]]s). <br />
<br />
The position of the [[discourse|agent]], which is the position occupied by the [[analyst]] in the [[treatment]], is occupied by ''[[objet (petit) a|objet petit a]]''; this illustrates the fact that the [[analyst]] must, in the course of the [[treatment]], become the [[cause]] of the [[analysand]]'s [[desire]].<ref>{{S17}} p. 41</ref><br />
<br />
The fact that this [[discourse]] is the [[inverse]] of the [[discourse]] of the [[master]] emphasises that, for [[Lacan]], [[psychoanalysis]] is an essentially subversive [[practice]] which undermines all attempts at domination and [[master]]y.<br />
<br />
=====Discourse of the Capitalist=====<br />
In a few parts of his teaching (notably in his discourse in Milano), Lacan talked [[about]] a new kind of discourse which caracterizes our post-modern [[society]]: the discourse of the [[capitalist]]. The position of the [[agent]], is occupied by the [[subject]] ('''S'''), who does not address the other, but the [[truth]] (this position is now occupied by the [[master signifier]] ([[Image:SS1.gif]]), the [[Market]]). Through the Market, the [[subject]] ('''S''') can ask the [[knowledge]] (''[[savoir]]''), ([[Image:SS2.gif]]), Science and [[Technology]] to produce [[objects]] to be consumed (''[[objet petit a]]''). This objects are made to never feed completely the [[subject's desire]].<br />
This discourse is not part of the [[social]] bond [[theory]]. We notice that, in this discourse (contrary to the [[four discourses]]), an arrow hits the position of the truth. With the Discourse of the Capitalist, Lacan tried to account for a new kind of social bonds in which [[The Subject|the subject]] become more and more individualistic, egoistic. The Market is here the new Truth which cannot be contradicted.<br />
<br />
==See Also==<br />
{{See}}<br />
* [[Algebra]]<br />
* [[Analyst]]<br />
* [[Communication]]<br />
||<br />
* [[Hysteria]]<br />
* [[Intersubjectivity]]<br />
* [[Knowledge]]<br />
||<br />
* [[Language]]<br />
* [[Master]]<br />
* [[Matheme]]<br />
||<br />
* [[Science]]<br />
* [[Speech]]<br />
* [[Subject]]<br />
||<br />
* [[Symbol]]<br />
* [[Symptom]]<br />
* [[Unconscious]]<br />
{{Also}}<br />
<br />
==References==<br />
<div style="font-size:11px" class="references-small"><br />
<references /><br />
</div><br />
<br />
[[Category:Psychoanalysis]]<br />
[[Category:Jacques Lacan]]<br />
[[Category:Language]]<br />
[[Category:Symbolic]]<br />
[[Category:Linguistics]]<br />
[[Category:Dictionary]]<br />
[[Category:Concepts]]<br />
[[Category:Terms]]<br />
{{OK}}</div>Riot Herohttps://nosubject.com/index.php?title=Four_Discourses&diff=53119Four Discourses2022-04-10T22:13:16Z<p>Riot Hero: </p>
<hr />
<div>[[Image:Four-discourses.jpeg|200px|center]]<br />
[[French]] [[psychoanalyst]] [[Jacques Lacan]] argued that there were '''four''' fundamental types of '''discourse'''. <br />
<br />
These could be expressed as the permutations of a four-term configuration showing the relative positions of [[the subject]], the [[master signifier]], [[knowledge]] and [[objet petit a]]. The four types of discourse were: the [[Master]]'s, the [[University]]'s, the [[Hysteric]]'s, and the [[Analyst]]'s.<br />
<br />
In his seminar "The [[Other]] Side of [[Psychoanalysis]]," [[Jacques lacan|Jacques Lacan]] introduced four types of [[discourses]]. The discourses are the discourse of the master, the discourse of the hysteric, the discourse of the university, and the [[discourse of the analyst]]. They [[represent]] a [[matrix]] in which everything comes in fours. The discourses too are made up of four elements: S1, the master [[signifier]]; S2, knowledge; a, [[surplus]] [[enjoyment]]; and S̷, the [[subject]]. Their positions above and below the bar on either side of the diagram represent four different values or functions: the [[agent]], the [[other, the]] production, and [[truth]].<br />
<br />
In this fourfold [[structure]], manipulating the minimal signifying [[chain]], S1fiS2, is both necessary and sufficient to represent [[The Subject|the subject]], S̷, in relation to both the [[big Other]] (the [[unconscious]]) and the small other (the [[object]] a as the object [[cause]] of [[desire]]) (Fig. 1).<br />
[[Figure|FIGURE]] 1<br />
FIGURE 1<br />
<br />
In each discourse, the agent addresses an other, and the truth that the discourse seeks is attained through a certain production. Insofar as there is a connection between S1 and S2, between the [[Master-Signifier|master-signifier]] and knowledge—a connection that depends on the essential mediation of speech—the subject is separated from the production of the discourse, and this results in a discourse that is always inadequate. In this [[case]] an unbridgeable gap separates the subject S̷ and the [[object a]].<br />
<br />
If we take the discourse of the master as the starting point, the four [[terms]] generate each of the other discourses by making four successive ninety-degree turns in a clockwise direction. As each term takes the [[place]] of the agent, it assumes the dominant [[position]] and gives [[meaning]] and [[value]] to the discourse it generates. S1, the master-signifier, in the dominant position gives rise to discourse of the master. S2, knowledge, in that position produces discourse of the university. S̷, the subject, as agent leads to discourse of the hysteric. In this case, the symptomatic signifier affects and marks the subject so that the subject's [[body]] displays the [[symptom]] and speaks metaphorically in the place of the [[repressed]] signifier. And finally, a, the object of [[desire,]] in the dominant position produces discourse of the analyst. But it is not because [[analysis]] is the "[[science]] of desire" that the analyst has direct access to the [[Object A|object a]]. If the analyst can assume the place of the agent and thus to [[know]] something [[about]] the [[patient]]'s desire, it is only because the analyst is not duped into believing the agent's discourse. Something of the truth of the patient's desire has a [[chance]] to emerge within the framework of the [[treatment]] through the [[transference]] and by means of [[interpretation]].<br />
<br />
These four different [[social]] bonds constitute what Lacan claims is an essential support for [[communication]]. The four discourses go beyond [[speech]], but "without going beyond [[language]]'s actual effects" (Lacan, 1998, p. 93).<br />
<br />
In the 1960s Lacan theorized the four discourses on the basis of a minute study of the social field that each discourse both reveals and conceals, because he wanted to ensure the transmission of psychoanalysis. He certainly knew that the discourses of the master and the university had existed for a much longer [[time]]. He credited [[Freud]] with having discovered the discourse of the hysteric, but argued that Freud had not known how to define the discourse of the analyst. So Lacan attempted to establish this discourse by defining its occurrence and its effects and by positing its limits so that analysis could be developed in a [[community]] and be taught in the community on both the [[theoretical]] and [[clinical]] levels. Lacan considered the discourse of the analyst to be one of his original contributions to psychoanalysis.<br />
<br />
<br />
[[Jacques Lacan]] argued that there were four fundamental types of [[discourse]]. <br />
These could be expressed as the permutations of a four-term configuration showing the relative positions of the subject, the [[Master Signifier|master signifier]], knowledge and [[objet]] [[petit a]]. <br />
The four types of discourse were: the Master's, the University's, the Hysteric's, and the Analyst's.<br />
<br />
[[Lacan]] posited four discourses: master, university, hysteric, and analyst.<br />
[[Lacan]] shows how the four discourses relate (dynamically) to one [[another]].<br />
<br />
<br />
[[French]] [[psychoanalyst]] [[Jacques Lacan]] argued that there were '''four''' fundamental types of '''discourse'''. <br />
<br />
These could be expressed as the permutations of a four-term configuration showing the relative positions of [[the subject]], the [[master signifier]], [[knowledge]] and [[objet petit a]]. The four types of discourse were: the Master's, the University's, the Hysteric's, and the Analyst's.<br />
<br />
<br />
<br />
<br />
In his seminar, Jacques Lacan introduced four types of discourses. <br />
<br />
The discourses are:<br />
* [[the discourse of the master]]<br />
* [[the discourse of the hysteric]]<br />
* [[the discourse of the university]]<br />
* [[the discourse of the analyst]]<br />
<br />
<br />
They represent a matrix in which everything comes in fours. <br />
The discourses too are made up of four elements: S1, the master signifier; S2, knowledge; a, [[surplus enjoyment]]; and S̷, the subject. Their positions above and below the bar on either side of the diagram represent four different values or functions: the agent, the other, the production, and truth.<br />
<br />
In this fourfold structure, manipulating the minimal [[signifying chain]], S1fiS2, is both necessary and sufficient to represent the subject, S̷, in relation to both [[the big Other]] (the unconscious) and the small other (the object a as the object [[cause of desire]]) (Fig. 1).<br />
<br />
<br />
In each discourse, the agent addresses an other, and the truth that the discourse seeks is attained through a certain production. Insofar as there is a connection between S1 and S2, between the master-signifier and knowledge—a connection that depends on the essential mediation of speech—the subject is separated from the production of the discourse, and this results in a discourse that is always inadequate. <br />
In this case an unbridgeable gap separates the subject S̷ and the object a.<br />
<br />
If we take the discourse of the master as the starting point, the four terms generate each of the other discourses by making four successive ninety-degree turns in a clockwise direction. As each term takes the place of the agent, it assumes the dominant position and gives meaning and value to the discourse it generates. S1, the master-signifier, in the dominant position gives rise to discourse of the master. S2, knowledge, in that position produces discourse of the university. S̷, the subject, as agent leads to discourse of the hysteric. In this case, the symptomatic signifier affects and marks the subject so that the subject's body displays [[The Symptom|the symptom]] and speaks metaphorically in the place of the repressed signifier. And finally, a, the [[object of desire]], in the dominant position produces discourse of the analyst. But it is not because analysis is the "science of desire" that the analyst has direct access to the object a. If the analyst can assume the place of the agent and thus to know something about the patient's desire, it is only because the analyst is not duped into believing the agent's discourse. Something of the truth of the patient's desire has a chance to emerge within the framework of the treatment through [[The Transference|the transference]] and by means of interpretation.<br />
<br />
These four different social bonds constitute what Lacan claims is an essential support for communication. The four discourses go beyond speech, but "without going beyond language's actual effects" (Lacan, 1998, p. 93).<br />
<br />
In the 1960s Lacan theorized the four discourses on the basis of a minute study of the social field that each discourse both reveals and conceals, because he wanted to ensure the transmission of psychoanalysis. He certainly knew that the discourses of the master and the university had existed for a much longer time. He credited Freud with having discovered the discourse of the hysteric, but argued that Freud had not known how to define the discourse of the analyst. So Lacan attempted to establish this discourse by defining its occurrence and its effects and by positing its limits so that analysis could be developed in a community and be taught in the community on both the theoretical and clinical levels. Lacan considered the discourse of the analyst to be one of his original contributions to psychoanalysis.<br />
<br />
<br />
[[Discourse of the Master]] [[Struggle]] for [[mastery]] / domination / penetration. Based on [[Hegel]]'s Master/Slave [[paradox]].<br />
[[Discourse of the University]] Provision and worship of "[[objective]]" knowledge - usually in the unacknowledged service of some [[external]] master discourse.<br />
[[Discourse of the Hysteric]] [[Symptoms]] embodying and revealing [[resistance]] to the prevailing master discourse.<br />
[[Discourse of the Analyst]] Deliberate [[subversion]] of the prevailing master discourse.<br />
<br />
<br />
==See Also==<br />
* [[Matheme]]<br />
* [[Philosophy and psychoanalysis]]<br />
* [[Seminar]]<br />
<br />
==References==<br />
<references/><br />
# [[Lacan, Jacques]]. (1970). [[Radiophonie]]. [[Scilicet]], 2-3, 55-99.<br />
# ——. (1991). Le séminaire, livre XVII: L'envers de la [[psychanalyse]] (1969-1970). [[Paris]]: Seuil.<br />
# ——. (1998). On [[feminine]] [[sexuality]], the limits of [[love]] and knowledge: [[The Seminar|The seminar]], book XX, enco<br />
<br />
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<hr />
<div>{{Top}}métaphore{{Bottom}}<br />
<br />
=====Definition=====<br />
[[Metaphor]] is usually defined as a [[trope]] in which one [[thing]] is described by comparing it to [[another]], but without directly asserting a comparison.<br />
<br />
=====Jacques Lacan=====<br />
However, [[Lacan]]'s use of the term owes little to this definition and much to the [[work]] of [[Roman Jakobson]], who, in a major article published in 1956, established an opposition between [[metaphor]] and [[metonymy]].<br />
<br />
On the basis of a [[distinction]] between two kinds of [[aphasia]], [[Jakobson]] distinguished two fundamentally opposed axes of [[language]]: the [[metaphor]]ical axis which deals with the selection of [[linguistic]] [[terms]] and allows for their substitution, and the [[metonymy|metonymic]] axis which deals with the combination of [[linguistic]] items (both sequentially and simultaneously).<br />
<br />
[[Metaphor]] thus corresponds to [[Saussure]]'s paradigmatic relations (which hold ''in absentia'') and [[metonymy]] to [[syntagmatic]] relationships (which hold ''in praesentia'').<ref>Jakobson, Roman. (1956) "Two aspects of language and two types of aphasic disturbances. ''Selected Writings'', vol. II, ''[[Word]] and Language'', The [[Hague]]: Mouton, 1971, pp. 239-59.</ref><br />
<br />
=====Influence=====<br />
[[Lacan]], like many [[other]] [[French]] intellectuals of the [[time]] (such as [[Claude Lévi-Strauss]] and [[Roland Barthes]]), was quick to take up [[Jakobson]]'s [[interpretation|reintepretation]] of [[metaphor]] and [[metonymy]].<br />
<br />
In the very same year that [[Jakobson]]'s seminal article was published, [[Lacan]] refers to it in his [[seminar]] and begins to incorporate the opposition into his [[linguistic]] rereading of [[Freud]].<ref>{{S3}} p. 218-20, 222-30</ref><br />
<br />
A year later he dedicates a [[whole]] paper to a more detailed [[analysis]] of the opposition.<ref>{{L}} ''[[Seminar V|Le Séminaire. Livre V. Les formations de l'inconscient, 1957-58]]'', unpublished.</ref><br />
<br />
=====Substitution=====<br />
Following [[Jakobson]]'s [[identification]] of [[metaphor]] with the substitutive axis of [[language]], [[Lacan]] defines [[metaphor]] as the substitution of one [[signifier]] for another, and provides the first [[formula]] of [[metaphor]].<ref>{{E}} p.164</ref><br />
<br />
=====Algebraic Formula=====<br />
[[Image:Lacan-firstmetaphor.jpg|center|200px|First formula of metaphor]]<br />
<br />
This formula is to be read as follows.<br />
<br />
On the lefthand side of the equation, [[outside]] the brackets, [[Lacan]] writes '''<i>f</i>''' '''S''', the signifying function, which is to say the effect of [[signification]].<br />
<br />
[[Inside]] the brackets, he writes '''S'/S''', which means "the substitution of one signifier for another."<br />
<br />
On the righthand side of the equation there is '''S''', the [[signifier]], and '''<i>s</i>''', the [[signified]].<br />
<br />
Between these two [[symbol]]s there is the [[symbol]] (+) which represents the crossing of the [[bar]] ('''-''') of the [[Saussure]]an [[sign|algorithm]], and which represents "the emergence of signification."<br />
<br />
The [[sign]] = is to be read: "is congruent with."<br />
<br />
Thus the whole formula reads: the signifying function of the substitution of one [[signifier]] for another is congruent with the crossing of the [[bar]].<br />
<br />
[[Image:Lacan-secondmetaphor.jpg|center|200px|Second formula of metaphor]]<br />
<br />
=====Signification=====<br />
The [[idea]] behind this rather obscure formulation is that there is an inherent [[resistance]] to [[signification]] in [[language]] (a [[resistance]] which is [[symbolize]]d by the [[bar]] in the [[Saussure]]an [[sign|algorithm]]).<br />
<br />
[[Meaning]] does not simply appear spontaneously, but is the product of a specific operation which crosses over the [[bar]].<br />
<br />
The formula is meant to illustrate [[Lacan]]'s [[thesis]] that this operation, the production of [[meaning]], which [[Lacan]] calls "[[signification]]", is only made possible by [[metaphor]].<br />
<br />
[[Metaphor]] is thus the passage of the [[signifier]] into the [[signified]], the creation of a new [[signified]].<br />
<br />
=====Second Formula=====<br />
[[Lacan]] presents another formula for [[metaphor]] in a paper written a few months later.<ref>{{E}} p. 200</ref><br />
<br />
[[Lacan]]'s own explanation of this second formula is as follows:<br />
<br />
<blockquote>The [[capital]] Ss are [[signifiers]], x the unknown signification and s the signified induced by the metaphor, which consists in substitution in the signifying [[chain]] of S for S'. The elision of S', represented here by the bar through it, is the condition of the success of the metaphor.<ref>{{E}} p.200</ref></blockquote><br />
<br />
=====Contexts=====<br />
[[Lacan]] puts his [[concept]] of [[metaphor]] to use in a variety of contexts.<br />
<br />
=====Oedipus Complex=====<br />
[[Lacan]] analyzes the [[Oedipus complex]] in terms of a [[metaphor]] because it invovles the crucial concept of substitution; in this [[case]], the substitution of the [[Name-of-the-Father]] for the [[desire]] of the [[mother]].<br />
<br />
This fundamental [[metaphor]], which founds the possibility of all ther [[metaphor]], is designated by [[Lacan]] as the [[paternal metaphor]].<br />
<br />
=====Repression and Neurotic Symptoms=====<br />
[[Lacan]] argues that [[repression]] ([[secondary repression]]) has the [[structure]] of a [[metaphor]].<br />
<br />
The "[[metonymic]] [[object]]" (the [[signifier]] which is elided, S' in the previous formula) is repressed, but returns in the [[surplus]] meaning (+) produced in the [[metaphor]].<br />
<br />
The [[return]] of the [[repressed]] (the [[symptom]]) therefore also has the [[structure]] of a [[metaphor]]; indeed; [[Lacan]] asserts that "[[The Symptom|the symptom]] ''is'' a metaphor."<ref>{{E}} p.175</ref><br />
<br />
=====Condensation=====<br />
[[Lacan]] also follows [[Jakobson]] in linking the [[metaphor]]-[[metonymy]] distinction to the fundamental mechanisms of the [[dream]] work described by [[Freud]].<br />
<br />
However, he differs from [[Jakobson]] over the precise [[nature]] of this parallel.<br />
<br />
Whereas for [[Jakobson]], [[metonymy]] is linked to both [[displacement]] and [[condensation]], [[metaphor]] to [[identification]] and [[symbolism]], [[Lacan]] [[links]] [[metaphor]] to [[condensation]] and [[metonymy]] to [[displacement]].<br />
<br />
[[Lacan]] then argues that just as [[displacement]] is logically prior to [[condensation]], so [[metonymy]] is the condition for [[metaphor]].<br />
<br />
=====The Anal Drive=====<br />
In his paper, "[[Sigmund Freud:Bibliography|On transformations of instinct as exemplified in anal eroticism]]"', [[Freud]] shows how [[anal eroticism]] is closely connected with the possibility of substitution.<br />
<br />
[[Lacan]] takes this as grounds for linking [[anal eroticism]] to [[metaphor]].<br />
<br />
<blockquote>"The [[anal]] level is the locus of metaphor - one object for another, gives the faeces in [[place]] of the [[phallus]]."<ref>{{S11}} p. 104</ref></blockquote><br />
<br />
=====Identification=====<br />
[[Metaphor]] is also the [[structure]] of [[identification]], since the latter consists in substituting oneself for another.<ref>{{S3}} p. 218</ref><br />
<br />
=====Love=====<br />
[[Love]] is [[structure]]d like a [[metaphor]] since it involves the operation of substitution.<br />
<br />
<blockquote>"It is insofar as the function of the ''érastès'', of the lover, who is the [[subject]] of [[lack]], comes in the place of, substitutes himself for, the function of ''érômènos'', the loved object, that the signification of love is produced."<ref>{{S8}} p. 53</ref></blockquote><br />
<br />
==See Also==<br />
{{See}}<br />
{{Also}}<br />
<br />
==References==<br />
<references/><br />
<br />
{{OK}}<br />
<br />
__NOTOC__<br />
<br />
{{Encore}} pp. 112, 120, 127, 128</div>Riot Herohttps://nosubject.com/index.php?title=Metaphor&diff=53115Metaphor2022-04-10T21:48:00Z<p>Riot Hero: /* Algebraic Formula */</p>
<hr />
<div>{{Top}}métaphore{{Bottom}}<br />
<br />
=====Definition=====<br />
[[Metaphor]] is usually defined as a [[trope]] in which one [[thing]] is described by comparing it to [[another]], but without directly asserting a comparison.<br />
<br />
=====Jacques Lacan=====<br />
However, [[Lacan]]'s use of the term owes little to this definition and much to the [[work]] of [[Roman Jakobson]], who, in a major article published in 1956, established an opposition between [[metaphor]] and [[metonymy]].<br />
<br />
On the basis of a [[distinction]] between two kinds of [[aphasia]], [[Jakobson]] distinguished two fundamentally opposed axes of [[language]]: the [[metaphor]]ical axis which deals with the selection of [[linguistic]] [[terms]] and allows for their substitution, and the [[metonymy|metonymic]] axis which deals with the combination of [[linguistic]] items (both sequentially and simultaneously).<br />
<br />
[[Metaphor]] thus corresponds to [[Saussure]]'s paradigmatic relations (which hold ''in absentia'') and [[metonymy]] to [[syntagmatic]] relationships (which hold ''in praesentia'').<ref>Jakobson, Roman. (1956) "Two aspects of language and two types of aphasic disturbances. ''Selected Writings'', vol. II, ''[[Word]] and Language'', The [[Hague]]: Mouton, 1971, pp. 239-59.</ref><br />
<br />
=====Influence=====<br />
[[Lacan]], like many [[other]] [[French]] intellectuals of the [[time]] (such as [[Claude Lévi-Strauss]] and [[Roland Barthes]]), was quick to take up [[Jakobson]]'s [[interpretation|reintepretation]] of [[metaphor]] and [[metonymy]].<br />
<br />
In the very same year that [[Jakobson]]'s seminal article was published, [[Lacan]] refers to it in his [[seminar]] and begins to incorporate the opposition into his [[linguistic]] rereading of [[Freud]].<ref>{{S3}} p. 218-20, 222-30</ref><br />
<br />
A year later he dedicates a [[whole]] paper to a more detailed [[analysis]] of the opposition.<ref>{{L}} ''[[Seminar V|Le Séminaire. Livre V. Les formations de l'inconscient, 1957-58]]'', unpublished.</ref><br />
<br />
=====Substitution=====<br />
Following [[Jakobson]]'s [[identification]] of [[metaphor]] with the substitutive axis of [[language]], [[Lacan]] defines [[metaphor]] as the substitution of one [[signifier]] for another, and provides the first [[formula]] of [[metaphor]].<ref>{{E}} p.164</ref><br />
<br />
=====Algebraic Formula=====<br />
[[Image:Lacan-firstmetaphor.jpg|center|First formula of metaphor]]<br />
<br />
This formula is to be read as follows.<br />
<br />
On the lefthand side of the equation, [[outside]] the brackets, [[Lacan]] writes '''<i>f</i>''' '''S''', the signifying function, which is to say the effect of [[signification]].<br />
<br />
[[Inside]] the brackets, he writes '''S'/S''', which means "the substitution of one signifier for another."<br />
<br />
On the righthand side of the equation there is '''S''', the [[signifier]], and '''<i>s</i>''', the [[signified]].<br />
<br />
Between these two [[symbol]]s there is the [[symbol]] (+) which represents the crossing of the [[bar]] ('''-''') of the [[Saussure]]an [[sign|algorithm]], and which represents "the emergence of signification."<br />
<br />
The [[sign]] = is to be read: "is congruent with."<br />
<br />
Thus the whole formula reads: the signifying function of the substitution of one [[signifier]] for another is congruent with the crossing of the [[bar]].<br />
<br />
[[Image:Lacan-secondmetaphor.jpg|center]]<br />
<br />
=====Signification=====<br />
The [[idea]] behind this rather obscure formulation is that there is an inherent [[resistance]] to [[signification]] in [[language]] (a [[resistance]] which is [[symbolize]]d by the [[bar]] in the [[Saussure]]an [[sign|algorithm]]).<br />
<br />
[[Meaning]] does not simply appear spontaneously, but is the product of a specific operation which crosses over the [[bar]].<br />
<br />
The formula is meant to illustrate [[Lacan]]'s [[thesis]] that this operation, the production of [[meaning]], which [[Lacan]] calls "[[signification]]", is only made possible by [[metaphor]].<br />
<br />
[[Metaphor]] is thus the passage of the [[signifier]] into the [[signified]], the creation of a new [[signified]].<br />
<br />
=====Second Formula=====<br />
[[Lacan]] presents another formula for [[metaphor]] in a paper written a few months later.<ref>{{E}} p. 200</ref><br />
<br />
[[Lacan]]'s own explanation of this second formula is as follows:<br />
<br />
<blockquote>The [[capital]] Ss are [[signifiers]], x the unknown signification and s the signified induced by the metaphor, which consists in substitution in the signifying [[chain]] of S for S'. The elision of S', represented here by the bar through it, is the condition of the success of the metaphor.<ref>{{E}} p.200</ref></blockquote><br />
<br />
=====Contexts=====<br />
[[Lacan]] puts his [[concept]] of [[metaphor]] to use in a variety of contexts.<br />
<br />
=====Oedipus Complex=====<br />
[[Lacan]] analyzes the [[Oedipus complex]] in terms of a [[metaphor]] because it invovles the crucial concept of substitution; in this [[case]], the substitution of the [[Name-of-the-Father]] for the [[desire]] of the [[mother]].<br />
<br />
This fundamental [[metaphor]], which founds the possibility of all ther [[metaphor]], is designated by [[Lacan]] as the [[paternal metaphor]].<br />
<br />
=====Repression and Neurotic Symptoms=====<br />
[[Lacan]] argues that [[repression]] ([[secondary repression]]) has the [[structure]] of a [[metaphor]].<br />
<br />
The "[[metonymic]] [[object]]" (the [[signifier]] which is elided, S' in the previous formula) is repressed, but returns in the [[surplus]] meaning (+) produced in the [[metaphor]].<br />
<br />
The [[return]] of the [[repressed]] (the [[symptom]]) therefore also has the [[structure]] of a [[metaphor]]; indeed; [[Lacan]] asserts that "[[The Symptom|the symptom]] ''is'' a metaphor."<ref>{{E}} p.175</ref><br />
<br />
=====Condensation=====<br />
[[Lacan]] also follows [[Jakobson]] in linking the [[metaphor]]-[[metonymy]] distinction to the fundamental mechanisms of the [[dream]] work described by [[Freud]].<br />
<br />
However, he differs from [[Jakobson]] over the precise [[nature]] of this parallel.<br />
<br />
Whereas for [[Jakobson]], [[metonymy]] is linked to both [[displacement]] and [[condensation]], [[metaphor]] to [[identification]] and [[symbolism]], [[Lacan]] [[links]] [[metaphor]] to [[condensation]] and [[metonymy]] to [[displacement]].<br />
<br />
[[Lacan]] then argues that just as [[displacement]] is logically prior to [[condensation]], so [[metonymy]] is the condition for [[metaphor]].<br />
<br />
=====The Anal Drive=====<br />
In his paper, "[[Sigmund Freud:Bibliography|On transformations of instinct as exemplified in anal eroticism]]"', [[Freud]] shows how [[anal eroticism]] is closely connected with the possibility of substitution.<br />
<br />
[[Lacan]] takes this as grounds for linking [[anal eroticism]] to [[metaphor]].<br />
<br />
<blockquote>"The [[anal]] level is the locus of metaphor - one object for another, gives the faeces in [[place]] of the [[phallus]]."<ref>{{S11}} p. 104</ref></blockquote><br />
<br />
=====Identification=====<br />
[[Metaphor]] is also the [[structure]] of [[identification]], since the latter consists in substituting oneself for another.<ref>{{S3}} p. 218</ref><br />
<br />
=====Love=====<br />
[[Love]] is [[structure]]d like a [[metaphor]] since it involves the operation of substitution.<br />
<br />
<blockquote>"It is insofar as the function of the ''érastès'', of the lover, who is the [[subject]] of [[lack]], comes in the place of, substitutes himself for, the function of ''érômènos'', the loved object, that the signification of love is produced."<ref>{{S8}} p. 53</ref></blockquote><br />
<br />
==See Also==<br />
{{See}}<br />
{{Also}}<br />
<br />
==References==<br />
<references/><br />
<br />
{{OK}}<br />
<br />
__NOTOC__<br />
<br />
{{Encore}} pp. 112, 120, 127, 128</div>Riot Herohttps://nosubject.com/index.php?title=File:Lacan-firstmetaphor.jpg&diff=53114File:Lacan-firstmetaphor.jpg2022-04-10T21:46:13Z<p>Riot Hero: Riot Hero uploaded a new version of File:Lacan-firstmetaphor.jpg</p>
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{{Infobox book<br />
|name = Lacan: A Genealogy<br />
|image = Lacan_A_Genealogy_by_Miguel_de_Beistegui_.jpeg<br />
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|orig_title =<br />
|author = Miguel de Beistegui<br />
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|publisher = Bloomsbury Academic<br />
|pub_date = 2021<br />
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==About this book==<br />
''Lacan: A Genealogy'' provides a genealogical account of Lacan's work as a whole, from his early writings on paranoid psychosis to his later work on the real and surplus enjoyment.<br />
<br />
Beistegui argues that Lacan's work requires an in-depth genealogy to chart and interpret the his key concept of desire. The genealogy is both a historical and critical approach, inspired by Foucault, which consists in asking how – that is, by what theoretical and practical transformations, by the emergence of which discourses of truth, which institutions, and which power relations – our current subjectivity was shaped. Desire is a crucial thread throughout because it lies at the heart not only of liberal political economy, psychiatry and psychopathology, and the various discourses of recognition (from philosophy to psychology and the law) that shape our current politics of identity, but also, and more importantly, of the manner in which we understand, experience and indeed govern ourselves, ethically and politically.<br />
<br />
A novel reading of Lacan that foregrounds the radicality and urgency of his concepts and the relationship between desire, norm and the law.<br />
<br />
==About the Authors==<br />
'''Miguel de Beistegui''' is Honorary Professor of Philosophy at the University of Warwick, UK and ICREA Researcher in the Department of Political and Social Sciences at the University of Pompeu Fabra, Barcelona, Spain. His previous titles include: ''The Government of Desire: A Genealogy of Liberalism'' (2018), ''Proust as Philosopher: The Art of Metaphor'' (2012), ''Aesthetics After Metaphysics: From Mimesis to Metaphor'' (2012), and ''Immanence: Deleuze and Philosophy'' (2010).<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|“Miguel de Beistegui offers us an extensive and intriguing genealogy of the central Lacanian concept of desire. On the one hand this genealogy is undertaken in Foucauldian spirit, extending the critical assessment of psychoanalytic focus on desire and Law, but on the other hand the book also convincingly shows how Lacan's project exceeds this framework and offers powerful tools for critical thought and radical engagement with the liberal logic of desire. Insightful and absorbing.”|Mladen Dolar||Professor and Senior Research Fellow at the Department of Philosophy, University of Ljubljana, Slovenia|}}<br />
<br />
{{Quotation|“No superlative can do justice to the originality of this book. Using the notion of desire as a key to unlock the hermetic seal of Lacan's writings, de Beistegui demonstrates how the psychoanalyst's work generates a conception of subjectivity that allows for a radical reinterpretation of contemporary debates around self-governance, power-relations and identity politics. I have always known that only a non-Lacanian would be capable of taking Lacan's thought outside the conceptually sterile, dogmatic cult into which it has descended, but this is by far the best book on Lacan I have read in the past decade.” |Dany Nobus||Professor of Psychoanalytic Psychology, Brunel University London, and Founding Scholar of the British Psychoanalytic Council, UK}}<br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Lacan_A_Genealogy_by_Miguel_de_Beistegui_.jpeg&diff=53112File:Lacan A Genealogy by Miguel de Beistegui .jpeg2021-11-18T10:38:41Z<p>Riot Hero: Lacan:_A_Genealogy</p>
<hr />
<div>== Summary ==<br />
[[Lacan:_A_Genealogy]]</div>Riot Herohttps://nosubject.com/index.php?title=Seminar_XIXb&diff=53105Seminar XIXb2021-09-29T04:59:22Z<p>Riot Hero: </p>
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<div>==English Audio ==<br />
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<div><noinclude>__NOTOC__<br />
This widget allows you to embed '''[https://github.com/etianen/html5media HTML5 Audio Media]''' on your wiki page.<br />
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Created by [https://www.wikihoster.net Karsten Hoffmeyer].<br />
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== Using this widget ==<br />
For information on how to use this widget, see [https://www.mediawikiwidgets.org/Audio widget description page on MediaWikiWidgets.org].<br />
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== Copy to your site ==<br />
To use this widget on your site, just install [https://www.mediawiki.org/wiki/Extension:Widgets MediaWiki Widgets extension] and copy the [{{fullurl:{{FULLPAGENAME}}|action=edit}} full source code] of this page to your wiki as page '''{{FULLPAGENAME}}'''.<br />
</noinclude><includeonly><script src="//api.html5media.info/1.2.2/html5media.min.js"></script><audio src="<!--{$url|validate:url}-->"<br />
controls preload></audio></includeonly></div>Riot Herohttps://nosubject.com/index.php?title=Books/Reading_Lacan%27s_Seminar_VIII,_Transference&diff=53100Books/Reading Lacan's Seminar VIII, Transference2021-07-05T02:39:41Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
<!-- |+ Download Free Ebook!--><br />
| PDF:<br />
|style="font-weight: bold"|[https://gofile.io/d/lCcI2g Download #1]<br />
|style="font-weight: bold"|[https://mega.nz/file/PGxiBaKL#nTs6HN-6UzIMk8BH2GeoyntJuRPzhDrOXsJpcoQRHUA Download #2]<br />
|style="font-weight: bold"|[https://anonfiles.com/x6g69341u8/Gautam_Basu_Thakur_Jonathan_Dickstein_-_Reading_Lacan_s_Seminar_VIII_Transference-Palgrave_2020_pdf Download #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Reading Lacan's Seminar VIII, Transference<br />
|image = Reading_Lacan%27s_Seminar_VIII_Transference.png<br />
|caption =<br />
|orig_title =<br />
|author = Gautam Basu Thakur, Jonathan Dickstein<br />
|editor =<br />
|publisher = Palgrave<br />
|pub_date = 2020<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 322<br />
|isbn = 3030327418, 978-3030327415<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides 18 lively commentaries on Lacan’s Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar’s sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan’s discussion of Claudel’s Coûfontaine trilogy. <br />
<br />
This book is not a compendium to Lacan’s seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan’s concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan’s seminar itself.<br />
<br />
The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.<br />
<br />
==About the Authors==<br />
'''Gautam Basu Thakur''' is associate professor of English at Boise State, USA and author of Postcolonial Theory and Avatar (2015) andPostcolonial Lack (2020) and co-editor of Lacan and the Nonhuman (2018).<br />
<br />
'''Jonathan Dickstein''' is an Independent Scholar of Lacanian psychoanalysis, computer science, and mathematics. He is the co-editor of Lacan and the Nonhuman (2018).<br />
<br />
==Table of Contents==<br />
; Front Matter<br />
: Pages i-xvii<br />
<br />
; Toward an Erotics of Truth: Commentary on Session I<br />
: Derek Hook<br />
: Pages 1-13<br />
<br />
; “Set and Characters” and “The Metaphor of Love: Phaedrus”—Commentary on Sessions II and III<br />
: Dan Mills<br />
: Pages 15-41<br />
<br />
; “The Psychology of the Rich: Pausanias”—Commentary on Session IV<br />
: Stephanie Swales<br />
: Pages 43-50<br />
<br />
; “Medical Harmony: Eryximachus”—Commentary on Session V<br />
: Calum Neill<br />
: Pages 51-59<br />
<br />
; First as Comedy, Then as Tragicomedy: Castration, Atopia, and Ab-Sex Sense—Commentary on Sessions VI and VII<br />
: Anthony Ballas<br />
: Pages 61-75<br />
<br />
; Hypothesizing Love: Lacan and Plato’s Symposium—Commentary on Session VII<br />
: Cindy Zeiher<br />
: Pages 77-88<br />
<br />
; “From Episteme to Mythous”: Commentary on Session VIII<br />
: Owen Hewitson<br />
: Pages 89-97<br />
<br />
; The Question of the Meaning of Ágalma: Between Hermeneutics, Topology, and Unconcealment—Commentary on Sessions IX and X<br />
: Hue Woodson<br />
: Pages 99-119<br />
<br />
; Agalma: Commentary on Session X<br />
: Ed Pluth<br />
: Pages 121-126<br />
<br />
; Between Socrates and Alcibiades: Commentary on Session XI<br />
: Zachary Tavlin<br />
: Pages 127-135<br />
<br />
; Socrates as an Analyst: A Reading of “Transference in the Present” Commentary on Session XII<br />
: Frederic C. Baitinger<br />
: Pages 137-149<br />
<br />
; “A Critique of Countertransference”: Commentary on Session XIII<br />
: Miguel Rivera<br />
: Pages 151-161<br />
<br />
; In the Name of Desire: A Reading of Lacan’s “Demand and Desire in the Oral and Anal Stage”—Commentary on Session XIV<br />
: Frederic C. Baitinger<br />
: Pages 163-173<br />
<br />
; “Oral, Anal, and Genital”: Commentary on Session XV<br />
: Jonathan Dickstein<br />
: Pages 175-181<br />
<br />
; Killing the Soul with Zucchi’s Painting: Commentary on Session XVI<br />
: Joseph R. Shafer<br />
: Pages 183-196<br />
<br />
; The Art of Questioning “Real Presence”<br />
: Joseph R. Shafer<br />
: Pages 197-207<br />
<br />
; “Real Presence”: Commentary on Session XVIII<br />
: Stephanie Swales<br />
: Pages 209-218<br />
<br />
; The Claudel Sessions: Commentary on Sessions XIX–XXII<br />
: Ed Pluth<br />
: Pages 219-234<br />
<br />
; Paradoxes of Transference and the Place of the Psychoanalyst: Commentary on Session XXIII<br />
: Rodrigo Gonsalves<br />
: Pages 235-246<br />
<br />
; Beyond the Mirror: Commentary on Session XXIV<br />
: Jelica Šumič Riha<br />
: Pages 247-255<br />
<br />
; Mind the Gap: Commentary on Session XXV<br />
: Gautam Basu Thakur<br />
: Pages 257-266<br />
<br />
; The Movement of the Pendulum and the Spiral Turn: An Analysis of Lacan’s XXVI Lesson from Seminar VIII: Commentary on Session XXVI<br />
: Ivan Ramos Estevão<br />
: Pages 267-277<br />
<br />
; The Transmission of an End: “Mourning the Loss of the Analyst” Commentary on Session XXVII<br />
: Cindy Zeiher<br />
: Pages 279-294<br />
<br />
; Back Matter<br />
: Pages 295-301<br />
<br />
==Reviews==<br />
{{Quotation|"This indispensable collection is requisite for making one’s way through Lacan’s Seminar VIII. This pivotal seminar’s role in the turn of Lacan’s thought after the Ethics seminar has long been unexplored territory. But the essays included here make it clear that this seminar on the transference displays Lacan at the height of his powers. If one wants to understand what he’s thinking at the key turning point of his thought, this volume is an absolute necessity."|Todd McGowan||Associate Professor of English at the University of Vermont, USA|}}<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Books/Reading_Lacan%27s_Seminar_VIII,_Transference&diff=53099Books/Reading Lacan's Seminar VIII, Transference2021-07-05T00:24:48Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
<!-- |+ Download Free Ebook!--><br />
| PDF:<br />
|style="font-weight: bold"|[https://gofile.io/d/lCcI2g #1]<br />
|style="font-weight: bold"|[https://mega.nz/file/PGxiBaKL#nTs6HN-6UzIMk8BH2GeoyntJuRPzhDrOXsJpcoQRHUA #2]<br />
|style="font-weight: bold"|[https://anonfiles.com/x6g69341u8/Gautam_Basu_Thakur_Jonathan_Dickstein_-_Reading_Lacan_s_Seminar_VIII_Transference-Palgrave_2020_pdf #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Reading Lacan's Seminar VIII, Transference<br />
|image = Reading_Lacan%27s_Seminar_VIII_Transference.png<br />
|caption =<br />
|orig_title =<br />
|author = Gautam Basu Thakur, Jonathan Dickstein<br />
|editor =<br />
|publisher = Palgrave<br />
|pub_date = 2020<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 322<br />
|isbn = 3030327418, 978-3030327415<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides 18 lively commentaries on Lacan’s Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar’s sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan’s discussion of Claudel’s Coûfontaine trilogy. <br />
<br />
This book is not a compendium to Lacan’s seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan’s concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan’s seminar itself.<br />
<br />
The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.<br />
<br />
==About the Authors==<br />
'''Gautam Basu Thakur''' is associate professor of English at Boise State, USA and author of Postcolonial Theory and Avatar (2015) andPostcolonial Lack (2020) and co-editor of Lacan and the Nonhuman (2018).<br />
<br />
'''Jonathan Dickstein''' is an Independent Scholar of Lacanian psychoanalysis, computer science, and mathematics. He is the co-editor of Lacan and the Nonhuman (2018).<br />
<br />
==Table of Contents==<br />
; Front Matter<br />
: Pages i-xvii<br />
<br />
; Toward an Erotics of Truth: Commentary on Session I<br />
: Derek Hook<br />
: Pages 1-13<br />
<br />
; “Set and Characters” and “The Metaphor of Love: Phaedrus”—Commentary on Sessions II and III<br />
: Dan Mills<br />
: Pages 15-41<br />
<br />
; “The Psychology of the Rich: Pausanias”—Commentary on Session IV<br />
: Stephanie Swales<br />
: Pages 43-50<br />
<br />
; “Medical Harmony: Eryximachus”—Commentary on Session V<br />
: Calum Neill<br />
: Pages 51-59<br />
<br />
; First as Comedy, Then as Tragicomedy: Castration, Atopia, and Ab-Sex Sense—Commentary on Sessions VI and VII<br />
: Anthony Ballas<br />
: Pages 61-75<br />
<br />
; Hypothesizing Love: Lacan and Plato’s Symposium—Commentary on Session VII<br />
: Cindy Zeiher<br />
: Pages 77-88<br />
<br />
; “From Episteme to Mythous”: Commentary on Session VIII<br />
: Owen Hewitson<br />
: Pages 89-97<br />
<br />
; The Question of the Meaning of Ágalma: Between Hermeneutics, Topology, and Unconcealment—Commentary on Sessions IX and X<br />
: Hue Woodson<br />
: Pages 99-119<br />
<br />
; Agalma: Commentary on Session X<br />
: Ed Pluth<br />
: Pages 121-126<br />
<br />
; Between Socrates and Alcibiades: Commentary on Session XI<br />
: Zachary Tavlin<br />
: Pages 127-135<br />
<br />
; Socrates as an Analyst: A Reading of “Transference in the Present” Commentary on Session XII<br />
: Frederic C. Baitinger<br />
: Pages 137-149<br />
<br />
; “A Critique of Countertransference”: Commentary on Session XIII<br />
: Miguel Rivera<br />
: Pages 151-161<br />
<br />
; In the Name of Desire: A Reading of Lacan’s “Demand and Desire in the Oral and Anal Stage”—Commentary on Session XIV<br />
: Frederic C. Baitinger<br />
: Pages 163-173<br />
<br />
; “Oral, Anal, and Genital”: Commentary on Session XV<br />
: Jonathan Dickstein<br />
: Pages 175-181<br />
<br />
; Killing the Soul with Zucchi’s Painting: Commentary on Session XVI<br />
: Joseph R. Shafer<br />
: Pages 183-196<br />
<br />
; The Art of Questioning “Real Presence”<br />
: Joseph R. Shafer<br />
: Pages 197-207<br />
<br />
; “Real Presence”: Commentary on Session XVIII<br />
: Stephanie Swales<br />
: Pages 209-218<br />
<br />
; The Claudel Sessions: Commentary on Sessions XIX–XXII<br />
: Ed Pluth<br />
: Pages 219-234<br />
<br />
; Paradoxes of Transference and the Place of the Psychoanalyst: Commentary on Session XXIII<br />
: Rodrigo Gonsalves<br />
: Pages 235-246<br />
<br />
; Beyond the Mirror: Commentary on Session XXIV<br />
: Jelica Šumič Riha<br />
: Pages 247-255<br />
<br />
; Mind the Gap: Commentary on Session XXV<br />
: Gautam Basu Thakur<br />
: Pages 257-266<br />
<br />
; The Movement of the Pendulum and the Spiral Turn: An Analysis of Lacan’s XXVI Lesson from Seminar VIII: Commentary on Session XXVI<br />
: Ivan Ramos Estevão<br />
: Pages 267-277<br />
<br />
; The Transmission of an End: “Mourning the Loss of the Analyst” Commentary on Session XXVII<br />
: Cindy Zeiher<br />
: Pages 279-294<br />
<br />
; Back Matter<br />
: Pages 295-301<br />
<br />
==Reviews==<br />
{{Quotation|"This indispensable collection is requisite for making one’s way through Lacan’s Seminar VIII. This pivotal seminar’s role in the turn of Lacan’s thought after the Ethics seminar has long been unexplored territory. But the essays included here make it clear that this seminar on the transference displays Lacan at the height of his powers. If one wants to understand what he’s thinking at the key turning point of his thought, this volume is an absolute necessity."|Todd McGowan||Associate Professor of English at the University of Vermont, USA|}}<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Books/Reading_Lacan%27s_Seminar_VIII,_Transference&diff=53098Books/Reading Lacan's Seminar VIII, Transference2021-07-05T00:16:07Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
<!-- |+ Download Free Ebook!--><br />
| PDF:<br />
|style="font-weight: bold"|[https://gofile.io/d/lCcI2g #1]<br />
|style="font-weight: bold"|[https://mega.nz/file/PGxiBaKL#nTs6HN-6UzIMk8BH2GeoyntJuRPzhDrOXsJpcoQRHUA #2]<br />
|style="font-weight: bold"|[https://anonfiles.com/x6g69341u8/Gautam_Basu_Thakur_Jonathan_Dickstein_-_Reading_Lacan_s_Seminar_VIII_Transference-Palgrave_2020_pdf #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Reading Lacan's Seminar VIII, Transference<br />
|image = Reading_Lacan%27s_Seminar_VIII_Transference.png<br />
|caption =<br />
|orig_title =<br />
|author = Gautam Basu Thakur, Jonathan Dickstein<br />
|editor =<br />
|publisher = Palgrave<br />
|pub_date = 2020<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 322<br />
|isbn = 3030327418, 978-3030327415<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides 18 lively commentaries on Lacan’s Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar’s sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan’s discussion of Claudel’s Coûfontaine trilogy. <br />
<br />
This book is not a compendium to Lacan’s seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan’s concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan’s seminar itself.<br />
<br />
The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.<br />
<br />
==About the Authors==<br />
'''Gautam Basu Thakur''' is associate professor of English at Boise State, USA and author of Postcolonial Theory and Avatar (2015) andPostcolonial Lack (2020) and co-editor of Lacan and the Nonhuman (2018).<br />
<br />
'''Jonathan Dickstein''' is an Independent Scholar of Lacanian psychoanalysis, computer science, and mathematics. He is the co-editor of Lacan and the Nonhuman (2018).<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|"This indispensable collection is requisite for making one’s way through Lacan’s Seminar VIII. This pivotal seminar’s role in the turn of Lacan’s thought after the Ethics seminar has long been unexplored territory. But the essays included here make it clear that this seminar on the transference displays Lacan at the height of his powers. If one wants to understand what he’s thinking at the key turning point of his thought, this volume is an absolute necessity."|Todd McGowan||Associate Professor of English at the University of Vermont, USA|}}<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Books/Reading_Lacan%27s_Seminar_VIII,_Transference&diff=53097Books/Reading Lacan's Seminar VIII, Transference2021-07-05T00:13:58Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" |+ Download Free Ebook! | PDF: |style="font-weight: bold"|[..."</p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
| PDF:<br />
|style="font-weight: bold"|[https://gofile.io/d/lCcI2g #1]<br />
|style="font-weight: bold"|[https://mega.nz/file/PGxiBaKL#nTs6HN-6UzIMk8BH2GeoyntJuRPzhDrOXsJpcoQRHUA #2]<br />
|style="font-weight: bold"|[https://anonfiles.com/x6g69341u8/Gautam_Basu_Thakur_Jonathan_Dickstein_-_Reading_Lacan_s_Seminar_VIII_Transference-Palgrave_2020_pdf #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Reading Lacan's Seminar VIII, Transference<br />
|image = Reading_Lacan%27s_Seminar_VIII_Transference.png<br />
|caption =<br />
|orig_title =<br />
|author = Gautam Basu Thakur, Jonathan Dickstein<br />
|editor =<br />
|publisher = Palgrave<br />
|pub_date = 2020<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 322<br />
|isbn = 3030327418, 978-3030327415<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides 18 lively commentaries on Lacan’s Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar’s sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan’s discussion of Claudel’s Coûfontaine trilogy. <br />
<br />
This book is not a compendium to Lacan’s seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan’s concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan’s seminar itself.<br />
<br />
The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.<br />
<br />
==About the Authors==<br />
'''Gautam Basu Thakur''' is associate professor of English at Boise State, USA and author of Postcolonial Theory and Avatar (2015) andPostcolonial Lack (2020) and co-editor of Lacan and the Nonhuman (2018).<br />
<br />
'''Jonathan Dickstein''' is an Independent Scholar of Lacanian psychoanalysis, computer science, and mathematics. He is the co-editor of Lacan and the Nonhuman (2018).<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|"This indispensable collection is requisite for making one’s way through Lacan’s Seminar VIII. This pivotal seminar’s role in the turn of Lacan’s thought after the Ethics seminar has long been unexplored territory. But the essays included here make it clear that this seminar on the transference displays Lacan at the height of his powers. If one wants to understand what he’s thinking at the key turning point of his thought, this volume is an absolute necessity."|Todd McGowan||Associate Professor of English at the University of Vermont, USA|}}<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Reading_Lacan%27s_Seminar_VIII_Transference.png&diff=53096File:Reading Lacan's Seminar VIII Transference.png2021-07-05T00:08:35Z<p>Riot Hero: Author(s): Gautam Basu Thakur, Jonathan Dickstein
Publisher: Palgrave, Year: 2020
ISBN: 3030327418,9783030327415</p>
<hr />
<div>== Summary ==<br />
Author(s): Gautam Basu Thakur, Jonathan Dickstein<br />
<br />
Publisher: Palgrave, Year: 2020<br />
<br />
ISBN: 3030327418,9783030327415</div>Riot Herohttps://nosubject.com/index.php?title=Lacanian_Perspectives_on_Blade_Runner_2019&diff=53092Lacanian Perspectives on Blade Runner 20192021-05-06T08:09:29Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
| PDF:<br />
| style="font-weight: bold" |[http://library.lol/main/65A2B0D6E5EFF34991A8119923158F4A #1]<br />
| style="font-weight: bold" |[https://3lib.net/md5/65A2B0D6E5EFF34991A8119923158F4A #2]<br />
| style="font-weight: bold" |[https://1lib.us/book/11250473/7ecff9 #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Lacanian Perspectives on Blade Runner 2049<br />
|image = Calum_Neill_Lacanian_Perspectives_on_Blade_Runner_2049.png<br />
|caption =<br />
|orig_title =<br />
|author = <br />
|editor = Calum Neill<br />
|publisher = Palgrave Macmillan<br />
|pub_date = 2021<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 247<br />
|isbn = 3030567532, 978-3030567538<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. <br />
<br />
Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. <br />
<br />
This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.<br />
<br />
==About the Authors==<br />
Calum Neill is Associate Professor of Psychoanalysis & Cultural Theory at Edinburgh Napier University, Scotland, and Director of Lacan in Scotland. He has written a number of monographs, including ''Without Ground: Lacanian Ethics and the Assumption of Subjectivity'' (2011) and ''Jacques Lacan: The Basics'' (2017). He is the co-editor of both the ''Palgrave Lacan Series'' the three volume guide ''Reading Lacan’s Ecrits'' (2018-2021).<br />
<br />
==Table of Contents==<br />
<br />
<br />
;1. From Voight-Kampff to Baseline Test: By Way of an Introduction<br />
: Calum Neill<br />
<br />
;2. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049<br />
: Ben Tyrer<br />
<br />
;3. Blade Runner 2049: A View of Post-Human Capitalism<br />
: Slavoj Žižek<br />
<br />
;4. Between the Capitalist and the Cop: The Path of Revolution in Blade Runner 2049<br />
: Todd McGowan<br />
<br />
;5. ‘To Be Homesick with No Place to Go’: The Phantom of the Sinthome and the Joi of Sex<br />
: Daniel Bristow<br />
<br />
;6. Home Bodies: Prosthetic People and Economies of Desire<br />
: Timothy Richardson<br />
<br />
;7. Object Oriented Subjectivity: Capitalism and Desire in Blade Runner 2049<br />
: Matthew Flisfeder<br />
<br />
;8. What Happens When the Replicants Become Extimate? On the Uncanny Cut of the Capitalocene in Blade Runner 2049<br />
: Alexander Bove<br />
<br />
;9. In Anxious Anticipation of Our Imminent Obsolescence<br />
: Scott Contreras-Koterbay<br />
<br />
;10. “Before We Even Know What We Are, We Fear to Lose It”: The Missing Object of the Primal Scene<br />
: Isabel Millar<br />
<br />
;11.Women Between Worlds: A Psychoanalysis of Sex in Blade Runner 2049<br />
: Sheila Kunkle<br />
<br />
</noautolinks><br />
[[Category:Books]] <br />
[[Category:Books about Film]]<br />
[[Category:2021 Books]]<br />
[[Category:Books about Lacan]] <br />
[[Category:Books about Jacques Lacan]] <br />
[[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Lacanian_Perspectives_on_Blade_Runner_2019&diff=53089Lacanian Perspectives on Blade Runner 20192021-05-06T08:06:48Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
| PDF:<br />
| style="font-weight: bold" |[http://library.lol/main/65A2B0D6E5EFF34991A8119923158F4A #1]<br />
| style="font-weight: bold" |[https://3lib.net/md5/65A2B0D6E5EFF34991A8119923158F4A #2]<br />
| style="font-weight: bold" |[https://1lib.us/book/11250473/7ecff9 #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Lacanian Perspectives on Blade Runner 2049<br />
|image = Calum_Neill_Lacanian_Perspectives_on_Blade_Runner_2049.png<br />
|caption =<br />
|orig_title =<br />
|author = <br />
|editor = Calum Neill<br />
|publisher = Palgrave Macmillan<br />
|pub_date = 2021<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 247<br />
|isbn = 3030567532, 978-3030567538<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. <br />
<br />
Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. <br />
<br />
This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.<br />
<br />
==About the Authors==<br />
Calum Neill is Associate Professor of Psychoanalysis & Cultural Theory at Edinburgh Napier University, Scotland, and Director of Lacan in Scotland. He has written a number of monographs, including ''Without Ground: Lacanian Ethics and the Assumption of Subjectivity'' (2011) and ''Jacques Lacan: The Basics'' (2017). He is the co-editor of both the ''Palgrave Lacan Series'' the three volume guide ''Reading Lacan’s Ecrits'' (2018-2021).<br />
<br />
==Table of Contents==<br />
<br />
<br />
;1. From Voight-Kampff to Baseline Test: By Way of an Introduction<br />
: Calum Neill<br />
<br />
;2. Do Filminds Dream of Celluloid Sheep? Lacan, Filmosophy and Blade Runner 2049<br />
: Ben Tyrer<br />
<br />
;3. Blade Runner 2049: A View of Post-Human Capitalism<br />
: Slavoj Žižek<br />
<br />
;4. Between the Capitalist and the Cop: The Path of Revolution in Blade Runner 2049<br />
: Todd McGowan<br />
<br />
;5. ‘To Be Homesick with No Place to Go’: The Phantom of the Sinthome and the Joi of Sex<br />
: Daniel Bristow<br />
<br />
;6. Home Bodies: Prosthetic People and Economies of Desire<br />
: Timothy Richardson<br />
<br />
;7. Object Oriented Subjectivity: Capitalism and Desire in Blade Runner 2049<br />
: Matthew Flisfeder<br />
<br />
;8. What Happens When the Replicants Become Extimate? On the Uncanny Cut of the Capitalocene in Blade Runner 2049<br />
: Alexander Bove<br />
<br />
;9. In Anxious Anticipation of Our Imminent Obsolescence<br />
: Scott Contreras-Koterbay<br />
<br />
;10. “Before We Even Know What We Are, We Fear to Lose It”: The Missing Object of the Primal Scene<br />
: Isabel Millar<br />
<br />
;11.Women Between Worlds: A Psychoanalysis of Sex in Blade Runner 2049<br />
: Sheila Kunkle<br />
a<br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] <br />
[[Category:Books about Film]]<br />
[[Category:2021 Books]]<br />
[[Category:Books about Lacan]] <br />
[[Category:Books about Jacques Lacan]] <br />
[[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Lacanian_Perspectives_on_Blade_Runner_2019&diff=53088Lacanian Perspectives on Blade Runner 20192021-05-06T07:38:04Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
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| style="font-weight: bold" |[https://anonfiles.com/3344ke3bpb/Lacan_Bolinda_Beginner_Guides_Lionel_Bailly_mp3 #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Lacan: A Beginner's Guide<br />
|image = Lacan-a-beginners-guide-lionel-bailly.jpg<br />
|caption =<br />
|orig_title =<br />
|author = Peter D. Mathews<br />
|editor =<br />
|publisher = Oneworld Publications<br />
|pub_date = 2009, 2013<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 256<br />
|isbn = 9781851686377, 978-1851686377<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. <br />
<br />
Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. <br />
<br />
This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.<br />
<br />
==About the Authors==<br />
Calum Neill is Associate Professor of Psychoanalysis & Cultural Theory at Edinburgh Napier University, Scotland, and Director of Lacan in Scotland. He has written a number of monographs, including Without Ground: Lacanian Ethics and the Assumption of Subjectivity (2011) and Jacques Lacan: The Basics (2017). He is the co-editor of both the Palgrave Lacan Series the three volume guide Reading Lacan’s Ecrits (2018-2021).<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|"Well-written, carefully structured and broadly accessible. The author offers lucid explanations of key Lacanian concepts, without over-simplifying or having recourse to 'Lacan-light’."|Dany Nobus||Chair of Psychology and Psychoanalysis, Brunel University and author of ''Jaques Lacan''|}}<br />
<br />
{{Quotation|"Simply the clearest explanation of Lacan anywhere. The author succeeds where almost everyone else has failed. Highly readable and entertaining." |Peter Fonagy||Professor of Psychoanalysis, UCL & Chief Executive of the Anna Freud Centre}}<br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] <br />
[[Category:Books about Lacan]] <br />
[[Category:Books about Jacques Lacan]] <br />
[[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=File:Calum_Neill_Lacanian_Perspectives_on_Blade_Runner_2049.png&diff=53087File:Calum Neill Lacanian Perspectives on Blade Runner 2049.png2021-05-06T07:36:53Z<p>Riot Hero: </p>
<hr />
<div></div>Riot Herohttps://nosubject.com/index.php?title=Lacanian_Perspectives_on_Blade_Runner_2019&diff=53086Lacanian Perspectives on Blade Runner 20192021-05-06T07:31:28Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" |+ Download Free Ebook! | PDF: |style="font-weight: bold"|[..."</p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
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|-<br />
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|-<br />
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|style="font-weight: bold"|[https://anonfiles.com/3344ke3bpb/Lacan_Bolinda_Beginner_Guides_Lionel_Bailly_mp3 #3]<br />
|-<br />
|}<br />
{{Infobox book<br />
|name = Lacan: A Beginner's Guide<br />
|image = Lacan-a-beginners-guide-lionel-bailly.jpg<br />
|caption =<br />
|orig_title =<br />
|author = Peter D. Mathews<br />
|editor =<br />
|publisher = Oneworld Publications<br />
|pub_date = 2009, 2013<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 256<br />
|isbn = 9781851686377, 978-1851686377<br />
}}<br />
<noautolinks><br />
==About this book==<br />
Lacan without the jargon!<br />
<br />
Jacques Lacan was one of the most important psychoanalysts ever to have lived. Building upon the work of Sigmund Freud, he sought to refine Freudian insights with the use of linguistics, arguing that “the structure of unconscious is like a language”. Controversial throughout his lifetime both for adopting mathematical concepts in his psychoanalytic framework and for advocating therapy sessions of varying length, he is widely misunderstood and often unfairly dismissed as impenetrable.<br />
<br />
In this clear, wide-ranging primer, Lionel Bailly demonstrates how Lacan’s ideas are still vitally relevant to contemporary issues of mental health treatment. Defending Lacan from his numerous detractors, past and present, Bailly guides the reader through Lacan’s canon, from “l'objet petit a” to “The Mirror Stage” and beyond. Including coverage of developments in Lacanian psychoanalysis since his death, this is the perfect introduction to the great modern theorist.<br />
<br />
==About the Authors==<br />
Lionel Bailly is Honorary Senior Lecturer in Psychoanalysis at UCL and Consultant Psychiatrist, North Essex Mental Health Partnership NHS Trust.<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|"Well-written, carefully structured and broadly accessible. The author offers lucid explanations of key Lacanian concepts, without over-simplifying or having recourse to 'Lacan-light’."|Dany Nobus||Chair of Psychology and Psychoanalysis, Brunel University and author of ''Jaques Lacan''|}}<br />
<br />
{{Quotation|"Simply the clearest explanation of Lacan anywhere. The author succeeds where almost everyone else has failed. Highly readable and entertaining." |Peter Fonagy||Professor of Psychoanalysis, UCL & Chief Executive of the Anna Freud Centre}}<br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Books/Peter_Mathews/Lacan_the_Charlatan&diff=53070Books/Peter Mathews/Lacan the Charlatan2020-12-27T23:58:06Z<p>Riot Hero: </p>
<hr />
<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
| Download PDF:<br />
|style="font-weight: bold"|[http://library.lol/main/C857D3947A0837E7843444133B74A89B DOWNLOAD #1]<br />
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|}<br />
{{Infobox book<br />
|name = Lacan the Charlatan<br />
|image = Lacan_the_Charlatan.png<br />
|caption =<br />
|orig_title =<br />
|author = Peter D. Mathews<br />
|editor =<br />
|publisher = Palgrave MacMillan<br />
|pub_date = 2020<br />
|language = English<br />
|other_lang_pub =<br />
|edition = Hardcover<br />
|pages = 242<br />
|isbn = 9783030452032, 9783030452049<br />
}}<br />
<noautolinks><br />
==About this book==<br />
This book sets out to determine the validity of an accusation made against Jacques [[Lacan]] by Noam [[Chomsky]] in an interview in 1989. He stated that Lacan was a “charlatan” – not that his [[ideas]] were flawed or wrong, but that his entire [[discourse]] was fraudulent, an accusation that has since been repeated by many [[other]] critics. Examining the arguments of key anti-[[Lacanian]] critics, Mathews weighs and contextualizes the legitimacy of Lacan’s engagements with [[structural]] [[linguistics]], [[mathematical]] [[formalization]], [[science]], [[ethics]], [[Hegelian]] dialectics, and [[psychoanalysis]]. The guiding thread is Lacan’s own recurrent interrogation of [[authority]], which inhabits an ambiguous zone between [[mastery]] and charlatanry. This book offers a novel contribution to the field for students and scholars of psychoanalysis, [[philosophy]], [[sociology]], critical and [[literary]] [[theory]].<br />
<br />
==About the Authors==<br />
Peter D. Mathews is Professor of [[English]] [[Literature]] at Hanyang [[University]], South Korea.<br />
<br />
==Table of Contents==<br />
* 1. Introduction<br />
** A Geneaology of the Charlatan Label<br />
** The Turn Against Psychoanalytic Authority<br />
** Two Untenable Modes of Mastery<br />
** The Work of Critical Sacrilege<br />
** Lacan's Accusers<br />
** References<br />
<br />
* 2. Lacan the Linguistic Charlatan<br />
** Linguistic Idealism<br />
** The Place of Saussure<br />
** Regimes of Truth<br />
** Diversion and Strategy<br />
** From the Symbolic to the Real<br />
** References<br />
<br />
* 3. Lacan the Mathematical Charlatan<br />
** Mathematical Charlantry<br />
** The Place of the Matheme<br />
** 'That Was No Done'<br />
** Enjoy Your Enlightenment!<br />
** Mathematics and Mastery<br />
** References<br />
<br />
* 4. Lacan the Scientific Charlatan <br />
** A Confession of Faith<br />
** The Sticky Branch<br />
** Repressed Power<br />
** Knowledge and Enjoyment<br />
** References<br />
<br />
* 5. Lacan the Ethical Charlatan<br />
** A Tale of Two Books<br />
** The End of Shame<br />
** The Man of Pleasure<br />
** Utilitarian Fictions<br />
** Sham ''Jouissance''<br />
** References<br />
<br />
* 6. Lacan the Absolute Charlatan<br />
** The Unwitting Puppet<br />
** Three Puppet Masters<br />
** From Ancient to Modern<br />
** Playing the Master<br />
** References<br />
<br />
* 7. Lacan the Master Charlatan<br />
** The Fatal Flaw<br />
** The Transference Trap<br />
** Irony and the Master's Writing<br />
** The Meta-Charlatan<br />
** References<br />
<br />
* References<br />
<br />
* Index<br />
<br />
==Reviews==<br />
{{Quotation|"What authorizes an analyst to analyze? Lacan the Charlatan makes a significant contribution to this important question and is a must-read for anyone interested in the future of our praxis."|Russell Grigg|World Association of Psychoanalysis|}}<br />
<br />
{{Quotation|"Lacan the Charlatan is much more than a highly engaging study of Lacan's various critics, detractors, and would-be debunkers. It focuses in on one of the essential problems of his psychoanalytic theory: the nature of authority under conditions of modernity. Clown, guru, master, imposter, insurgent, analyst: Mathews shows how Lacan both incarnated and exposed the impasses of authority, and how his theoretical framework is crucial for understanding the charade of power and mastery we are living in today."|Aaron Schuster||author of ''The Trouble with Pleasure: Deleuze and Psychoanalysis''}}<br />
<br />
{{Quotation|"Mathews is that rarest of scholars in psychoanalytic studies: someone brave enough to consult works he disagrees with, and then able to produce smart, judicious, and fair-minded commentary and critique. Likewise, his interventions into the work and legacies of the best critics of Lacan, such as Roustang and Borch-Jacobsen, is not just overdue; it is often revelatory. Lacan the Charlatan is a major contribution to the literature - one of interest to scholars of literature, philosophy, and sociology - that will still be worth reading in twenty years."|Todd Dufresne||Professor of Philosophy, Lakehead University, Canada}}<br />
<br />
==Video==<br />
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<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Books/Lionel_Bailly/Lacan:_A_Beginner%27s_Guide&diff=53069Books/Lionel Bailly/Lacan: A Beginner's Guide2020-12-27T23:53:35Z<p>Riot Hero: Created page with "{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;" |+ Download Free Ebook! | PDF: |style="font-weight: bold"|[..."</p>
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<div>{| align="center" style="width:600px; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"<br />
|+ Download Free Ebook!<br />
| PDF:<br />
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{{Infobox book<br />
|name = Lacan: A Beginner's Guide<br />
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|author = Peter D. Mathews<br />
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|publisher = Oneworld Publications<br />
|pub_date = 2009, 2013<br />
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|edition = Hardcover<br />
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<noautolinks><br />
==About this book==<br />
Lacan without the jargon!<br />
<br />
Jacques Lacan was one of the most important psychoanalysts ever to have lived. Building upon the work of Sigmund Freud, he sought to refine Freudian insights with the use of linguistics, arguing that “the structure of unconscious is like a language”. Controversial throughout his lifetime both for adopting mathematical concepts in his psychoanalytic framework and for advocating therapy sessions of varying length, he is widely misunderstood and often unfairly dismissed as impenetrable.<br />
<br />
In this clear, wide-ranging primer, Lionel Bailly demonstrates how Lacan’s ideas are still vitally relevant to contemporary issues of mental health treatment. Defending Lacan from his numerous detractors, past and present, Bailly guides the reader through Lacan’s canon, from “l'objet petit a” to “The Mirror Stage” and beyond. Including coverage of developments in Lacanian psychoanalysis since his death, this is the perfect introduction to the great modern theorist.<br />
<br />
==About the Authors==<br />
Lionel Bailly is Honorary Senior Lecturer in Psychoanalysis at UCL and Consultant Psychiatrist, North Essex Mental Health Partnership NHS Trust.<br />
<br />
==Table of Contents==<br />
<br />
==Reviews==<br />
{{Quotation|"Well-written, carefully structured and broadly accessible. The author offers lucid explanations of key Lacanian concepts, without over-simplifying or having recourse to 'Lacan-light’."|Dany Nobus||Chair of Psychology and Psychoanalysis, Brunel University and author of ''Jaques Lacan''|}}<br />
<br />
{{Quotation|"Simply the clearest explanation of Lacan anywhere. The author succeeds where almost everyone else has failed. Highly readable and entertaining." |Peter Fonagy||Professor of Psychoanalysis, UCL & Chief Executive of the Anna Freud Centre}}<br />
<br />
<br />
</noautolinks><br />
[[Category:Books]] [[Category:Books about Lacan]] [[Category:Books about Jacques Lacan]] [[Category:Libgen]]</div>Riot Herohttps://nosubject.com/index.php?title=Widget:YouTube&diff=53068Widget:YouTube2020-12-27T21:52:54Z<p>Riot Hero: Created page with "<noinclude> This widget allows you to add a [https://developers.google.com/youtube/player_parameters YouTube video player] to your wiki page. Created by [https://www.mediawik..."</p>
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@source mediawiki.org/wiki/Snippets/Horizontal_lists<br />
@revision 8 (2016-05-21)<br />
@author [[User:Edokter]]<br />
*/<br />
.hlist dl,<br />
.hlist ol,<br />
.hlist ul {<br />
margin: 0;<br />
padding: 0;<br />
}<br />
/* Display list items inline */<br />
.hlist dd,<br />
.hlist dt,<br />
.hlist li {<br />
margin: 0;<br />
display: inline;<br />
}<br />
/* Display nested lists inline */<br />
.hlist.inline,<br />
.hlist.inline dl,<br />
.hlist.inline ol,<br />
.hlist.inline ul,<br />
.hlist dl dl, .hlist dl ol, .hlist dl ul,<br />
.hlist ol dl, .hlist ol ol, .hlist ol ul,<br />
.hlist ul dl, .hlist ul ol, .hlist ul ul {<br />
display: inline;<br />
}<br />
/* Hide empty list items */<br />
.hlist .mw-empty-li {<br />
display: none;<br />
}<br />
/* Generate interpuncts */<br />
.hlist dt:after {<br />
content: ": ";<br />
}<br />
/**<br />
* Note hlist style usage differd in<br />
* the Minerva skin. Remember .hlist is a class defined in core as well! Please check Minerva desktop (and Minerva.css) when changing<br />
* See https://phabricator.wikimedia.org/T213239<br />
*/<br />
.hlist dd:after,<br />
.hlist li:after {<br />
content: " · ";<br />
font-weight: bold;<br />
}<br />
.hlist dd:last-child:after,<br />
.hlist dt:last-child:after,<br />
.hlist li:last-child:after {<br />
content: none;<br />
}<br />
/* Add parentheses around nested lists */<br />
.hlist dd dd:first-child:before, .hlist dd dt:first-child:before, .hlist dd li:first-child:before,<br />
.hlist dt dd:first-child:before, .hlist dt dt:first-child:before, .hlist dt li:first-child:before,<br />
.hlist li dd:first-child:before, .hlist li dt:first-child:before, .hlist li li:first-child:before {<br />
content: " (";<br />
font-weight: normal;<br />
}<br />
.hlist dd dd:last-child:after, .hlist dd dt:last-child:after, .hlist dd li:last-child:after,<br />
.hlist dt dd:last-child:after, .hlist dt dt:last-child:after, .hlist dt li:last-child:after,<br />
.hlist li dd:last-child:after, .hlist li dt:last-child:after, .hlist li li:last-child:after {<br />
content: ")";<br />
font-weight: normal;<br />
}<br />
/* Put ordinals in front of ordered list items */<br />
.hlist ol {<br />
counter-reset: listitem;<br />
}<br />
.hlist ol > li {<br />
counter-increment: listitem;<br />
}<br />
.hlist ol > li:before {<br />
content: " " counter(listitem) "\a0";<br />
}<br />
.hlist dd ol > li:first-child:before,<br />
.hlist dt ol > li:first-child:before,<br />
.hlist li ol > li:first-child:before {<br />
content: " (" counter(listitem) "\a0";<br />
}<br />
<br />
/* Unbulleted lists */<br />
.plainlist ol,<br />
.plainlist ul {<br />
line-height: inherit;<br />
list-style: none none;<br />
margin: 0;<br />
}<br />
.plainlist ol li,<br />
.plainlist ul li {<br />
margin-bottom: 0;<br />
}<br />
<br />
/* Default style for navigation boxes */<br />
.navbox { /* Navbox container style */<br />
box-sizing: border-box;<br />
border: 1px solid #a2a9b1;<br />
width: 100%;<br />
clear: both;<br />
font-size: 88%;<br />
text-align: center;<br />
padding: 1px;<br />
margin: 1em auto 0; /* Prevent preceding content from clinging to navboxes */<br />
}<br />
.navbox .navbox {<br />
margin-top: 0; /* No top margin for nested navboxes */<br />
}<br />
.navbox + .navbox {<br />
margin-top: -1px; /* Single pixel border between adjacent navboxes */<br />
}<br />
.navbox-inner,<br />
.navbox-subgroup {<br />
width: 100%;<br />
}<br />
.navbox-group,<br />
.navbox-title,<br />
.navbox-abovebelow {<br />
padding: 0.25em 1em; /* Title, group and above/below styles */<br />
line-height: 1.5em;<br />
text-align: center;<br />
}<br />
th.navbox-group { /* Group style */<br />
white-space: nowrap;<br />
/* @noflip */<br />
text-align: right;<br />
}<br />
.navbox,<br />
.navbox-subgroup {<br />
background-color: #fdfdfd; /* Background color */<br />
}<br />
.navbox-list {<br />
line-height: 1.5em;<br />
border-color: #fdfdfd; /* Must match background color */<br />
}<br />
/* cell spacing for navbox cells */<br />
tr + tr > .navbox-abovebelow,<br />
tr + tr > .navbox-group,<br />
tr + tr > .navbox-image,<br />
tr + tr > .navbox-list { /* Borders above 2nd, 3rd, etc. rows */<br />
border-top: 2px solid #fdfdfd; /* Must match background color */<br />
}<br />
.navbox th,<br />
.navbox-title {<br />
background-color: #ccccff; /* Level 1 color */<br />
}<br />
.navbox-abovebelow,<br />
th.navbox-group,<br />
.navbox-subgroup .navbox-title {<br />
background-color: #ddddff; /* Level 2 color */<br />
}<br />
.navbox-subgroup .navbox-group,<br />
.navbox-subgroup .navbox-abovebelow {<br />
background-color: #e6e6ff; /* Level 3 color */<br />
}<br />
.navbox-even {<br />
background-color: #f7f7f7; /* Even row striping */<br />
}<br />
.navbox-odd {<br />
background-color: transparent; /* Odd row striping */<br />
}<br />
.navbox .hlist td dl,<br />
.navbox .hlist td ol,<br />
.navbox .hlist td ul,<br />
.navbox td.hlist dl,<br />
.navbox td.hlist ol,<br />
.navbox td.hlist ul {<br />
padding: 0.125em 0; /* Adjust hlist padding in navboxes */<br />
}<br />
<br />
/* Default styling for Navbar template */<br />
.navbar {<br />
display: inline;<br />
font-size: 88%;<br />
font-weight: normal;<br />
}<br />
.navbar ul {<br />
display: inline;<br />
white-space: nowrap;<br />
}<br />
.mw-body-content .navbar ul {<br />
line-height: inherit;<br />
}<br />
.navbar li {<br />
word-spacing: -0.125em;<br />
}<br />
.navbar.mini li abbr[title] {<br />
font-variant: small-caps;<br />
border-bottom: none;<br />
text-decoration: none;<br />
cursor: inherit;<br />
}<br />
/* Navbar styling when nested in infobox and navbox */<br />
.infobox .navbar {<br />
font-size: 100%;<br />
}<br />
.navbox .navbar {<br />
display: block;<br />
font-size: 100%;<br />
}<br />
.navbox-title .navbar {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
/* @noflip */<br />
margin-right: 0.5em;<br />
}<br />
<br />
/* 'show'/'hide' buttons created dynamically by the CollapsibleTables javascript<br />
in [[MediaWiki:Common.js]] are styled here so they can be customised. */<br />
.collapseButton {<br />
/* @noflip */<br />
float: right;<br />
font-weight: normal;<br />
/* @noflip */<br />
margin-left: 0.5em;<br />
/* @noflip */<br />
text-align: right;<br />
width: auto;<br />
}<br />
<br />
/* Styling for JQuery makeCollapsible, matching that of collapseButton */<br />
.mw-parser-output .mw-collapsible-toggle {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: right;<br />
padding-right: 0.2em;<br />
padding-left: 0.2em;<br />
}<br />
.mw-collapsible-leftside-toggle .mw-collapsible-toggle {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Normal font styling for wikitable row headers with scope="row" tag */<br />
.wikitable.plainrowheaders th[scope=row] {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Lists in wikitable data cells are always left-aligned */<br />
.wikitable td ul,<br />
.wikitable td ol,<br />
.wikitable td dl {<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
/* ...unless they also use the hlist class */<br />
.toc.hlist ul,<br />
#toc.hlist ul,<br />
.wikitable.hlist td ul,<br />
.wikitable.hlist td ol,<br />
.wikitable.hlist td dl {<br />
text-align: inherit;<br />
}<br />
<br />
/* Icons for medialist templates [[Template:Listen]],<br />
[[Template:Multi-listen_start]], [[Template:Video]],<br />
[[Template:Multi-video_start]] */<br />
/* TemplateStyles */<br />
div.listenlist {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/4/47/Sound-icon.svg") no-repeat scroll 0 0 transparent;<br />
background-size: 30px;<br />
padding-left: 40px;<br />
}<br />
<br />
/* Fix for hieroglyphs specificity issue in infoboxes ([[phab:T43869]]) */<br />
table.mw-hiero-table td {<br />
vertical-align: middle;<br />
}<br />
<br />
/* Change the external link icon to an Adobe icon for all PDF files */<br />
.mw-parser-output a[href$=".pdf"].external,<br />
.mw-parser-output a[href*=".pdf?"].external,<br />
.mw-parser-output a[href*=".pdf#"].external,<br />
.mw-parser-output a[href$=".PDF"].external,<br />
.mw-parser-output a[href*=".PDF?"].external,<br />
.mw-parser-output a[href*=".PDF#"].external {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/2/23/Icons-mini-file_acrobat.gif") no-repeat right;<br />
/* @noflip */<br />
padding-right: 18px;<br />
}<br />
<br />
/* Messagebox templates */<br />
.messagebox {<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa;<br />
width: 80%;<br />
margin: 0 auto 1em auto;<br />
padding: .2em;<br />
}<br />
.messagebox.merge {<br />
border: 1px solid #c0b8cc;<br />
background-color: #f0e5ff;<br />
text-align: center;<br />
}<br />
.messagebox.cleanup {<br />
border: 1px solid #9f9fff;<br />
background-color: #efefff;<br />
text-align: center;<br />
}<br />
.messagebox.standard-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
margin: 4px auto;<br />
}<br />
/* For old WikiProject banners inside banner shells. */<br />
.mbox-inside .standard-talk,<br />
.messagebox.nested-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
width: 100%;<br />
margin: 2px 0;<br />
padding: 2px;<br />
}<br />
.messagebox.small {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
}<br />
.messagebox.small-talk {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
background-color: #f8eaba;<br />
}<br />
<br />
/* Cell sizes for ambox/tmbox/imbox/cmbox/ombox/fmbox/dmbox message boxes */<br />
th.mbox-text, td.mbox-text { /* The message body cell(s) */<br />
border: none;<br />
/* @noflip */<br />
padding: 0.25em 0.9em; /* 0.9em left/right */<br />
width: 100%; /* Make all mboxes the same width regardless of text length */<br />
}<br />
td.mbox-image { /* The left image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0 2px 0.9em; /* 0.9em left, 0px right */<br />
text-align: center;<br />
}<br />
td.mbox-imageright { /* The right image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0.9em 2px 0; /* 0px left, 0.9em right */<br />
text-align: center;<br />
}<br />
td.mbox-empty-cell { /* An empty narrow cell */<br />
border: none;<br />
padding: 0;<br />
width: 1px;<br />
}<br />
<br />
/* Article message box styles */<br />
table.ambox {<br />
margin: 0 10%; /* 10% = Will not overlap with other elements */<br />
border: 1px solid #a2a9b1;<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
table.ambox + table.ambox { /* Single border between stacked boxes. */<br />
margin-top: -1px;<br />
}<br />
.ambox th.mbox-text,<br />
.ambox td.mbox-text { /* The message body cell(s) */<br />
padding: 0.25em 0.5em; /* 0.5em left/right */<br />
}<br />
.ambox td.mbox-image { /* The left image cell */<br />
/* @noflip */<br />
padding: 2px 0 2px 0.5em; /* 0.5em left, 0px right */<br />
}<br />
.ambox td.mbox-imageright { /* The right image cell */<br />
/* @noflip */<br />
padding: 2px 0.5em 2px 0; /* 0px left, 0.5em right */<br />
}<br />
<br />
table.ambox-notice {<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Blue */<br />
}<br />
table.ambox-speedy {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ambox-delete {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
}<br />
table.ambox-content {<br />
/* @noflip */<br />
border-left: 10px solid #f28500; /* Orange */<br />
}<br />
table.ambox-style {<br />
/* @noflip */<br />
border-left: 10px solid #fc3; /* Yellow */<br />
}<br />
table.ambox-move {<br />
/* @noflip */<br />
border-left: 10px solid #9932cc; /* Purple */<br />
}<br />
table.ambox-protection {<br />
/* @noflip */<br />
border-left: 10px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Image message box styles */<br />
table.imbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 3px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
.imbox .mbox-text .imbox { /* For imboxes inside imbox-text cells. */<br />
margin: 0 -0.5em; /* 0.9 - 0.5 = 0.4em left/right. */<br />
display: block; /* Fix for webkit to force 100% width. */<br />
}<br />
.mbox-inside .imbox { /* For imboxes inside other templates. */<br />
margin: 4px;<br />
}<br />
<br />
table.imbox-notice {<br />
border: 3px solid #36c; /* Blue */<br />
}<br />
table.imbox-speedy {<br />
border: 3px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.imbox-delete {<br />
border: 3px solid #b32424; /* Red */<br />
}<br />
table.imbox-content {<br />
border: 3px solid #f28500; /* Orange */<br />
}<br />
table.imbox-style {<br />
border: 3px solid #fc3; /* Yellow */<br />
}<br />
table.imbox-move {<br />
border: 3px solid #9932cc; /* Purple */<br />
}<br />
table.imbox-protection {<br />
border: 3px solid #a2a9b1; /* Gray-gold */<br />
}<br />
table.imbox-license {<br />
border: 3px solid #88a; /* Dark gray */<br />
background-color: #f7f8ff; /* Light gray */<br />
}<br />
table.imbox-featured {<br />
border: 3px solid #cba135; /* Brown-gold */<br />
}<br />
<br />
/* Category message box styles */<br />
table.cmbox {<br />
margin: 3px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1;<br />
background-color: #dfe8ff; /* Default "notice" blue */<br />
box-sizing: border-box;<br />
}<br />
<br />
table.cmbox-notice {<br />
background-color: #d8e8ff; /* Blue */<br />
}<br />
table.cmbox-speedy {<br />
margin-top: 4px;<br />
margin-bottom: 4px;<br />
border: 4px solid #b32424; /* Red */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-delete {<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-content {<br />
background-color: #ffe7ce; /* Orange */<br />
}<br />
table.cmbox-style {<br />
background-color: #fff9db; /* Yellow */<br />
}<br />
table.cmbox-move {<br />
background-color: #e4d8ff; /* Purple */<br />
}<br />
table.cmbox-protection {<br />
background-color: #efefe1; /* Gray-gold */<br />
}<br />
<br />
/* Other pages message box styles */<br />
table.ombox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1; /* Default "notice" gray */<br />
background-color: #f8f9fa;<br />
box-sizing: border-box;<br />
}<br />
<br />
table.ombox-notice {<br />
border: 1px solid #a2a9b1; /* Gray */<br />
}<br />
table.ombox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ombox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.ombox-content {<br />
border: 1px solid #f28500; /* Orange */<br />
}<br />
table.ombox-style {<br />
border: 1px solid #fc3; /* Yellow */<br />
}<br />
table.ombox-move {<br />
border: 1px solid #9932cc; /* Purple */<br />
}<br />
table.ombox-protection {<br />
border: 2px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Talk page message box styles */<br />
table.tmbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #c0c090; /* Default "notice" gray-brown */<br />
background-color: #f8eaba;<br />
min-width: 80%;<br />
box-sizing: border-box;<br />
}<br />
.tmbox.mbox-small {<br />
min-width: 0; /* reset the min-width of tmbox above */<br />
}<br />
.mediawiki .mbox-inside .tmbox { /* For tmboxes inside other templates. The "mediawiki" class ensures that */<br />
margin: 2px 0; /* this declaration overrides other styles (including mbox-small above) */<br />
width: 100%; /* For Safari and Opera */<br />
}<br />
.mbox-inside .tmbox.mbox-small { /* "small" tmboxes should not be small when */<br />
line-height: 1.5em; /* also "nested", so reset styles that are */<br />
font-size: 100%; /* set in "mbox-small" above. */<br />
}<br />
<br />
table.tmbox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.tmbox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.tmbox-content {<br />
border: 2px solid #f28500; /* Orange */<br />
}<br />
table.tmbox-style {<br />
border: 2px solid #fc3; /* Yellow */<br />
}<br />
table.tmbox-move {<br />
border: 2px solid #9932cc; /* Purple */<br />
}<br />
table.tmbox-protection,<br />
table.tmbox-notice {<br />
border: 1px solid #c0c090; /* Gray-brown */<br />
}<br />
<br />
/* Disambig and set index box styles */<br />
table.dmbox {<br />
clear: both;<br />
margin: 0.9em 1em;<br />
border-top: 1px solid #ccc;<br />
border-bottom: 1px solid #ccc;<br />
background-color: transparent;<br />
}<br />
<br />
/* Footer and header message box styles */<br />
table.fmbox {<br />
clear: both;<br />
margin: 0.2em 0;<br />
width: 100%;<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa; /* Default "system" gray */<br />
box-sizing: border-box;<br />
}<br />
table.fmbox-system {<br />
background-color: #f8f9fa;<br />
}<br />
table.fmbox-warning {<br />
border: 1px solid #bb7070; /* Dark pink */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.fmbox-editnotice {<br />
background-color: transparent;<br />
}<br />
/* Div based "warning" style fmbox messages. */<br />
div.mw-warning-with-logexcerpt,<br />
div.mw-lag-warn-high,<br />
div.mw-cascadeprotectedwarning,<br />
div#mw-protect-cascadeon,<br />
div.titleblacklist-warning,<br />
div.locked-warning {<br />
clear: both;<br />
margin: 0.2em 0;<br />
border: 1px solid #bb7070;<br />
background-color: #ffdbdb;<br />
padding: 0.25em 0.9em;<br />
box-sizing: border-box;<br />
}<br />
<br />
/* These mbox-small classes must be placed after all other<br />
ambox/tmbox/ombox etc classes. "html body.mediawiki" is so<br />
they override "table.ambox + table.ambox" above. */<br />
html body.mediawiki .mbox-small { /* For the "small=yes" option. */<br />
/* @noflip */<br />
clear: right;<br />
/* @noflip */<br />
float: right;<br />
/* @noflip */<br />
margin: 4px 0 4px 1em;<br />
box-sizing: border-box;<br />
width: 238px;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
html body.mediawiki .mbox-small-left { /* For the "small=left" option. */<br />
/* @noflip */<br />
margin: 4px 1em 4px 0;<br />
box-sizing: border-box;<br />
overflow: hidden;<br />
width: 238px;<br />
border-collapse: collapse;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
<br />
/* Style for compact ambox */<br />
/* Hide the images */<br />
.compact-ambox table .mbox-image,<br />
.compact-ambox table .mbox-imageright,<br />
.compact-ambox table .mbox-empty-cell {<br />
display: none;<br />
}<br />
/* Remove borders, backgrounds, padding, etc. */<br />
.compact-ambox table.ambox {<br />
border: none;<br />
border-collapse: collapse;<br />
background-color: transparent;<br />
margin: 0 0 0 1.6em !important;<br />
padding: 0 !important;<br />
width: auto;<br />
display: block;<br />
}<br />
body.mediawiki .compact-ambox table.mbox-small-left {<br />
font-size: 100%;<br />
width: auto;<br />
margin: 0;<br />
}<br />
/* Style the text cell as a list item and remove its padding */<br />
.compact-ambox table .mbox-text {<br />
padding: 0 !important;<br />
margin: 0 !important;<br />
}<br />
.compact-ambox table .mbox-text-span {<br />
display: list-item;<br />
line-height: 1.5em;<br />
list-style-type: square;<br />
list-style-image: url(/w/skins/MonoBook/resources/images/bullet.gif);<br />
}<br />
.skin-vector .compact-ambox table .mbox-text-span {<br />
list-style-type: disc;<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.svg);<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.png)\9;<br />
}<br />
/* Allow for hiding text in compact form */<br />
.compact-ambox .hide-when-compact {<br />
display: none;<br />
}<br />
<br />
/* Hide (formatting) elements from screen, but not from screenreaders */<br />
.visualhide {<br />
position: absolute;<br />
left: -10000px;<br />
top: auto;<br />
width: 1px;<br />
height: 1px;<br />
overflow: hidden;<br />
}<br />
<br />
/* Suppress missing interwiki image links where #ifexist cannot<br />
be used due to high number of requests. See .hidden-redlink on<br />
[[m:MediaWiki:Common.css]] */<br />
.check-icon a.new {<br />
display: none;<br />
speak: none;<br />
}<br />
<br />
/* Remove underlines from certain links */<br />
.nounderlines a,<br />
.IPA a:link, .IPA a:visited {<br />
text-decoration: none !important;<br />
}<br />
<br />
/* Standard Navigationsleisten, aka box hiding thingy<br />
from .de. Documentation at [[Wikipedia:NavFrame]]. */<br />
div.NavFrame {<br />
margin: 0;<br />
padding: 4px;<br />
border: 1px solid #a2a9b1;<br />
text-align: center;<br />
border-collapse: collapse;<br />
font-size: 95%;<br />
}<br />
div.NavFrame + div.NavFrame {<br />
border-top-style: none;<br />
border-top-style: hidden;<br />
}<br />
div.NavFrame div.NavHead {<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
background-color: #ccf;<br />
position: relative;<br />
}<br />
div.NavFrame p,<br />
div.NavFrame div.NavContent,<br />
div.NavFrame div.NavContent p {<br />
font-size: 100%;<br />
}<br />
a.NavToggle {<br />
position: absolute;<br />
top: 0;<br />
/* @noflip */<br />
right: 3px;<br />
font-weight: normal;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hatnotes and disambiguation notices */<br />
.hatnote {<br />
font-style: italic;<br />
}<br />
.hatnote i {<br />
font-style: normal;<br />
}<br />
div.hatnote {<br />
/* @noflip */<br />
padding-left: 1.6em;<br />
margin-bottom: 0.5em;<br />
}<br />
div.hatnote + div.hatnote {<br />
margin-top: -0.5em;<br />
}<br />
<br />
/* Allow transcluded pages to display in lists rather than a table. */<br />
.listify td {<br />
display: list-item;<br />
}<br />
.listify tr {<br />
display: block;<br />
}<br />
.listify table {<br />
display: block;<br />
}<br />
<br />
/* Geographical coordinates defaults. See [[Template:Coord/link]]<br />
for how these are used. The classes "geo", "longitude", and<br />
"latitude" are used by the [[Geo microformat]]. */<br />
/* TemplateStyles */<br />
.geo-default, .geo-dms, .geo-dec {<br />
display: inline;<br />
}<br />
.geo-nondefault, .geo-multi-punct {<br />
display: none;<br />
}<br />
.longitude, .latitude {<br />
white-space: nowrap;<br />
}<br />
<br />
/* User block messages */<br />
div.user-block {<br />
padding: 5px;<br />
margin-bottom: 0.5em;<br />
border: 1px solid #a9a9a9;<br />
background-color: #ffefd5;<br />
}<br />
<br />
/* Prevent line breaks in silly places:<br />
1) Where desired<br />
2) Links when we don't want them to<br />
3) Bold "links" to the page itself */<br />
.nowrap,<br />
.nowraplinks a,<br />
.nowraplinks .selflink {<br />
white-space: nowrap;<br />
}<br />
.nowrap pre {<br />
white-space: pre;<br />
}<br />
/* But allow wrapping where desired: */<br />
.wrap,<br />
.wraplinks a {<br />
white-space: normal;<br />
}<br />
<br />
/* For template documentation */<br />
/* TemplateStyles */<br />
.template-documentation {<br />
clear: both;<br />
margin: 1em 0 0 0;<br />
border: 1px solid #a2a9b1;<br />
background-color: #ecfcf4;<br />
padding: 1em;<br />
}<br />
<br />
/* Increase the height of the image upload box */<br />
#wpUploadDescription {<br />
height: 13em;<br />
}<br />
<br />
/* Minimum thumb width */<br />
.thumbinner {<br />
min-width: 100px;<br />
}<br />
<br />
/* Prevent floating boxes from overlapping any category listings,<br />
file histories, edit previews, and edit [Show changes] views. */<br />
#mw-subcategories, #mw-pages, #mw-category-media,<br />
#filehistory, #wikiPreview, #wikiDiff {<br />
clear: both;<br />
}<br />
<br />
/* Selectively hide headers in WikiProject banners */<br />
/* TemplateStyles */<br />
.wpb .wpb-header {<br />
display: none;<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: block; /* for IE */<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: table-row; /* for real browsers */<br />
}<br />
.wpbs-inner .wpb-outside {<br />
display: none; /* hide things that should only display outside shells */<br />
}<br />
<br />
/* Styling for Abuse Filter tags */<br />
.mw-tag-markers {<br />
font-style: italic;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hide stuff meant for accounts with special permissions. Made visible again in<br />
[[MediaWiki:Group-checkuser.css]], [[MediaWiki:Group-sysop.css]], [[MediaWiki:Group-patroller.css]],<br />
[[MediaWiki:Group-templateeditor.css]], [[MediaWiki:Group-extendedmover.css]],<br />
[[MediaWiki:Group-extendedconfirmed.css]], and [[Mediawiki:Group-autoconfirmed.css]]. */<br />
.checkuser-show,<br />
.sysop-show,<br />
.patroller-show,<br />
.templateeditor-show,<br />
.extendedmover-show,<br />
.extendedconfirmed-show,<br />
.autoconfirmed-show,<br />
.user-show {<br />
display: none;<br />
}<br />
<br />
/* Hide the redlink generated by {{Editnotice}},<br />
this overrides the ".sysop-show { display: none; }" above that applies<br />
to the same link as well. See [[phab:T45013]]<br />
<br />
Hide the images in editnotices to keep them readable in VE view.<br />
Long term, editnotices should become a core feature so that they can be designed responsive. */<br />
.ve-ui-mwNoticesPopupTool-item .editnotice-redlink,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-image,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-imageright {<br />
display: none !important;<br />
}<br />
<br />
/* Remove bullets when there are multiple edit page warnings */<br />
ul.permissions-errors > li {<br />
list-style: none none;<br />
}<br />
ul.permissions-errors {<br />
margin: 0;<br />
}<br />
<br />
/* Generic class for Times-based serif, texhtml class for inline math */<br />
.times-serif,<br />
span.texhtml {<br />
font-family: "Nimbus Roman No9 L", "Times New Roman", Times, serif;<br />
font-size: 118%;<br />
line-height: 1;<br />
}<br />
span.texhtml {<br />
white-space: nowrap;<br />
}<br />
span.texhtml span.texhtml {<br />
font-size: 100%;<br />
}<br />
span.mwe-math-mathml-inline {<br />
font-size: 118%;<br />
}<br />
<br />
/* Force tabular and lining display for digits and texhtml */<br />
.digits,<br />
.texhtml {<br />
-moz-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
-webkit-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-variant-numeric: lining-nums tabular-nums;<br />
font-kerning: none;<br />
}<br />
<br />
/* Make <math display="block"> be left aligned with one space indent for compatibility with style conventions */<br />
.mwe-math-fallback-image-display,<br />
.mwe-math-mathml-display {<br />
margin-left: 1.6em !important;<br />
margin-top: 0.6em;<br />
margin-bottom: 0.6em;<br />
}<br />
.mwe-math-mathml-display math {<br />
display: inline;<br />
}<br />
<br />
/* Fix styling of transcluded prefindex tables */<br />
table#mw-prefixindex-list-table,<br />
table#mw-prefixindex-nav-table {<br />
width: 98%;<br />
}<br />
<br />
/* Make it possible to hide checkboxes in <inputbox> */<br />
.inputbox-hidecheckboxes form .inputbox-element,<br />
.inputbox-hidecheckboxes .mw-ui-checkbox {<br />
display: none !important;<br />
}<br />
<br />
/* Work-around for [[phab:T25965]] / [[phab:T100106]] (Kaltura advertisement) */<br />
.k-player .k-attribution {<br />
visibility: hidden;<br />
}<br />
<br />
/* Move 'play' button of video player to bottom left corner */<br />
.PopUpMediaTransform a .play-btn-large {<br />
margin: 0;<br />
top: auto;<br />
right: auto;<br />
bottom: 0;<br />
left: 0;<br />
}<br />
<br />
/* Hide FlaggedRevs notice UI when there are no pending changes */<br />
.flaggedrevs_draft_synced,<br />
.flaggedrevs_stable_synced {<br />
display: none;<br />
}<br />
<br />
/* Force imgs in galleries to have borders by wrapping them in class=bordered-images */<br />
.bordered-images img {<br />
border: solid #ddd 1px;<br />
}<br />
<br />
/* Gallery styles background changes are restricted to screen view. In printing we should avoid applying backgrounds. */<br />
@media screen {<br />
/* The backgrounds for galleries. */<br />
#content .gallerybox div.thumb {<br />
/* Light gray padding */<br />
background-color: #f8f9fa;<br />
}<br />
<br />
/* Put a chequered background behind images, only visible if they have transparency.<br />
'.filehistory a img' and '#file img:hover' are handled by MediaWiki core (as of 1.19) */<br />
.gallerybox .thumb img {<br />
background: #fff url(//upload.wikimedia.org/wikipedia/commons/5/5d/Checker-16x16.png) repeat;<br />
}<br />
/* But not on articles, user pages, portals or with opt-out. */<br />
.ns-0 .gallerybox .thumb img,<br />
.ns-2 .gallerybox .thumb img,<br />
.ns-100 .gallerybox .thumb img,<br />
.nochecker .gallerybox .thumb img {<br />
background-image: none;<br />
}<br />
<br />
}<br />
<br />
<br />
/* Display "From Wikipedia, the free encyclopedia" in skins that support it, do not apply to print mode */<br />
@media screen {<br />
#siteSub {<br />
display: block;<br />
}<br />
}<br />
<br />
<br />
<br />
.portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
<br />
}<br />
<br />
.pi-item-spacing {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
div.pi-item.pi-data.portable-infobox{<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label {<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label.pi-secondary-font {<br />
font-size:0.95em;<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h2.pi-item.pi-item-spacing {<br />
<br />
}<br />
<br />
img.pi-image-thumbnail {<br />
width:300px;<br />
text-align:center;<br />
}</div>Riot Herohttps://nosubject.com/index.php?title=MediaWiki:Common.css&diff=53066MediaWiki:Common.css2020-12-27T20:37:57Z<p>Riot Hero: </p>
<hr />
<div>/* https://www.mediawiki.org/wiki/Manual:Tagline_(Site_Subtitle) */<br />
/* Removing tagline */<br />
body.page-Main_Page.action-view #siteSub, body.page-Main_Page.action-submit #siteSub { display: none; }<br />
<br />
<br />
.mejs-list li:hover {<br />
background: #red;<br />
cursor: pointer;<br />
}<br />
.mejs-list li.current {<br />
background: #cddfff;<br />
}<br />
.mejs-container{<br />
margin-left:auto;<br />
margin-right:auto;<br />
}<br />
<br />
#wrapper{<br />
width:490px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
/*<br />
.mejs-list li:hover {<br />
background: #ffa;<br />
cursor: pointer;<br />
}<br />
<br />
.mejs-list li.current {<br />
background: #cddfff;<br />
}<br />
<br />
<br />
.mejs-container{<br />
margin-left:auto;<br />
margin-right:auto;<br />
}<br />
<br />
*/<br />
<br />
#playwrap2{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
#playwrap{<br />
width:410px;<br />
align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:20px;<br />
padding:5px;<br />
<br />
-webkit-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
<br />
#wrapper{<br />
width:410px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
audio#mejs-playlist{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
audio#mejs-list{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
<br />
audio#mejs{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
<br />
audio#playwrap2{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
audio#playwrap{<br />
width:410px;<br />
align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:20px;<br />
padding:5px;<br />
<br />
-webkit-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
<br />
audio#wrapper{<br />
width:410px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
body { font-size: larger; }<br />
<br />
/* Bring the text to 14px */<br />
.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
span.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
div.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
#download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
<br />
@font-face {<br />
font-family: 'LACAN';<br />
src: url('http://files.nosubject.com/nosubject/fonts/LACAN.TTF') format('truetype');<br />
font-weight: normal;<br />
font-style: normal;<br />
}<br />
<br />
.LACAN { font-family: LACAN }<br />
<br />
<br />
/* Infobox template style */<br />
.infobox {<br />
border: 1px solid #a2a9b1;<br />
border-spacing: 3px;<br />
/* background-color: #f8f9fa; */<br />
margin-bottom: 0.5em;<br />
margin-left: 1em;<br />
color: black;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
padding: 0.2em;<br />
/* @noflip */<br />
float: right;<br />
/* @noflip */<br />
clear: right;<br />
font-size: 120%;<br />
width: 400px;<br />
line-height: 2.0em;<br />
<br />
}<br />
<br />
.infobox-title {<br />
font-size: 2em;<br />
text-align: center;<br />
}<br />
.infobox-image {<br />
text-align: center;<br />
}<br />
.infobox th {<br />
text-align: left;<br />
vertical-align: top;<br />
width: 120px;<br />
}<br />
.infobox td {<br />
vertical-align: top;<br />
text-align: left;<br />
}<br />
<br />
<br />
<br />
/* Infobox template style */<br />
<br />
.infobox caption {<br />
font-size: 125%;<br />
font-weight: bold;<br />
padding: 0.2em;<br />
text-align: center;<br />
}<br />
<br />
.infobox.bordered {<br />
border-collapse: collapse;<br />
}<br />
.infobox.bordered td,<br />
.infobox.bordered th {<br />
border: 1px solid #a2a9b1;<br />
}<br />
.infobox.bordered .borderless td,<br />
.infobox.bordered .borderless th {<br />
border: 0;<br />
}<br />
<br />
.infobox.sisterproject {<br />
width: 20em;<br />
font-size: 90%;<br />
}<br />
<br />
.infobox.standard-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
}<br />
.infobox.standard-talk.bordered td,<br />
.infobox.standard-talk.bordered th {<br />
border: 1px solid #c0c090;<br />
}<br />
<br />
/* styles for bordered infobox with merged rows */<br />
.infobox.bordered .mergedtoprow td,<br />
.infobox.bordered .mergedtoprow th {<br />
border: 0;<br />
border-top: 1px solid #a2a9b1;<br />
/* @noflip */<br />
border-right: 1px solid #a2a9b1;<br />
}<br />
<br />
.infobox.bordered .mergedrow td,<br />
.infobox.bordered .mergedrow th {<br />
border: 0;<br />
/* @noflip */<br />
border-right: 1px solid #a2a9b1;<br />
}<br />
<br />
/* Styles for geography infoboxes, eg countries,<br />
country subdivisions, cities, etc. */<br />
.infobox.geography {<br />
border-collapse: collapse;<br />
line-height: 1.2em;<br />
font-size: 90%;<br />
}<br />
<br />
.infobox.geography td,<br />
.infobox.geography th {<br />
border-top: 1px solid #a2a9b1;<br />
padding: 0.4em 0.6em 0.4em 0.6em;<br />
}<br />
.infobox.geography .mergedtoprow td,<br />
.infobox.geography .mergedtoprow th {<br />
border-top: 1px solid #a2a9b1;<br />
padding: 0.4em 0.6em 0.2em 0.6em;<br />
}<br />
<br />
.infobox.geography .mergedrow td,<br />
.infobox.geography .mergedrow th {<br />
border: 0;<br />
padding: 0 0.6em 0.2em 0.6em;<br />
}<br />
<br />
.infobox.geography .mergedbottomrow td,<br />
.infobox.geography .mergedbottomrow th {<br />
border-top: 0;<br />
border-bottom: 1px solid #a2a9b1;<br />
padding: 0 0.6em 0.4em 0.6em;<br />
}<br />
<br />
.infobox.geography .maptable td,<br />
.infobox.geography .maptable th {<br />
border: 0;<br />
padding: 0;<br />
}<br />
<br />
<br />
/* Standard Navigationsleisten, aka box hiding thingy<br />
from .de. Documentation at [[Wikipedia:NavFrame]]. */<br />
div.NavFrame {<br />
margin: 0;<br />
padding: 4px;<br />
border: 1px solid #a2a9b1;<br />
text-align: center;<br />
border-collapse: collapse;<br />
font-size: 95%;<br />
}<br />
div.NavFrame + div.NavFrame {<br />
border-top-style: none;<br />
border-top-style: hidden;<br />
}<br />
div.NavPic {<br />
background-color: #fff;<br />
margin: 0;<br />
padding: 2px;<br />
/* @noflip */<br />
float: left;<br />
}<br />
div.NavFrame div.NavHead {<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
background-color: #ccf;<br />
position: relative;<br />
}<br />
div.NavFrame p,<br />
div.NavFrame div.NavContent,<br />
div.NavFrame div.NavContent p {<br />
font-size: 100%;<br />
}<br />
div.NavEnd {<br />
margin: 0;<br />
padding: 0;<br />
line-height: 1px;<br />
clear: both;<br />
}<br />
a.NavToggle {<br />
position: absolute;<br />
top: 0;<br />
/* @noflip */<br />
right: 3px;<br />
font-weight: normal;<br />
font-size: 90%;<br />
}<br />
<br />
.client-js .NavFrame.collapsed > .NavContent {<br />
display: none;<br />
}<br />
/* Reset italic styling set by user agent */<br />
cite, dfn {<br />
font-style: inherit;<br />
}<br />
<br />
/* Straight quote marks for <q> */<br />
q {<br />
quotes: '"' '"' "'" "'";<br />
}<br />
<br />
/* Avoid collision of blockquote with floating elements by swapping margin and padding */<br />
blockquote {<br />
overflow: hidden;<br />
margin: 1em 0;<br />
padding: 0 40px;<br />
}<br />
<br />
/* give pre a float clearing new block formatting context */<br />
/* Also break any really long words/urls to keep them visible in that case */<br />
pre, .mw-code {<br />
overflow-x: hidden;<br />
overflow-wrap: break-word;<br />
}<br />
<br />
/* Consistent size for <small>, <sub> and <sup> */<br />
small {<br />
font-size: 85%;<br />
}<br />
.mw-body-content sub,<br />
.mw-body-content sup,<br />
span.reference /* for Parsoid */ {<br />
font-size: 80%;<br />
}<br />
<br />
/* Same spacing for indented and unindented paragraphs on talk pages */<br />
.ns-talk .mw-body-content dd {<br />
margin-top: 0.4em;<br />
margin-bottom: 0.4em;<br />
}<br />
<br />
/* Main page fixes */<br />
#interwiki-completelist {<br />
font-weight: bold;<br />
}<br />
<br />
/* Reduce page jumps by hiding collapsed/dismissed content */<br />
.client-js .mw-special-Watchlist #watchlist-message,<br />
.client-js .NavFrame.collapsed .NavContent,<br />
.client-js .collapsible:not( .mw-made-collapsible).collapsed > tbody > tr:not(:first-child) {<br />
display: none;<br />
}<br />
<br />
/* Adds padding above Watchlist announcements where new recentchanges/watchlist filters are enabled */<br />
.mw-rcfilters-enabled .mw-specialpage-summary {<br />
margin-top: 1em;<br />
}<br />
<br />
/* Hide charinsert base for those not using the gadget */<br />
#editpage-specialchars {<br />
display: none;<br />
}<br />
<br />
/* Highlight linked elements (such as clicked references) in blue */<br />
body.action-info .mw-body-content :target,<br />
.citation:target {<br />
background-color: #def; /* Fallback */<br />
background-color: rgba(0, 127, 255, 0.133);<br />
}<br />
<br />
/* Styling for citations. Breaks long urls, etc., rather than overflowing box */<br />
.citation {<br />
word-wrap: break-word;<br />
}<br />
<br />
/* For linked citation numbers and document IDs, where the number need not be shown<br />
on a screen or a handheld, but should be included in the printed version */<br />
@media screen, handheld {<br />
.citation .printonly {<br />
display: none;<br />
}<br />
}<br />
<br />
/* Make the list of references smaller */<br />
/* Keep in sync with Template:Refbegin/styles.css */<br />
ol.references,<br />
div.reflist {<br />
font-size: 90%; /* Default font-size */<br />
margin-bottom: 0.5em;<br />
}<br />
div.reflist ol.references {<br />
font-size: 100%; /* Reset font-size when nested in div.reflist */<br />
margin-bottom: 0; /* Avoid double margin when nested in div.reflist */<br />
list-style-type: inherit; /* Enable custom list style types */<br />
}<br />
<br />
/* Allow hidden ref errors to be shown by user CSS */<br />
/* TemplateStyles */<br />
span.brokenref {<br />
display: none;<br />
}<br />
<br />
/* Reset top margin for lists embedded in columns */<br />
div.columns {<br />
margin-top: 0.3em;<br />
}<br />
div.columns dl,<br />
div.columns ol,<br />
div.columns ul {<br />
margin-top: 0;<br />
}<br />
<br />
/* Avoid elements breaking between columns */<br />
.nocolbreak,<br />
div.columns li,<br />
div.columns dd dd {<br />
-webkit-column-break-inside: avoid;<br />
page-break-inside: avoid;<br />
break-inside: avoid-column;<br />
}<br />
<br />
/* Style for horizontal lists (separator following item).<br />
@source mediawiki.org/wiki/Snippets/Horizontal_lists<br />
@revision 8 (2016-05-21)<br />
@author [[User:Edokter]]<br />
*/<br />
.hlist dl,<br />
.hlist ol,<br />
.hlist ul {<br />
margin: 0;<br />
padding: 0;<br />
}<br />
/* Display list items inline */<br />
.hlist dd,<br />
.hlist dt,<br />
.hlist li {<br />
margin: 0;<br />
display: inline;<br />
}<br />
/* Display nested lists inline */<br />
.hlist.inline,<br />
.hlist.inline dl,<br />
.hlist.inline ol,<br />
.hlist.inline ul,<br />
.hlist dl dl, .hlist dl ol, .hlist dl ul,<br />
.hlist ol dl, .hlist ol ol, .hlist ol ul,<br />
.hlist ul dl, .hlist ul ol, .hlist ul ul {<br />
display: inline;<br />
}<br />
/* Hide empty list items */<br />
.hlist .mw-empty-li {<br />
display: none;<br />
}<br />
/* Generate interpuncts */<br />
.hlist dt:after {<br />
content: ": ";<br />
}<br />
/**<br />
* Note hlist style usage differd in<br />
* the Minerva skin. Remember .hlist is a class defined in core as well! Please check Minerva desktop (and Minerva.css) when changing<br />
* See https://phabricator.wikimedia.org/T213239<br />
*/<br />
.hlist dd:after,<br />
.hlist li:after {<br />
content: " · ";<br />
font-weight: bold;<br />
}<br />
.hlist dd:last-child:after,<br />
.hlist dt:last-child:after,<br />
.hlist li:last-child:after {<br />
content: none;<br />
}<br />
/* Add parentheses around nested lists */<br />
.hlist dd dd:first-child:before, .hlist dd dt:first-child:before, .hlist dd li:first-child:before,<br />
.hlist dt dd:first-child:before, .hlist dt dt:first-child:before, .hlist dt li:first-child:before,<br />
.hlist li dd:first-child:before, .hlist li dt:first-child:before, .hlist li li:first-child:before {<br />
content: " (";<br />
font-weight: normal;<br />
}<br />
.hlist dd dd:last-child:after, .hlist dd dt:last-child:after, .hlist dd li:last-child:after,<br />
.hlist dt dd:last-child:after, .hlist dt dt:last-child:after, .hlist dt li:last-child:after,<br />
.hlist li dd:last-child:after, .hlist li dt:last-child:after, .hlist li li:last-child:after {<br />
content: ")";<br />
font-weight: normal;<br />
}<br />
/* Put ordinals in front of ordered list items */<br />
.hlist ol {<br />
counter-reset: listitem;<br />
}<br />
.hlist ol > li {<br />
counter-increment: listitem;<br />
}<br />
.hlist ol > li:before {<br />
content: " " counter(listitem) "\a0";<br />
}<br />
.hlist dd ol > li:first-child:before,<br />
.hlist dt ol > li:first-child:before,<br />
.hlist li ol > li:first-child:before {<br />
content: " (" counter(listitem) "\a0";<br />
}<br />
<br />
/* Unbulleted lists */<br />
.plainlist ol,<br />
.plainlist ul {<br />
line-height: inherit;<br />
list-style: none none;<br />
margin: 0;<br />
}<br />
.plainlist ol li,<br />
.plainlist ul li {<br />
margin-bottom: 0;<br />
}<br />
<br />
/* Default style for navigation boxes */<br />
.navbox { /* Navbox container style */<br />
box-sizing: border-box;<br />
border: 1px solid #a2a9b1;<br />
width: 100%;<br />
clear: both;<br />
font-size: 88%;<br />
text-align: center;<br />
padding: 1px;<br />
margin: 1em auto 0; /* Prevent preceding content from clinging to navboxes */<br />
}<br />
.navbox .navbox {<br />
margin-top: 0; /* No top margin for nested navboxes */<br />
}<br />
.navbox + .navbox {<br />
margin-top: -1px; /* Single pixel border between adjacent navboxes */<br />
}<br />
.navbox-inner,<br />
.navbox-subgroup {<br />
width: 100%;<br />
}<br />
.navbox-group,<br />
.navbox-title,<br />
.navbox-abovebelow {<br />
padding: 0.25em 1em; /* Title, group and above/below styles */<br />
line-height: 1.5em;<br />
text-align: center;<br />
}<br />
th.navbox-group { /* Group style */<br />
white-space: nowrap;<br />
/* @noflip */<br />
text-align: right;<br />
}<br />
.navbox,<br />
.navbox-subgroup {<br />
background-color: #fdfdfd; /* Background color */<br />
}<br />
.navbox-list {<br />
line-height: 1.5em;<br />
border-color: #fdfdfd; /* Must match background color */<br />
}<br />
/* cell spacing for navbox cells */<br />
tr + tr > .navbox-abovebelow,<br />
tr + tr > .navbox-group,<br />
tr + tr > .navbox-image,<br />
tr + tr > .navbox-list { /* Borders above 2nd, 3rd, etc. rows */<br />
border-top: 2px solid #fdfdfd; /* Must match background color */<br />
}<br />
.navbox th,<br />
.navbox-title {<br />
background-color: #ccccff; /* Level 1 color */<br />
}<br />
.navbox-abovebelow,<br />
th.navbox-group,<br />
.navbox-subgroup .navbox-title {<br />
background-color: #ddddff; /* Level 2 color */<br />
}<br />
.navbox-subgroup .navbox-group,<br />
.navbox-subgroup .navbox-abovebelow {<br />
background-color: #e6e6ff; /* Level 3 color */<br />
}<br />
.navbox-even {<br />
background-color: #f7f7f7; /* Even row striping */<br />
}<br />
.navbox-odd {<br />
background-color: transparent; /* Odd row striping */<br />
}<br />
.navbox .hlist td dl,<br />
.navbox .hlist td ol,<br />
.navbox .hlist td ul,<br />
.navbox td.hlist dl,<br />
.navbox td.hlist ol,<br />
.navbox td.hlist ul {<br />
padding: 0.125em 0; /* Adjust hlist padding in navboxes */<br />
}<br />
<br />
/* Default styling for Navbar template */<br />
.navbar {<br />
display: inline;<br />
font-size: 88%;<br />
font-weight: normal;<br />
}<br />
.navbar ul {<br />
display: inline;<br />
white-space: nowrap;<br />
}<br />
.mw-body-content .navbar ul {<br />
line-height: inherit;<br />
}<br />
.navbar li {<br />
word-spacing: -0.125em;<br />
}<br />
.navbar.mini li abbr[title] {<br />
font-variant: small-caps;<br />
border-bottom: none;<br />
text-decoration: none;<br />
cursor: inherit;<br />
}<br />
/* Navbar styling when nested in infobox and navbox */<br />
.infobox .navbar {<br />
font-size: 100%;<br />
}<br />
.navbox .navbar {<br />
display: block;<br />
font-size: 100%;<br />
}<br />
.navbox-title .navbar {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
/* @noflip */<br />
margin-right: 0.5em;<br />
}<br />
<br />
/* 'show'/'hide' buttons created dynamically by the CollapsibleTables javascript<br />
in [[MediaWiki:Common.js]] are styled here so they can be customised. */<br />
.collapseButton {<br />
/* @noflip */<br />
float: right;<br />
font-weight: normal;<br />
/* @noflip */<br />
margin-left: 0.5em;<br />
/* @noflip */<br />
text-align: right;<br />
width: auto;<br />
}<br />
<br />
/* Styling for JQuery makeCollapsible, matching that of collapseButton */<br />
.mw-parser-output .mw-collapsible-toggle {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: right;<br />
padding-right: 0.2em;<br />
padding-left: 0.2em;<br />
}<br />
.mw-collapsible-leftside-toggle .mw-collapsible-toggle {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Normal font styling for wikitable row headers with scope="row" tag */<br />
.wikitable.plainrowheaders th[scope=row] {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Lists in wikitable data cells are always left-aligned */<br />
.wikitable td ul,<br />
.wikitable td ol,<br />
.wikitable td dl {<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
/* ...unless they also use the hlist class */<br />
.toc.hlist ul,<br />
#toc.hlist ul,<br />
.wikitable.hlist td ul,<br />
.wikitable.hlist td ol,<br />
.wikitable.hlist td dl {<br />
text-align: inherit;<br />
}<br />
<br />
/* Icons for medialist templates [[Template:Listen]],<br />
[[Template:Multi-listen_start]], [[Template:Video]],<br />
[[Template:Multi-video_start]] */<br />
/* TemplateStyles */<br />
div.listenlist {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/4/47/Sound-icon.svg") no-repeat scroll 0 0 transparent;<br />
background-size: 30px;<br />
padding-left: 40px;<br />
}<br />
<br />
/* Fix for hieroglyphs specificity issue in infoboxes ([[phab:T43869]]) */<br />
table.mw-hiero-table td {<br />
vertical-align: middle;<br />
}<br />
<br />
/* Change the external link icon to an Adobe icon for all PDF files */<br />
.mw-parser-output a[href$=".pdf"].external,<br />
.mw-parser-output a[href*=".pdf?"].external,<br />
.mw-parser-output a[href*=".pdf#"].external,<br />
.mw-parser-output a[href$=".PDF"].external,<br />
.mw-parser-output a[href*=".PDF?"].external,<br />
.mw-parser-output a[href*=".PDF#"].external {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/2/23/Icons-mini-file_acrobat.gif") no-repeat right;<br />
/* @noflip */<br />
padding-right: 18px;<br />
}<br />
<br />
/* Messagebox templates */<br />
.messagebox {<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa;<br />
width: 80%;<br />
margin: 0 auto 1em auto;<br />
padding: .2em;<br />
}<br />
.messagebox.merge {<br />
border: 1px solid #c0b8cc;<br />
background-color: #f0e5ff;<br />
text-align: center;<br />
}<br />
.messagebox.cleanup {<br />
border: 1px solid #9f9fff;<br />
background-color: #efefff;<br />
text-align: center;<br />
}<br />
.messagebox.standard-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
margin: 4px auto;<br />
}<br />
/* For old WikiProject banners inside banner shells. */<br />
.mbox-inside .standard-talk,<br />
.messagebox.nested-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
width: 100%;<br />
margin: 2px 0;<br />
padding: 2px;<br />
}<br />
.messagebox.small {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
}<br />
.messagebox.small-talk {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
background-color: #f8eaba;<br />
}<br />
<br />
/* Cell sizes for ambox/tmbox/imbox/cmbox/ombox/fmbox/dmbox message boxes */<br />
th.mbox-text, td.mbox-text { /* The message body cell(s) */<br />
border: none;<br />
/* @noflip */<br />
padding: 0.25em 0.9em; /* 0.9em left/right */<br />
width: 100%; /* Make all mboxes the same width regardless of text length */<br />
}<br />
td.mbox-image { /* The left image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0 2px 0.9em; /* 0.9em left, 0px right */<br />
text-align: center;<br />
}<br />
td.mbox-imageright { /* The right image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0.9em 2px 0; /* 0px left, 0.9em right */<br />
text-align: center;<br />
}<br />
td.mbox-empty-cell { /* An empty narrow cell */<br />
border: none;<br />
padding: 0;<br />
width: 1px;<br />
}<br />
<br />
/* Article message box styles */<br />
table.ambox {<br />
margin: 0 10%; /* 10% = Will not overlap with other elements */<br />
border: 1px solid #a2a9b1;<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
table.ambox + table.ambox { /* Single border between stacked boxes. */<br />
margin-top: -1px;<br />
}<br />
.ambox th.mbox-text,<br />
.ambox td.mbox-text { /* The message body cell(s) */<br />
padding: 0.25em 0.5em; /* 0.5em left/right */<br />
}<br />
.ambox td.mbox-image { /* The left image cell */<br />
/* @noflip */<br />
padding: 2px 0 2px 0.5em; /* 0.5em left, 0px right */<br />
}<br />
.ambox td.mbox-imageright { /* The right image cell */<br />
/* @noflip */<br />
padding: 2px 0.5em 2px 0; /* 0px left, 0.5em right */<br />
}<br />
<br />
table.ambox-notice {<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Blue */<br />
}<br />
table.ambox-speedy {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ambox-delete {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
}<br />
table.ambox-content {<br />
/* @noflip */<br />
border-left: 10px solid #f28500; /* Orange */<br />
}<br />
table.ambox-style {<br />
/* @noflip */<br />
border-left: 10px solid #fc3; /* Yellow */<br />
}<br />
table.ambox-move {<br />
/* @noflip */<br />
border-left: 10px solid #9932cc; /* Purple */<br />
}<br />
table.ambox-protection {<br />
/* @noflip */<br />
border-left: 10px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Image message box styles */<br />
table.imbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 3px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
.imbox .mbox-text .imbox { /* For imboxes inside imbox-text cells. */<br />
margin: 0 -0.5em; /* 0.9 - 0.5 = 0.4em left/right. */<br />
display: block; /* Fix for webkit to force 100% width. */<br />
}<br />
.mbox-inside .imbox { /* For imboxes inside other templates. */<br />
margin: 4px;<br />
}<br />
<br />
table.imbox-notice {<br />
border: 3px solid #36c; /* Blue */<br />
}<br />
table.imbox-speedy {<br />
border: 3px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.imbox-delete {<br />
border: 3px solid #b32424; /* Red */<br />
}<br />
table.imbox-content {<br />
border: 3px solid #f28500; /* Orange */<br />
}<br />
table.imbox-style {<br />
border: 3px solid #fc3; /* Yellow */<br />
}<br />
table.imbox-move {<br />
border: 3px solid #9932cc; /* Purple */<br />
}<br />
table.imbox-protection {<br />
border: 3px solid #a2a9b1; /* Gray-gold */<br />
}<br />
table.imbox-license {<br />
border: 3px solid #88a; /* Dark gray */<br />
background-color: #f7f8ff; /* Light gray */<br />
}<br />
table.imbox-featured {<br />
border: 3px solid #cba135; /* Brown-gold */<br />
}<br />
<br />
/* Category message box styles */<br />
table.cmbox {<br />
margin: 3px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1;<br />
background-color: #dfe8ff; /* Default "notice" blue */<br />
box-sizing: border-box;<br />
}<br />
<br />
table.cmbox-notice {<br />
background-color: #d8e8ff; /* Blue */<br />
}<br />
table.cmbox-speedy {<br />
margin-top: 4px;<br />
margin-bottom: 4px;<br />
border: 4px solid #b32424; /* Red */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-delete {<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-content {<br />
background-color: #ffe7ce; /* Orange */<br />
}<br />
table.cmbox-style {<br />
background-color: #fff9db; /* Yellow */<br />
}<br />
table.cmbox-move {<br />
background-color: #e4d8ff; /* Purple */<br />
}<br />
table.cmbox-protection {<br />
background-color: #efefe1; /* Gray-gold */<br />
}<br />
<br />
/* Other pages message box styles */<br />
table.ombox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1; /* Default "notice" gray */<br />
background-color: #f8f9fa;<br />
box-sizing: border-box;<br />
}<br />
<br />
table.ombox-notice {<br />
border: 1px solid #a2a9b1; /* Gray */<br />
}<br />
table.ombox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ombox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.ombox-content {<br />
border: 1px solid #f28500; /* Orange */<br />
}<br />
table.ombox-style {<br />
border: 1px solid #fc3; /* Yellow */<br />
}<br />
table.ombox-move {<br />
border: 1px solid #9932cc; /* Purple */<br />
}<br />
table.ombox-protection {<br />
border: 2px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Talk page message box styles */<br />
table.tmbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #c0c090; /* Default "notice" gray-brown */<br />
background-color: #f8eaba;<br />
min-width: 80%;<br />
box-sizing: border-box;<br />
}<br />
.tmbox.mbox-small {<br />
min-width: 0; /* reset the min-width of tmbox above */<br />
}<br />
.mediawiki .mbox-inside .tmbox { /* For tmboxes inside other templates. The "mediawiki" class ensures that */<br />
margin: 2px 0; /* this declaration overrides other styles (including mbox-small above) */<br />
width: 100%; /* For Safari and Opera */<br />
}<br />
.mbox-inside .tmbox.mbox-small { /* "small" tmboxes should not be small when */<br />
line-height: 1.5em; /* also "nested", so reset styles that are */<br />
font-size: 100%; /* set in "mbox-small" above. */<br />
}<br />
<br />
table.tmbox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.tmbox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.tmbox-content {<br />
border: 2px solid #f28500; /* Orange */<br />
}<br />
table.tmbox-style {<br />
border: 2px solid #fc3; /* Yellow */<br />
}<br />
table.tmbox-move {<br />
border: 2px solid #9932cc; /* Purple */<br />
}<br />
table.tmbox-protection,<br />
table.tmbox-notice {<br />
border: 1px solid #c0c090; /* Gray-brown */<br />
}<br />
<br />
/* Disambig and set index box styles */<br />
table.dmbox {<br />
clear: both;<br />
margin: 0.9em 1em;<br />
border-top: 1px solid #ccc;<br />
border-bottom: 1px solid #ccc;<br />
background-color: transparent;<br />
}<br />
<br />
/* Footer and header message box styles */<br />
table.fmbox {<br />
clear: both;<br />
margin: 0.2em 0;<br />
width: 100%;<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa; /* Default "system" gray */<br />
box-sizing: border-box;<br />
}<br />
table.fmbox-system {<br />
background-color: #f8f9fa;<br />
}<br />
table.fmbox-warning {<br />
border: 1px solid #bb7070; /* Dark pink */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.fmbox-editnotice {<br />
background-color: transparent;<br />
}<br />
/* Div based "warning" style fmbox messages. */<br />
div.mw-warning-with-logexcerpt,<br />
div.mw-lag-warn-high,<br />
div.mw-cascadeprotectedwarning,<br />
div#mw-protect-cascadeon,<br />
div.titleblacklist-warning,<br />
div.locked-warning {<br />
clear: both;<br />
margin: 0.2em 0;<br />
border: 1px solid #bb7070;<br />
background-color: #ffdbdb;<br />
padding: 0.25em 0.9em;<br />
box-sizing: border-box;<br />
}<br />
<br />
/* These mbox-small classes must be placed after all other<br />
ambox/tmbox/ombox etc classes. "html body.mediawiki" is so<br />
they override "table.ambox + table.ambox" above. */<br />
html body.mediawiki .mbox-small { /* For the "small=yes" option. */<br />
/* @noflip */<br />
clear: right;<br />
/* @noflip */<br />
float: right;<br />
/* @noflip */<br />
margin: 4px 0 4px 1em;<br />
box-sizing: border-box;<br />
width: 238px;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
html body.mediawiki .mbox-small-left { /* For the "small=left" option. */<br />
/* @noflip */<br />
margin: 4px 1em 4px 0;<br />
box-sizing: border-box;<br />
overflow: hidden;<br />
width: 238px;<br />
border-collapse: collapse;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
<br />
/* Style for compact ambox */<br />
/* Hide the images */<br />
.compact-ambox table .mbox-image,<br />
.compact-ambox table .mbox-imageright,<br />
.compact-ambox table .mbox-empty-cell {<br />
display: none;<br />
}<br />
/* Remove borders, backgrounds, padding, etc. */<br />
.compact-ambox table.ambox {<br />
border: none;<br />
border-collapse: collapse;<br />
background-color: transparent;<br />
margin: 0 0 0 1.6em !important;<br />
padding: 0 !important;<br />
width: auto;<br />
display: block;<br />
}<br />
body.mediawiki .compact-ambox table.mbox-small-left {<br />
font-size: 100%;<br />
width: auto;<br />
margin: 0;<br />
}<br />
/* Style the text cell as a list item and remove its padding */<br />
.compact-ambox table .mbox-text {<br />
padding: 0 !important;<br />
margin: 0 !important;<br />
}<br />
.compact-ambox table .mbox-text-span {<br />
display: list-item;<br />
line-height: 1.5em;<br />
list-style-type: square;<br />
list-style-image: url(/w/skins/MonoBook/resources/images/bullet.gif);<br />
}<br />
.skin-vector .compact-ambox table .mbox-text-span {<br />
list-style-type: disc;<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.svg);<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.png)\9;<br />
}<br />
/* Allow for hiding text in compact form */<br />
.compact-ambox .hide-when-compact {<br />
display: none;<br />
}<br />
<br />
/* Hide (formatting) elements from screen, but not from screenreaders */<br />
.visualhide {<br />
position: absolute;<br />
left: -10000px;<br />
top: auto;<br />
width: 1px;<br />
height: 1px;<br />
overflow: hidden;<br />
}<br />
<br />
/* Suppress missing interwiki image links where #ifexist cannot<br />
be used due to high number of requests. See .hidden-redlink on<br />
[[m:MediaWiki:Common.css]] */<br />
.check-icon a.new {<br />
display: none;<br />
speak: none;<br />
}<br />
<br />
/* Remove underlines from certain links */<br />
.nounderlines a,<br />
.IPA a:link, .IPA a:visited {<br />
text-decoration: none !important;<br />
}<br />
<br />
/* Standard Navigationsleisten, aka box hiding thingy<br />
from .de. Documentation at [[Wikipedia:NavFrame]]. */<br />
div.NavFrame {<br />
margin: 0;<br />
padding: 4px;<br />
border: 1px solid #a2a9b1;<br />
text-align: center;<br />
border-collapse: collapse;<br />
font-size: 95%;<br />
}<br />
div.NavFrame + div.NavFrame {<br />
border-top-style: none;<br />
border-top-style: hidden;<br />
}<br />
div.NavFrame div.NavHead {<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
background-color: #ccf;<br />
position: relative;<br />
}<br />
div.NavFrame p,<br />
div.NavFrame div.NavContent,<br />
div.NavFrame div.NavContent p {<br />
font-size: 100%;<br />
}<br />
a.NavToggle {<br />
position: absolute;<br />
top: 0;<br />
/* @noflip */<br />
right: 3px;<br />
font-weight: normal;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hatnotes and disambiguation notices */<br />
.hatnote {<br />
font-style: italic;<br />
}<br />
.hatnote i {<br />
font-style: normal;<br />
}<br />
div.hatnote {<br />
/* @noflip */<br />
padding-left: 1.6em;<br />
margin-bottom: 0.5em;<br />
}<br />
div.hatnote + div.hatnote {<br />
margin-top: -0.5em;<br />
}<br />
<br />
/* Allow transcluded pages to display in lists rather than a table. */<br />
.listify td {<br />
display: list-item;<br />
}<br />
.listify tr {<br />
display: block;<br />
}<br />
.listify table {<br />
display: block;<br />
}<br />
<br />
/* Geographical coordinates defaults. See [[Template:Coord/link]]<br />
for how these are used. The classes "geo", "longitude", and<br />
"latitude" are used by the [[Geo microformat]]. */<br />
/* TemplateStyles */<br />
.geo-default, .geo-dms, .geo-dec {<br />
display: inline;<br />
}<br />
.geo-nondefault, .geo-multi-punct {<br />
display: none;<br />
}<br />
.longitude, .latitude {<br />
white-space: nowrap;<br />
}<br />
<br />
/* User block messages */<br />
div.user-block {<br />
padding: 5px;<br />
margin-bottom: 0.5em;<br />
border: 1px solid #a9a9a9;<br />
background-color: #ffefd5;<br />
}<br />
<br />
/* Prevent line breaks in silly places:<br />
1) Where desired<br />
2) Links when we don't want them to<br />
3) Bold "links" to the page itself */<br />
.nowrap,<br />
.nowraplinks a,<br />
.nowraplinks .selflink {<br />
white-space: nowrap;<br />
}<br />
.nowrap pre {<br />
white-space: pre;<br />
}<br />
/* But allow wrapping where desired: */<br />
.wrap,<br />
.wraplinks a {<br />
white-space: normal;<br />
}<br />
<br />
/* For template documentation */<br />
/* TemplateStyles */<br />
.template-documentation {<br />
clear: both;<br />
margin: 1em 0 0 0;<br />
border: 1px solid #a2a9b1;<br />
background-color: #ecfcf4;<br />
padding: 1em;<br />
}<br />
<br />
/* Increase the height of the image upload box */<br />
#wpUploadDescription {<br />
height: 13em;<br />
}<br />
<br />
/* Minimum thumb width */<br />
.thumbinner {<br />
min-width: 100px;<br />
}<br />
<br />
/* Prevent floating boxes from overlapping any category listings,<br />
file histories, edit previews, and edit [Show changes] views. */<br />
#mw-subcategories, #mw-pages, #mw-category-media,<br />
#filehistory, #wikiPreview, #wikiDiff {<br />
clear: both;<br />
}<br />
<br />
/* Selectively hide headers in WikiProject banners */<br />
/* TemplateStyles */<br />
.wpb .wpb-header {<br />
display: none;<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: block; /* for IE */<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: table-row; /* for real browsers */<br />
}<br />
.wpbs-inner .wpb-outside {<br />
display: none; /* hide things that should only display outside shells */<br />
}<br />
<br />
/* Styling for Abuse Filter tags */<br />
.mw-tag-markers {<br />
font-style: italic;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hide stuff meant for accounts with special permissions. Made visible again in<br />
[[MediaWiki:Group-checkuser.css]], [[MediaWiki:Group-sysop.css]], [[MediaWiki:Group-patroller.css]],<br />
[[MediaWiki:Group-templateeditor.css]], [[MediaWiki:Group-extendedmover.css]],<br />
[[MediaWiki:Group-extendedconfirmed.css]], and [[Mediawiki:Group-autoconfirmed.css]]. */<br />
.checkuser-show,<br />
.sysop-show,<br />
.patroller-show,<br />
.templateeditor-show,<br />
.extendedmover-show,<br />
.extendedconfirmed-show,<br />
.autoconfirmed-show,<br />
.user-show {<br />
display: none;<br />
}<br />
<br />
/* Hide the redlink generated by {{Editnotice}},<br />
this overrides the ".sysop-show { display: none; }" above that applies<br />
to the same link as well. See [[phab:T45013]]<br />
<br />
Hide the images in editnotices to keep them readable in VE view.<br />
Long term, editnotices should become a core feature so that they can be designed responsive. */<br />
.ve-ui-mwNoticesPopupTool-item .editnotice-redlink,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-image,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-imageright {<br />
display: none !important;<br />
}<br />
<br />
/* Remove bullets when there are multiple edit page warnings */<br />
ul.permissions-errors > li {<br />
list-style: none none;<br />
}<br />
ul.permissions-errors {<br />
margin: 0;<br />
}<br />
<br />
/* Generic class for Times-based serif, texhtml class for inline math */<br />
.times-serif,<br />
span.texhtml {<br />
font-family: "Nimbus Roman No9 L", "Times New Roman", Times, serif;<br />
font-size: 118%;<br />
line-height: 1;<br />
}<br />
span.texhtml {<br />
white-space: nowrap;<br />
}<br />
span.texhtml span.texhtml {<br />
font-size: 100%;<br />
}<br />
span.mwe-math-mathml-inline {<br />
font-size: 118%;<br />
}<br />
<br />
/* Force tabular and lining display for digits and texhtml */<br />
.digits,<br />
.texhtml {<br />
-moz-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
-webkit-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-variant-numeric: lining-nums tabular-nums;<br />
font-kerning: none;<br />
}<br />
<br />
/* Make <math display="block"> be left aligned with one space indent for compatibility with style conventions */<br />
.mwe-math-fallback-image-display,<br />
.mwe-math-mathml-display {<br />
margin-left: 1.6em !important;<br />
margin-top: 0.6em;<br />
margin-bottom: 0.6em;<br />
}<br />
.mwe-math-mathml-display math {<br />
display: inline;<br />
}<br />
<br />
/* Fix styling of transcluded prefindex tables */<br />
table#mw-prefixindex-list-table,<br />
table#mw-prefixindex-nav-table {<br />
width: 98%;<br />
}<br />
<br />
/* Make it possible to hide checkboxes in <inputbox> */<br />
.inputbox-hidecheckboxes form .inputbox-element,<br />
.inputbox-hidecheckboxes .mw-ui-checkbox {<br />
display: none !important;<br />
}<br />
<br />
/* Work-around for [[phab:T25965]] / [[phab:T100106]] (Kaltura advertisement) */<br />
.k-player .k-attribution {<br />
visibility: hidden;<br />
}<br />
<br />
/* Move 'play' button of video player to bottom left corner */<br />
.PopUpMediaTransform a .play-btn-large {<br />
margin: 0;<br />
top: auto;<br />
right: auto;<br />
bottom: 0;<br />
left: 0;<br />
}<br />
<br />
/* Hide FlaggedRevs notice UI when there are no pending changes */<br />
.flaggedrevs_draft_synced,<br />
.flaggedrevs_stable_synced {<br />
display: none;<br />
}<br />
<br />
/* Force imgs in galleries to have borders by wrapping them in class=bordered-images */<br />
.bordered-images img {<br />
border: solid #ddd 1px;<br />
}<br />
<br />
/* Gallery styles background changes are restricted to screen view. In printing we should avoid applying backgrounds. */<br />
@media screen {<br />
/* The backgrounds for galleries. */<br />
#content .gallerybox div.thumb {<br />
/* Light gray padding */<br />
background-color: #f8f9fa;<br />
}<br />
<br />
/* Put a chequered background behind images, only visible if they have transparency.<br />
'.filehistory a img' and '#file img:hover' are handled by MediaWiki core (as of 1.19) */<br />
.gallerybox .thumb img {<br />
background: #fff url(//upload.wikimedia.org/wikipedia/commons/5/5d/Checker-16x16.png) repeat;<br />
}<br />
/* But not on articles, user pages, portals or with opt-out. */<br />
.ns-0 .gallerybox .thumb img,<br />
.ns-2 .gallerybox .thumb img,<br />
.ns-100 .gallerybox .thumb img,<br />
.nochecker .gallerybox .thumb img {<br />
background-image: none;<br />
}<br />
<br />
}<br />
<br />
/* == Portable infobox == */<br />
/* === written by Aiihuan === */<br />
<br />
aside.portable-infobox * {<br />
font-family: sans-serif;<br />
}<br />
<br />
.portable-infobox {<br />
width: 350px;<br />
border: 1px solid #854100;<br />
border-radius: 5px;<br />
background-color: #fffdfb;<br />
}<br />
<br />
.portable-infobox .pi-item-spacing {<br />
padding: 2px 5px;<br />
}<br />
<br />
.portable-infobox .pi-image-thumbnail {<br />
width: 248px;<br />
height: auto;<br />
}<br />
<br />
<br />
.portable-infobox .pi-header {<br />
padding:0.25em;<br />
font-size: small;<br />
font-weight: bold;<br />
text-align: center;<br />
line-height: 1.1;<br />
}<br />
<br />
*/<br />
<br />
.portable-infobox .pi-data-value:only-child {<br />
width: 100%;<br />
text-align: center;<br />
}<br />
<br />
.portable-infobox .pi-data-value ul {<br />
list-style-image: none;<br />
margin-left: 0;<br />
padding-left: 0;<br />
}<br />
<br />
.portable-infobox .pi-data-value li {<br />
list-style-type: none;<br />
list-style-image: none;<br />
margin: 0;<br />
padding: 0;<br />
}<br />
<br />
<br />
/* Display "From Wikipedia, the free encyclopedia" in skins that support it, do not apply to print mode */<br />
@media screen {<br />
#siteSub {<br />
display: block;<br />
}<br />
}<br />
<br />
<br />
<br />
.portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
<br />
}<br />
<br />
.pi-item-spacing {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
div.pi-item.pi-data.portable-infobox{<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label {<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label.pi-secondary-font {<br />
font-size:0.95em;<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h2.pi-item.pi-item-spacing {<br />
<br />
}<br />
<br />
img.pi-image-thumbnail {<br />
width:300px;<br />
text-align:center;<br />
}</div>Riot Herohttps://nosubject.com/index.php?title=MediaWiki:Common.css&diff=53065MediaWiki:Common.css2020-12-27T20:33:51Z<p>Riot Hero: </p>
<hr />
<div>/* https://www.mediawiki.org/wiki/Manual:Tagline_(Site_Subtitle) */<br />
/* Removing tagline */<br />
body.page-Main_Page.action-view #siteSub, body.page-Main_Page.action-submit #siteSub { display: none; }<br />
<br />
<br />
.mejs-list li:hover {<br />
background: #red;<br />
cursor: pointer;<br />
}<br />
.mejs-list li.current {<br />
background: #cddfff;<br />
}<br />
.mejs-container{<br />
margin-left:auto;<br />
margin-right:auto;<br />
}<br />
<br />
#wrapper{<br />
width:490px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
/*<br />
.mejs-list li:hover {<br />
background: #ffa;<br />
cursor: pointer;<br />
}<br />
<br />
.mejs-list li.current {<br />
background: #cddfff;<br />
}<br />
<br />
<br />
.mejs-container{<br />
margin-left:auto;<br />
margin-right:auto;<br />
}<br />
<br />
*/<br />
<br />
#playwrap2{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
#playwrap{<br />
width:410px;<br />
align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:20px;<br />
padding:5px;<br />
<br />
-webkit-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
<br />
#wrapper{<br />
width:410px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
audio#mejs-playlist{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
audio#mejs-list{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
<br />
audio#mejs{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
<br />
audio#playwrap2{<br />
width:390px;<br />
margin: auto;<br />
text-align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
padding:5px;<br />
}<br />
<br />
audio#playwrap{<br />
width:410px;<br />
align:center;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:20px;<br />
padding:5px;<br />
<br />
-webkit-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 31px 10px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
<br />
<br />
audio#wrapper{<br />
width:410px;<br />
margin-left:auto;<br />
margin-right:auto;<br />
margin-top:50px;<br />
padding:15px;<br />
<br />
<br />
-webkit-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
-moz-box-shadow: 0px 1px 71px 15px rgba(0,0,0,0.75);<br />
<br />
}<br />
<br />
body { font-size: larger; }<br />
<br />
/* Bring the text to 14px */<br />
.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
span.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
div.download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
#download {<br />
text-align: center;<br />
font-size: 180%;<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
}<br />
<br />
<br />
<br />
@font-face {<br />
font-family: 'LACAN';<br />
src: url('http://files.nosubject.com/nosubject/fonts/LACAN.TTF') format('truetype');<br />
font-weight: normal;<br />
font-style: normal;<br />
}<br />
<br />
.LACAN { font-family: LACAN }<br />
<br />
<br />
/* Infobox template style */<br />
.infobox {<br />
border: 1px solid #a2a9b1;<br />
border-spacing: 3px;<br />
/* background-color: #f8f9fa; */<br />
margin-bottom: 0.5em;<br />
margin-left: 1em;<br />
color: black;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
padding: 0.2em;<br />
/* @noflip */<br />
float: right;<br />
/* @noflip */<br />
clear: right;<br />
font-size: 120%;<br />
width: 400px;<br />
line-height: 2.0em;<br />
<br />
}<br />
<br />
.infobox-title {<br />
font-size: 2em;<br />
text-align: center;<br />
}<br />
.infobox-image {<br />
text-align: center;<br />
}<br />
.infobox th {<br />
text-align: left;<br />
vertical-align: top;<br />
width: 120px;<br />
}<br />
.infobox td {<br />
vertical-align: top;<br />
text-align: left;<br />
}<br />
<br />
<br />
<br />
/* Infobox template style */<br />
<br />
.infobox caption {<br />
font-size: 125%;<br />
font-weight: bold;<br />
padding: 0.2em;<br />
text-align: center;<br />
}<br />
<br />
.infobox.bordered {<br />
border-collapse: collapse;<br />
}<br />
.infobox.bordered td,<br />
.infobox.bordered th {<br />
border: 1px solid #a2a9b1;<br />
}<br />
.infobox.bordered .borderless td,<br />
.infobox.bordered .borderless th {<br />
border: 0;<br />
}<br />
<br />
.infobox.sisterproject {<br />
width: 20em;<br />
font-size: 90%;<br />
}<br />
<br />
.infobox.standard-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
}<br />
.infobox.standard-talk.bordered td,<br />
.infobox.standard-talk.bordered th {<br />
border: 1px solid #c0c090;<br />
}<br />
<br />
/* styles for bordered infobox with merged rows */<br />
.infobox.bordered .mergedtoprow td,<br />
.infobox.bordered .mergedtoprow th {<br />
border: 0;<br />
border-top: 1px solid #a2a9b1;<br />
/* @noflip */<br />
border-right: 1px solid #a2a9b1;<br />
}<br />
<br />
.infobox.bordered .mergedrow td,<br />
.infobox.bordered .mergedrow th {<br />
border: 0;<br />
/* @noflip */<br />
border-right: 1px solid #a2a9b1;<br />
}<br />
<br />
/* Styles for geography infoboxes, eg countries,<br />
country subdivisions, cities, etc. */<br />
.infobox.geography {<br />
border-collapse: collapse;<br />
line-height: 1.2em;<br />
font-size: 90%;<br />
}<br />
<br />
.infobox.geography td,<br />
.infobox.geography th {<br />
border-top: 1px solid #a2a9b1;<br />
padding: 0.4em 0.6em 0.4em 0.6em;<br />
}<br />
.infobox.geography .mergedtoprow td,<br />
.infobox.geography .mergedtoprow th {<br />
border-top: 1px solid #a2a9b1;<br />
padding: 0.4em 0.6em 0.2em 0.6em;<br />
}<br />
<br />
.infobox.geography .mergedrow td,<br />
.infobox.geography .mergedrow th {<br />
border: 0;<br />
padding: 0 0.6em 0.2em 0.6em;<br />
}<br />
<br />
.infobox.geography .mergedbottomrow td,<br />
.infobox.geography .mergedbottomrow th {<br />
border-top: 0;<br />
border-bottom: 1px solid #a2a9b1;<br />
padding: 0 0.6em 0.4em 0.6em;<br />
}<br />
<br />
.infobox.geography .maptable td,<br />
.infobox.geography .maptable th {<br />
border: 0;<br />
padding: 0;<br />
}<br />
<br />
<br />
/* Standard Navigationsleisten, aka box hiding thingy<br />
from .de. Documentation at [[Wikipedia:NavFrame]]. */<br />
div.NavFrame {<br />
margin: 0;<br />
padding: 4px;<br />
border: 1px solid #a2a9b1;<br />
text-align: center;<br />
border-collapse: collapse;<br />
font-size: 95%;<br />
}<br />
div.NavFrame + div.NavFrame {<br />
border-top-style: none;<br />
border-top-style: hidden;<br />
}<br />
div.NavPic {<br />
background-color: #fff;<br />
margin: 0;<br />
padding: 2px;<br />
/* @noflip */<br />
float: left;<br />
}<br />
div.NavFrame div.NavHead {<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
background-color: #ccf;<br />
position: relative;<br />
}<br />
div.NavFrame p,<br />
div.NavFrame div.NavContent,<br />
div.NavFrame div.NavContent p {<br />
font-size: 100%;<br />
}<br />
div.NavEnd {<br />
margin: 0;<br />
padding: 0;<br />
line-height: 1px;<br />
clear: both;<br />
}<br />
a.NavToggle {<br />
position: absolute;<br />
top: 0;<br />
/* @noflip */<br />
right: 3px;<br />
font-weight: normal;<br />
font-size: 90%;<br />
}<br />
<br />
.client-js .NavFrame.collapsed > .NavContent {<br />
display: none;<br />
}<br />
/* Reset italic styling set by user agent */<br />
cite, dfn {<br />
font-style: inherit;<br />
}<br />
<br />
/* Straight quote marks for <q> */<br />
q {<br />
quotes: '"' '"' "'" "'";<br />
}<br />
<br />
/* Avoid collision of blockquote with floating elements by swapping margin and padding */<br />
blockquote {<br />
overflow: hidden;<br />
margin: 1em 0;<br />
padding: 0 40px;<br />
}<br />
<br />
/* give pre a float clearing new block formatting context */<br />
/* Also break any really long words/urls to keep them visible in that case */<br />
pre, .mw-code {<br />
overflow-x: hidden;<br />
overflow-wrap: break-word;<br />
}<br />
<br />
/* Consistent size for <small>, <sub> and <sup> */<br />
small {<br />
font-size: 85%;<br />
}<br />
.mw-body-content sub,<br />
.mw-body-content sup,<br />
span.reference /* for Parsoid */ {<br />
font-size: 80%;<br />
}<br />
<br />
/* Same spacing for indented and unindented paragraphs on talk pages */<br />
.ns-talk .mw-body-content dd {<br />
margin-top: 0.4em;<br />
margin-bottom: 0.4em;<br />
}<br />
<br />
/* Main page fixes */<br />
#interwiki-completelist {<br />
font-weight: bold;<br />
}<br />
<br />
/* Reduce page jumps by hiding collapsed/dismissed content */<br />
.client-js .mw-special-Watchlist #watchlist-message,<br />
.client-js .NavFrame.collapsed .NavContent,<br />
.client-js .collapsible:not( .mw-made-collapsible).collapsed > tbody > tr:not(:first-child) {<br />
display: none;<br />
}<br />
<br />
/* Adds padding above Watchlist announcements where new recentchanges/watchlist filters are enabled */<br />
.mw-rcfilters-enabled .mw-specialpage-summary {<br />
margin-top: 1em;<br />
}<br />
<br />
/* Hide charinsert base for those not using the gadget */<br />
#editpage-specialchars {<br />
display: none;<br />
}<br />
<br />
/* Highlight linked elements (such as clicked references) in blue */<br />
body.action-info .mw-body-content :target,<br />
.citation:target {<br />
background-color: #def; /* Fallback */<br />
background-color: rgba(0, 127, 255, 0.133);<br />
}<br />
<br />
/* Styling for citations. Breaks long urls, etc., rather than overflowing box */<br />
.citation {<br />
word-wrap: break-word;<br />
}<br />
<br />
/* For linked citation numbers and document IDs, where the number need not be shown<br />
on a screen or a handheld, but should be included in the printed version */<br />
@media screen, handheld {<br />
.citation .printonly {<br />
display: none;<br />
}<br />
}<br />
<br />
/* Make the list of references smaller */<br />
/* Keep in sync with Template:Refbegin/styles.css */<br />
ol.references,<br />
div.reflist {<br />
font-size: 90%; /* Default font-size */<br />
margin-bottom: 0.5em;<br />
}<br />
div.reflist ol.references {<br />
font-size: 100%; /* Reset font-size when nested in div.reflist */<br />
margin-bottom: 0; /* Avoid double margin when nested in div.reflist */<br />
list-style-type: inherit; /* Enable custom list style types */<br />
}<br />
<br />
/* Allow hidden ref errors to be shown by user CSS */<br />
/* TemplateStyles */<br />
span.brokenref {<br />
display: none;<br />
}<br />
<br />
/* Reset top margin for lists embedded in columns */<br />
div.columns {<br />
margin-top: 0.3em;<br />
}<br />
div.columns dl,<br />
div.columns ol,<br />
div.columns ul {<br />
margin-top: 0;<br />
}<br />
<br />
/* Avoid elements breaking between columns */<br />
.nocolbreak,<br />
div.columns li,<br />
div.columns dd dd {<br />
-webkit-column-break-inside: avoid;<br />
page-break-inside: avoid;<br />
break-inside: avoid-column;<br />
}<br />
<br />
/* Style for horizontal lists (separator following item).<br />
@source mediawiki.org/wiki/Snippets/Horizontal_lists<br />
@revision 8 (2016-05-21)<br />
@author [[User:Edokter]]<br />
*/<br />
.hlist dl,<br />
.hlist ol,<br />
.hlist ul {<br />
margin: 0;<br />
padding: 0;<br />
}<br />
/* Display list items inline */<br />
.hlist dd,<br />
.hlist dt,<br />
.hlist li {<br />
margin: 0;<br />
display: inline;<br />
}<br />
/* Display nested lists inline */<br />
.hlist.inline,<br />
.hlist.inline dl,<br />
.hlist.inline ol,<br />
.hlist.inline ul,<br />
.hlist dl dl, .hlist dl ol, .hlist dl ul,<br />
.hlist ol dl, .hlist ol ol, .hlist ol ul,<br />
.hlist ul dl, .hlist ul ol, .hlist ul ul {<br />
display: inline;<br />
}<br />
/* Hide empty list items */<br />
.hlist .mw-empty-li {<br />
display: none;<br />
}<br />
/* Generate interpuncts */<br />
.hlist dt:after {<br />
content: ": ";<br />
}<br />
/**<br />
* Note hlist style usage differd in<br />
* the Minerva skin. Remember .hlist is a class defined in core as well! Please check Minerva desktop (and Minerva.css) when changing<br />
* See https://phabricator.wikimedia.org/T213239<br />
*/<br />
.hlist dd:after,<br />
.hlist li:after {<br />
content: " · ";<br />
font-weight: bold;<br />
}<br />
.hlist dd:last-child:after,<br />
.hlist dt:last-child:after,<br />
.hlist li:last-child:after {<br />
content: none;<br />
}<br />
/* Add parentheses around nested lists */<br />
.hlist dd dd:first-child:before, .hlist dd dt:first-child:before, .hlist dd li:first-child:before,<br />
.hlist dt dd:first-child:before, .hlist dt dt:first-child:before, .hlist dt li:first-child:before,<br />
.hlist li dd:first-child:before, .hlist li dt:first-child:before, .hlist li li:first-child:before {<br />
content: " (";<br />
font-weight: normal;<br />
}<br />
.hlist dd dd:last-child:after, .hlist dd dt:last-child:after, .hlist dd li:last-child:after,<br />
.hlist dt dd:last-child:after, .hlist dt dt:last-child:after, .hlist dt li:last-child:after,<br />
.hlist li dd:last-child:after, .hlist li dt:last-child:after, .hlist li li:last-child:after {<br />
content: ")";<br />
font-weight: normal;<br />
}<br />
/* Put ordinals in front of ordered list items */<br />
.hlist ol {<br />
counter-reset: listitem;<br />
}<br />
.hlist ol > li {<br />
counter-increment: listitem;<br />
}<br />
.hlist ol > li:before {<br />
content: " " counter(listitem) "\a0";<br />
}<br />
.hlist dd ol > li:first-child:before,<br />
.hlist dt ol > li:first-child:before,<br />
.hlist li ol > li:first-child:before {<br />
content: " (" counter(listitem) "\a0";<br />
}<br />
<br />
/* Unbulleted lists */<br />
.plainlist ol,<br />
.plainlist ul {<br />
line-height: inherit;<br />
list-style: none none;<br />
margin: 0;<br />
}<br />
.plainlist ol li,<br />
.plainlist ul li {<br />
margin-bottom: 0;<br />
}<br />
<br />
/* Default style for navigation boxes */<br />
.navbox { /* Navbox container style */<br />
box-sizing: border-box;<br />
border: 1px solid #a2a9b1;<br />
width: 100%;<br />
clear: both;<br />
font-size: 88%;<br />
text-align: center;<br />
padding: 1px;<br />
margin: 1em auto 0; /* Prevent preceding content from clinging to navboxes */<br />
}<br />
.navbox .navbox {<br />
margin-top: 0; /* No top margin for nested navboxes */<br />
}<br />
.navbox + .navbox {<br />
margin-top: -1px; /* Single pixel border between adjacent navboxes */<br />
}<br />
.navbox-inner,<br />
.navbox-subgroup {<br />
width: 100%;<br />
}<br />
.navbox-group,<br />
.navbox-title,<br />
.navbox-abovebelow {<br />
padding: 0.25em 1em; /* Title, group and above/below styles */<br />
line-height: 1.5em;<br />
text-align: center;<br />
}<br />
th.navbox-group { /* Group style */<br />
white-space: nowrap;<br />
/* @noflip */<br />
text-align: right;<br />
}<br />
.navbox,<br />
.navbox-subgroup {<br />
background-color: #fdfdfd; /* Background color */<br />
}<br />
.navbox-list {<br />
line-height: 1.5em;<br />
border-color: #fdfdfd; /* Must match background color */<br />
}<br />
/* cell spacing for navbox cells */<br />
tr + tr > .navbox-abovebelow,<br />
tr + tr > .navbox-group,<br />
tr + tr > .navbox-image,<br />
tr + tr > .navbox-list { /* Borders above 2nd, 3rd, etc. rows */<br />
border-top: 2px solid #fdfdfd; /* Must match background color */<br />
}<br />
.navbox th,<br />
.navbox-title {<br />
background-color: #ccccff; /* Level 1 color */<br />
}<br />
.navbox-abovebelow,<br />
th.navbox-group,<br />
.navbox-subgroup .navbox-title {<br />
background-color: #ddddff; /* Level 2 color */<br />
}<br />
.navbox-subgroup .navbox-group,<br />
.navbox-subgroup .navbox-abovebelow {<br />
background-color: #e6e6ff; /* Level 3 color */<br />
}<br />
.navbox-even {<br />
background-color: #f7f7f7; /* Even row striping */<br />
}<br />
.navbox-odd {<br />
background-color: transparent; /* Odd row striping */<br />
}<br />
.navbox .hlist td dl,<br />
.navbox .hlist td ol,<br />
.navbox .hlist td ul,<br />
.navbox td.hlist dl,<br />
.navbox td.hlist ol,<br />
.navbox td.hlist ul {<br />
padding: 0.125em 0; /* Adjust hlist padding in navboxes */<br />
}<br />
<br />
/* Default styling for Navbar template */<br />
.navbar {<br />
display: inline;<br />
font-size: 88%;<br />
font-weight: normal;<br />
}<br />
.navbar ul {<br />
display: inline;<br />
white-space: nowrap;<br />
}<br />
.mw-body-content .navbar ul {<br />
line-height: inherit;<br />
}<br />
.navbar li {<br />
word-spacing: -0.125em;<br />
}<br />
.navbar.mini li abbr[title] {<br />
font-variant: small-caps;<br />
border-bottom: none;<br />
text-decoration: none;<br />
cursor: inherit;<br />
}<br />
/* Navbar styling when nested in infobox and navbox */<br />
.infobox .navbar {<br />
font-size: 100%;<br />
}<br />
.navbox .navbar {<br />
display: block;<br />
font-size: 100%;<br />
}<br />
.navbox-title .navbar {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
/* @noflip */<br />
margin-right: 0.5em;<br />
}<br />
<br />
/* 'show'/'hide' buttons created dynamically by the CollapsibleTables javascript<br />
in [[MediaWiki:Common.js]] are styled here so they can be customised. */<br />
.collapseButton {<br />
/* @noflip */<br />
float: right;<br />
font-weight: normal;<br />
/* @noflip */<br />
margin-left: 0.5em;<br />
/* @noflip */<br />
text-align: right;<br />
width: auto;<br />
}<br />
<br />
/* Styling for JQuery makeCollapsible, matching that of collapseButton */<br />
.mw-parser-output .mw-collapsible-toggle {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: right;<br />
padding-right: 0.2em;<br />
padding-left: 0.2em;<br />
}<br />
.mw-collapsible-leftside-toggle .mw-collapsible-toggle {<br />
/* @noflip */<br />
float: left;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Normal font styling for wikitable row headers with scope="row" tag */<br />
.wikitable.plainrowheaders th[scope=row] {<br />
font-weight: normal;<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
<br />
/* Lists in wikitable data cells are always left-aligned */<br />
.wikitable td ul,<br />
.wikitable td ol,<br />
.wikitable td dl {<br />
/* @noflip */<br />
text-align: left;<br />
}<br />
/* ...unless they also use the hlist class */<br />
.toc.hlist ul,<br />
#toc.hlist ul,<br />
.wikitable.hlist td ul,<br />
.wikitable.hlist td ol,<br />
.wikitable.hlist td dl {<br />
text-align: inherit;<br />
}<br />
<br />
/* Icons for medialist templates [[Template:Listen]],<br />
[[Template:Multi-listen_start]], [[Template:Video]],<br />
[[Template:Multi-video_start]] */<br />
/* TemplateStyles */<br />
div.listenlist {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/4/47/Sound-icon.svg") no-repeat scroll 0 0 transparent;<br />
background-size: 30px;<br />
padding-left: 40px;<br />
}<br />
<br />
/* Fix for hieroglyphs specificity issue in infoboxes ([[phab:T43869]]) */<br />
table.mw-hiero-table td {<br />
vertical-align: middle;<br />
}<br />
<br />
/* Change the external link icon to an Adobe icon for all PDF files */<br />
.mw-parser-output a[href$=".pdf"].external,<br />
.mw-parser-output a[href*=".pdf?"].external,<br />
.mw-parser-output a[href*=".pdf#"].external,<br />
.mw-parser-output a[href$=".PDF"].external,<br />
.mw-parser-output a[href*=".PDF?"].external,<br />
.mw-parser-output a[href*=".PDF#"].external {<br />
background: url("//upload.wikimedia.org/wikipedia/commons/2/23/Icons-mini-file_acrobat.gif") no-repeat right;<br />
/* @noflip */<br />
padding-right: 18px;<br />
}<br />
<br />
/* Messagebox templates */<br />
.messagebox {<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa;<br />
width: 80%;<br />
margin: 0 auto 1em auto;<br />
padding: .2em;<br />
}<br />
.messagebox.merge {<br />
border: 1px solid #c0b8cc;<br />
background-color: #f0e5ff;<br />
text-align: center;<br />
}<br />
.messagebox.cleanup {<br />
border: 1px solid #9f9fff;<br />
background-color: #efefff;<br />
text-align: center;<br />
}<br />
.messagebox.standard-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
margin: 4px auto;<br />
}<br />
/* For old WikiProject banners inside banner shells. */<br />
.mbox-inside .standard-talk,<br />
.messagebox.nested-talk {<br />
border: 1px solid #c0c090;<br />
background-color: #f8eaba;<br />
width: 100%;<br />
margin: 2px 0;<br />
padding: 2px;<br />
}<br />
.messagebox.small {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
}<br />
.messagebox.small-talk {<br />
width: 238px;<br />
font-size: 85%;<br />
/* @noflip */<br />
float: right;<br />
clear: both;<br />
/* @noflip */<br />
margin: 0 0 1em 1em;<br />
line-height: 1.25em;<br />
background-color: #f8eaba;<br />
}<br />
<br />
/* Cell sizes for ambox/tmbox/imbox/cmbox/ombox/fmbox/dmbox message boxes */<br />
th.mbox-text, td.mbox-text { /* The message body cell(s) */<br />
border: none;<br />
/* @noflip */<br />
padding: 0.25em 0.9em; /* 0.9em left/right */<br />
width: 100%; /* Make all mboxes the same width regardless of text length */<br />
}<br />
td.mbox-image { /* The left image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0 2px 0.9em; /* 0.9em left, 0px right */<br />
text-align: center;<br />
}<br />
td.mbox-imageright { /* The right image cell */<br />
border: none;<br />
/* @noflip */<br />
padding: 2px 0.9em 2px 0; /* 0px left, 0.9em right */<br />
text-align: center;<br />
}<br />
td.mbox-empty-cell { /* An empty narrow cell */<br />
border: none;<br />
padding: 0;<br />
width: 1px;<br />
}<br />
<br />
/* Article message box styles */<br />
table.ambox {<br />
margin: 0 10%; /* 10% = Will not overlap with other elements */<br />
border: 1px solid #a2a9b1;<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
table.ambox + table.ambox { /* Single border between stacked boxes. */<br />
margin-top: -1px;<br />
}<br />
.ambox th.mbox-text,<br />
.ambox td.mbox-text { /* The message body cell(s) */<br />
padding: 0.25em 0.5em; /* 0.5em left/right */<br />
}<br />
.ambox td.mbox-image { /* The left image cell */<br />
/* @noflip */<br />
padding: 2px 0 2px 0.5em; /* 0.5em left, 0px right */<br />
}<br />
.ambox td.mbox-imageright { /* The right image cell */<br />
/* @noflip */<br />
padding: 2px 0.5em 2px 0; /* 0px left, 0.5em right */<br />
}<br />
<br />
table.ambox-notice {<br />
/* @noflip */<br />
border-left: 10px solid #36c; /* Blue */<br />
}<br />
table.ambox-speedy {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ambox-delete {<br />
/* @noflip */<br />
border-left: 10px solid #b32424; /* Red */<br />
}<br />
table.ambox-content {<br />
/* @noflip */<br />
border-left: 10px solid #f28500; /* Orange */<br />
}<br />
table.ambox-style {<br />
/* @noflip */<br />
border-left: 10px solid #fc3; /* Yellow */<br />
}<br />
table.ambox-move {<br />
/* @noflip */<br />
border-left: 10px solid #9932cc; /* Purple */<br />
}<br />
table.ambox-protection {<br />
/* @noflip */<br />
border-left: 10px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Image message box styles */<br />
table.imbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 3px solid #36c; /* Default "notice" blue */<br />
background-color: #fbfbfb;<br />
box-sizing: border-box;<br />
}<br />
.imbox .mbox-text .imbox { /* For imboxes inside imbox-text cells. */<br />
margin: 0 -0.5em; /* 0.9 - 0.5 = 0.4em left/right. */<br />
display: block; /* Fix for webkit to force 100% width. */<br />
}<br />
.mbox-inside .imbox { /* For imboxes inside other templates. */<br />
margin: 4px;<br />
}<br />
<br />
table.imbox-notice {<br />
border: 3px solid #36c; /* Blue */<br />
}<br />
table.imbox-speedy {<br />
border: 3px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.imbox-delete {<br />
border: 3px solid #b32424; /* Red */<br />
}<br />
table.imbox-content {<br />
border: 3px solid #f28500; /* Orange */<br />
}<br />
table.imbox-style {<br />
border: 3px solid #fc3; /* Yellow */<br />
}<br />
table.imbox-move {<br />
border: 3px solid #9932cc; /* Purple */<br />
}<br />
table.imbox-protection {<br />
border: 3px solid #a2a9b1; /* Gray-gold */<br />
}<br />
table.imbox-license {<br />
border: 3px solid #88a; /* Dark gray */<br />
background-color: #f7f8ff; /* Light gray */<br />
}<br />
table.imbox-featured {<br />
border: 3px solid #cba135; /* Brown-gold */<br />
}<br />
<br />
/* Category message box styles */<br />
table.cmbox {<br />
margin: 3px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1;<br />
background-color: #dfe8ff; /* Default "notice" blue */<br />
box-sizing: border-box;<br />
}<br />
<br />
table.cmbox-notice {<br />
background-color: #d8e8ff; /* Blue */<br />
}<br />
table.cmbox-speedy {<br />
margin-top: 4px;<br />
margin-bottom: 4px;<br />
border: 4px solid #b32424; /* Red */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-delete {<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.cmbox-content {<br />
background-color: #ffe7ce; /* Orange */<br />
}<br />
table.cmbox-style {<br />
background-color: #fff9db; /* Yellow */<br />
}<br />
table.cmbox-move {<br />
background-color: #e4d8ff; /* Purple */<br />
}<br />
table.cmbox-protection {<br />
background-color: #efefe1; /* Gray-gold */<br />
}<br />
<br />
/* Other pages message box styles */<br />
table.ombox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #a2a9b1; /* Default "notice" gray */<br />
background-color: #f8f9fa;<br />
box-sizing: border-box;<br />
}<br />
<br />
table.ombox-notice {<br />
border: 1px solid #a2a9b1; /* Gray */<br />
}<br />
table.ombox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.ombox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.ombox-content {<br />
border: 1px solid #f28500; /* Orange */<br />
}<br />
table.ombox-style {<br />
border: 1px solid #fc3; /* Yellow */<br />
}<br />
table.ombox-move {<br />
border: 1px solid #9932cc; /* Purple */<br />
}<br />
table.ombox-protection {<br />
border: 2px solid #a2a9b1; /* Gray-gold */<br />
}<br />
<br />
/* Talk page message box styles */<br />
table.tmbox {<br />
margin: 4px 10%;<br />
border-collapse: collapse;<br />
border: 1px solid #c0c090; /* Default "notice" gray-brown */<br />
background-color: #f8eaba;<br />
min-width: 80%;<br />
box-sizing: border-box;<br />
}<br />
.tmbox.mbox-small {<br />
min-width: 0; /* reset the min-width of tmbox above */<br />
}<br />
.mediawiki .mbox-inside .tmbox { /* For tmboxes inside other templates. The "mediawiki" class ensures that */<br />
margin: 2px 0; /* this declaration overrides other styles (including mbox-small above) */<br />
width: 100%; /* For Safari and Opera */<br />
}<br />
.mbox-inside .tmbox.mbox-small { /* "small" tmboxes should not be small when */<br />
line-height: 1.5em; /* also "nested", so reset styles that are */<br />
font-size: 100%; /* set in "mbox-small" above. */<br />
}<br />
<br />
table.tmbox-speedy {<br />
border: 2px solid #b32424; /* Red */<br />
background-color: #fee7e6; /* Pink */<br />
}<br />
table.tmbox-delete {<br />
border: 2px solid #b32424; /* Red */<br />
}<br />
table.tmbox-content {<br />
border: 2px solid #f28500; /* Orange */<br />
}<br />
table.tmbox-style {<br />
border: 2px solid #fc3; /* Yellow */<br />
}<br />
table.tmbox-move {<br />
border: 2px solid #9932cc; /* Purple */<br />
}<br />
table.tmbox-protection,<br />
table.tmbox-notice {<br />
border: 1px solid #c0c090; /* Gray-brown */<br />
}<br />
<br />
/* Disambig and set index box styles */<br />
table.dmbox {<br />
clear: both;<br />
margin: 0.9em 1em;<br />
border-top: 1px solid #ccc;<br />
border-bottom: 1px solid #ccc;<br />
background-color: transparent;<br />
}<br />
<br />
/* Footer and header message box styles */<br />
table.fmbox {<br />
clear: both;<br />
margin: 0.2em 0;<br />
width: 100%;<br />
border: 1px solid #a2a9b1;<br />
background-color: #f8f9fa; /* Default "system" gray */<br />
box-sizing: border-box;<br />
}<br />
table.fmbox-system {<br />
background-color: #f8f9fa;<br />
}<br />
table.fmbox-warning {<br />
border: 1px solid #bb7070; /* Dark pink */<br />
background-color: #ffdbdb; /* Pink */<br />
}<br />
table.fmbox-editnotice {<br />
background-color: transparent;<br />
}<br />
/* Div based "warning" style fmbox messages. */<br />
div.mw-warning-with-logexcerpt,<br />
div.mw-lag-warn-high,<br />
div.mw-cascadeprotectedwarning,<br />
div#mw-protect-cascadeon,<br />
div.titleblacklist-warning,<br />
div.locked-warning {<br />
clear: both;<br />
margin: 0.2em 0;<br />
border: 1px solid #bb7070;<br />
background-color: #ffdbdb;<br />
padding: 0.25em 0.9em;<br />
box-sizing: border-box;<br />
}<br />
<br />
/* These mbox-small classes must be placed after all other<br />
ambox/tmbox/ombox etc classes. "html body.mediawiki" is so<br />
they override "table.ambox + table.ambox" above. */<br />
html body.mediawiki .mbox-small { /* For the "small=yes" option. */<br />
/* @noflip */<br />
clear: right;<br />
/* @noflip */<br />
float: right;<br />
/* @noflip */<br />
margin: 4px 0 4px 1em;<br />
box-sizing: border-box;<br />
width: 238px;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
html body.mediawiki .mbox-small-left { /* For the "small=left" option. */<br />
/* @noflip */<br />
margin: 4px 1em 4px 0;<br />
box-sizing: border-box;<br />
overflow: hidden;<br />
width: 238px;<br />
border-collapse: collapse;<br />
font-size: 88%;<br />
line-height: 1.25em;<br />
}<br />
<br />
/* Style for compact ambox */<br />
/* Hide the images */<br />
.compact-ambox table .mbox-image,<br />
.compact-ambox table .mbox-imageright,<br />
.compact-ambox table .mbox-empty-cell {<br />
display: none;<br />
}<br />
/* Remove borders, backgrounds, padding, etc. */<br />
.compact-ambox table.ambox {<br />
border: none;<br />
border-collapse: collapse;<br />
background-color: transparent;<br />
margin: 0 0 0 1.6em !important;<br />
padding: 0 !important;<br />
width: auto;<br />
display: block;<br />
}<br />
body.mediawiki .compact-ambox table.mbox-small-left {<br />
font-size: 100%;<br />
width: auto;<br />
margin: 0;<br />
}<br />
/* Style the text cell as a list item and remove its padding */<br />
.compact-ambox table .mbox-text {<br />
padding: 0 !important;<br />
margin: 0 !important;<br />
}<br />
.compact-ambox table .mbox-text-span {<br />
display: list-item;<br />
line-height: 1.5em;<br />
list-style-type: square;<br />
list-style-image: url(/w/skins/MonoBook/resources/images/bullet.gif);<br />
}<br />
.skin-vector .compact-ambox table .mbox-text-span {<br />
list-style-type: disc;<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.svg);<br />
list-style-image: url(/w/skins/Vector/images/bullet-icon.png)\9;<br />
}<br />
/* Allow for hiding text in compact form */<br />
.compact-ambox .hide-when-compact {<br />
display: none;<br />
}<br />
<br />
/* Hide (formatting) elements from screen, but not from screenreaders */<br />
.visualhide {<br />
position: absolute;<br />
left: -10000px;<br />
top: auto;<br />
width: 1px;<br />
height: 1px;<br />
overflow: hidden;<br />
}<br />
<br />
/* Suppress missing interwiki image links where #ifexist cannot<br />
be used due to high number of requests. See .hidden-redlink on<br />
[[m:MediaWiki:Common.css]] */<br />
.check-icon a.new {<br />
display: none;<br />
speak: none;<br />
}<br />
<br />
/* Remove underlines from certain links */<br />
.nounderlines a,<br />
.IPA a:link, .IPA a:visited {<br />
text-decoration: none !important;<br />
}<br />
<br />
/* Standard Navigationsleisten, aka box hiding thingy<br />
from .de. Documentation at [[Wikipedia:NavFrame]]. */<br />
div.NavFrame {<br />
margin: 0;<br />
padding: 4px;<br />
border: 1px solid #a2a9b1;<br />
text-align: center;<br />
border-collapse: collapse;<br />
font-size: 95%;<br />
}<br />
div.NavFrame + div.NavFrame {<br />
border-top-style: none;<br />
border-top-style: hidden;<br />
}<br />
div.NavFrame div.NavHead {<br />
line-height: 1.6em;<br />
font-weight: bold;<br />
background-color: #ccf;<br />
position: relative;<br />
}<br />
div.NavFrame p,<br />
div.NavFrame div.NavContent,<br />
div.NavFrame div.NavContent p {<br />
font-size: 100%;<br />
}<br />
a.NavToggle {<br />
position: absolute;<br />
top: 0;<br />
/* @noflip */<br />
right: 3px;<br />
font-weight: normal;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hatnotes and disambiguation notices */<br />
.hatnote {<br />
font-style: italic;<br />
}<br />
.hatnote i {<br />
font-style: normal;<br />
}<br />
div.hatnote {<br />
/* @noflip */<br />
padding-left: 1.6em;<br />
margin-bottom: 0.5em;<br />
}<br />
div.hatnote + div.hatnote {<br />
margin-top: -0.5em;<br />
}<br />
<br />
/* Allow transcluded pages to display in lists rather than a table. */<br />
.listify td {<br />
display: list-item;<br />
}<br />
.listify tr {<br />
display: block;<br />
}<br />
.listify table {<br />
display: block;<br />
}<br />
<br />
/* Geographical coordinates defaults. See [[Template:Coord/link]]<br />
for how these are used. The classes "geo", "longitude", and<br />
"latitude" are used by the [[Geo microformat]]. */<br />
/* TemplateStyles */<br />
.geo-default, .geo-dms, .geo-dec {<br />
display: inline;<br />
}<br />
.geo-nondefault, .geo-multi-punct {<br />
display: none;<br />
}<br />
.longitude, .latitude {<br />
white-space: nowrap;<br />
}<br />
<br />
/* User block messages */<br />
div.user-block {<br />
padding: 5px;<br />
margin-bottom: 0.5em;<br />
border: 1px solid #a9a9a9;<br />
background-color: #ffefd5;<br />
}<br />
<br />
/* Prevent line breaks in silly places:<br />
1) Where desired<br />
2) Links when we don't want them to<br />
3) Bold "links" to the page itself */<br />
.nowrap,<br />
.nowraplinks a,<br />
.nowraplinks .selflink {<br />
white-space: nowrap;<br />
}<br />
.nowrap pre {<br />
white-space: pre;<br />
}<br />
/* But allow wrapping where desired: */<br />
.wrap,<br />
.wraplinks a {<br />
white-space: normal;<br />
}<br />
<br />
/* For template documentation */<br />
/* TemplateStyles */<br />
.template-documentation {<br />
clear: both;<br />
margin: 1em 0 0 0;<br />
border: 1px solid #a2a9b1;<br />
background-color: #ecfcf4;<br />
padding: 1em;<br />
}<br />
<br />
/* Increase the height of the image upload box */<br />
#wpUploadDescription {<br />
height: 13em;<br />
}<br />
<br />
/* Minimum thumb width */<br />
.thumbinner {<br />
min-width: 100px;<br />
}<br />
<br />
/* Prevent floating boxes from overlapping any category listings,<br />
file histories, edit previews, and edit [Show changes] views. */<br />
#mw-subcategories, #mw-pages, #mw-category-media,<br />
#filehistory, #wikiPreview, #wikiDiff {<br />
clear: both;<br />
}<br />
<br />
/* Selectively hide headers in WikiProject banners */<br />
/* TemplateStyles */<br />
.wpb .wpb-header {<br />
display: none;<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: block; /* for IE */<br />
}<br />
.wpbs-inner .wpb .wpb-header {<br />
display: table-row; /* for real browsers */<br />
}<br />
.wpbs-inner .wpb-outside {<br />
display: none; /* hide things that should only display outside shells */<br />
}<br />
<br />
/* Styling for Abuse Filter tags */<br />
.mw-tag-markers {<br />
font-style: italic;<br />
font-size: 90%;<br />
}<br />
<br />
/* Hide stuff meant for accounts with special permissions. Made visible again in<br />
[[MediaWiki:Group-checkuser.css]], [[MediaWiki:Group-sysop.css]], [[MediaWiki:Group-patroller.css]],<br />
[[MediaWiki:Group-templateeditor.css]], [[MediaWiki:Group-extendedmover.css]],<br />
[[MediaWiki:Group-extendedconfirmed.css]], and [[Mediawiki:Group-autoconfirmed.css]]. */<br />
.checkuser-show,<br />
.sysop-show,<br />
.patroller-show,<br />
.templateeditor-show,<br />
.extendedmover-show,<br />
.extendedconfirmed-show,<br />
.autoconfirmed-show,<br />
.user-show {<br />
display: none;<br />
}<br />
<br />
/* Hide the redlink generated by {{Editnotice}},<br />
this overrides the ".sysop-show { display: none; }" above that applies<br />
to the same link as well. See [[phab:T45013]]<br />
<br />
Hide the images in editnotices to keep them readable in VE view.<br />
Long term, editnotices should become a core feature so that they can be designed responsive. */<br />
.ve-ui-mwNoticesPopupTool-item .editnotice-redlink,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-image,<br />
.ve-ui-mwNoticesPopupTool-item .mbox-imageright {<br />
display: none !important;<br />
}<br />
<br />
/* Remove bullets when there are multiple edit page warnings */<br />
ul.permissions-errors > li {<br />
list-style: none none;<br />
}<br />
ul.permissions-errors {<br />
margin: 0;<br />
}<br />
<br />
/* Generic class for Times-based serif, texhtml class for inline math */<br />
.times-serif,<br />
span.texhtml {<br />
font-family: "Nimbus Roman No9 L", "Times New Roman", Times, serif;<br />
font-size: 118%;<br />
line-height: 1;<br />
}<br />
span.texhtml {<br />
white-space: nowrap;<br />
}<br />
span.texhtml span.texhtml {<br />
font-size: 100%;<br />
}<br />
span.mwe-math-mathml-inline {<br />
font-size: 118%;<br />
}<br />
<br />
/* Force tabular and lining display for digits and texhtml */<br />
.digits,<br />
.texhtml {<br />
-moz-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
-webkit-font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-feature-settings: "lnum", "tnum", "kern" 0;<br />
font-variant-numeric: lining-nums tabular-nums;<br />
font-kerning: none;<br />
}<br />
<br />
/* Make <math display="block"> be left aligned with one space indent for compatibility with style conventions */<br />
.mwe-math-fallback-image-display,<br />
.mwe-math-mathml-display {<br />
margin-left: 1.6em !important;<br />
margin-top: 0.6em;<br />
margin-bottom: 0.6em;<br />
}<br />
.mwe-math-mathml-display math {<br />
display: inline;<br />
}<br />
<br />
/* Fix styling of transcluded prefindex tables */<br />
table#mw-prefixindex-list-table,<br />
table#mw-prefixindex-nav-table {<br />
width: 98%;<br />
}<br />
<br />
/* Make it possible to hide checkboxes in <inputbox> */<br />
.inputbox-hidecheckboxes form .inputbox-element,<br />
.inputbox-hidecheckboxes .mw-ui-checkbox {<br />
display: none !important;<br />
}<br />
<br />
/* Work-around for [[phab:T25965]] / [[phab:T100106]] (Kaltura advertisement) */<br />
.k-player .k-attribution {<br />
visibility: hidden;<br />
}<br />
<br />
/* Move 'play' button of video player to bottom left corner */<br />
.PopUpMediaTransform a .play-btn-large {<br />
margin: 0;<br />
top: auto;<br />
right: auto;<br />
bottom: 0;<br />
left: 0;<br />
}<br />
<br />
/* Hide FlaggedRevs notice UI when there are no pending changes */<br />
.flaggedrevs_draft_synced,<br />
.flaggedrevs_stable_synced {<br />
display: none;<br />
}<br />
<br />
/* Force imgs in galleries to have borders by wrapping them in class=bordered-images */<br />
.bordered-images img {<br />
border: solid #ddd 1px;<br />
}<br />
<br />
/* Gallery styles background changes are restricted to screen view. In printing we should avoid applying backgrounds. */<br />
@media screen {<br />
/* The backgrounds for galleries. */<br />
#content .gallerybox div.thumb {<br />
/* Light gray padding */<br />
background-color: #f8f9fa;<br />
}<br />
<br />
/* Put a chequered background behind images, only visible if they have transparency.<br />
'.filehistory a img' and '#file img:hover' are handled by MediaWiki core (as of 1.19) */<br />
.gallerybox .thumb img {<br />
background: #fff url(//upload.wikimedia.org/wikipedia/commons/5/5d/Checker-16x16.png) repeat;<br />
}<br />
/* But not on articles, user pages, portals or with opt-out. */<br />
.ns-0 .gallerybox .thumb img,<br />
.ns-2 .gallerybox .thumb img,<br />
.ns-100 .gallerybox .thumb img,<br />
.nochecker .gallerybox .thumb img {<br />
background-image: none;<br />
}<br />
<br />
}<br />
<br />
/* == Portable infobox == */<br />
/* === written by Aiihuan === */<br />
<br />
aside.portable-infobox * {<br />
font-family: sans-serif;<br />
}<br />
<br />
.portable-infobox {<br />
width: 350px;<br />
border: 1px solid #854100;<br />
border-radius: 5px;<br />
background-color: #fffdfb;<br />
}<br />
<br />
.portable-infobox .pi-item-spacing {<br />
padding: 2px 5px;<br />
}<br />
<br />
.portable-infobox .pi-image-thumbnail {<br />
width: 248px;<br />
height: auto;<br />
}<br />
<br />
.portable-infobox .pi-title {<br />
border-top-left-radius: 5px;<br />
border-top-right-radius: 5px;<br />
width: 350px;<br />
padding: 0.25em;<br />
font-size: small;<br />
font-weight: bold;<br />
text-align: center;<br />
line-height: 1.1;<br />
}<br />
<br />
.portable-infobox.pi-theme-noncontiguous .pi-title {<br />
background-color: #9aff99;<br />
}<br />
<br />
.portable-infobox.pi-theme-unsubstantiated .pi-title {<br />
background-color: #fffe99;<br />
}<br />
<br />
.portable-infobox.pi-theme-disputed .pi-title {<br />
background-color: #ff999a;<br />
}<br />
<br />
/*<br />
.portable-infobox .pi-header {<br />
background-color: #99cdff;<br />
padding:0.25em;<br />
font-size: small;<br />
font-weight: bold;<br />
text-align: center;<br />
line-height: 1.1;<br />
}<br />
<br />
.pi-border-color {<br />
border-color: #b58d66;<br />
}<br />
<br />
<br />
.portable-infobox .pi-data-label {<br />
font-size: x-small;<br />
}<br />
<br />
.portable-infobox .pi-data-value {<br />
font-size: x-small;<br />
}<br />
*/<br />
<br />
.portable-infobox .pi-data-value:only-child {<br />
width: 100%;<br />
text-align: center;<br />
}<br />
<br />
.portable-infobox .pi-data-value ul {<br />
list-style-image: none;<br />
margin-left: 0;<br />
padding-left: 0;<br />
}<br />
<br />
.portable-infobox .pi-data-value li {<br />
list-style-type: none;<br />
list-style-image: none;<br />
margin: 0;<br />
padding: 0;<br />
}<br />
<br />
<br />
/* Display "From Wikipedia, the free encyclopedia" in skins that support it, do not apply to print mode */<br />
@media screen {<br />
#siteSub {<br />
display: block;<br />
}<br />
}<br />
<br />
<br />
<br />
.portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
<br />
}<br />
<br />
.pi-item-spacing {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
portable-infobox {<br />
width:350px;<br />
text-align:center;<br />
}<br />
<br />
div.pi-item.pi-data.portable-infobox{<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label {<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h3.pi-data-label.pi-secondary-font {<br />
font-size:0.95em;<br />
width:100px;<br />
text-align:center;<br />
}<br />
<br />
h2.pi-item.pi-item-spacing {<br />
<br />
}<br />
<br />
img.pi-image-thumbnail {<br />
width:300px;<br />
text-align:center;<br />
}</div>Riot Hero