Unfortunately we suffered another spambot attack. Please be patient while we address this. -- 15 March 2019
The Agency of the Letter in the Unconscious or Reason Since Freud
Of Children in Swaddling Clothes
O cities of the sea, I behold in you your citizens, women as well as men tightly bound with stout bonds around their arms and Iegs by folk who will not understand your language; and you will only be able to give vent to your griefs and sense of loss of liberty by making tearful complaints, and sighs, and lamentations one to another; for those who bind you will not understand your language nor will you understand them.'
LEONARDO DA VINCI
Although the nature of this contribution was determined by the theme of the third volume of La Psychanalyse, I owe to what will be found there to insert it at a point somewhere between writing (l'écrit) and speech - it will be half-way between the two.
Writing is distingiushed by a prevalence of the text in the sense that this factor of discourse will assume in this essay a factor that makes possible the kind of tightening up that I like in order to leave the reader no other way out than the way in, which I prefer to be difficult. In that sense, then, this will not be writing.
Because I always try to provide my seminars each time with something new, I have refrained so far from giving such a text, with one exception, which is not particularly outstanding in the context of the series, and which I refer to at all only for the general level of its argument.
For the urgency that I now take as a pretext for leaving aside such an aim only masks the difficulty that, in trying to maintain it at the level at which I ought to present my teaching here, I might push it too far from speech, whose very different techniques are essential to the formative effect I seek.
That is why I have taken the expedient offered me by the invitation to lecture to the philosophy group of the Fédération des étudiants dès lettres to produce an adaptation suitable to what I have to say: its necessary generality matches the exceptional character of the audience, but its sole object encounters the collusion of their common training, a literary one, to which my title pays homage.
Indeed, how could we forget that to the end of his days Freud constantly maintained that such a training was the prime requisite in the formation of analysts, and that he designated the eternal universitas litterarum as the ideal place for its institution.
Thus my recourse (in rewriting) to the movement of the (spoken) discourse, restored to its vitality, by showing whom I meant it for, marks even more clearly those for whom it is not intended.
I mean that it is not intended for those who, for any reason whatever, in psychoanalysis, allow their discipline to avail itself of some false identity - a fault of habit, but its effect on the mind is such that the true identity may appear as simply one alibi among others, a sort of refined reduplication whose implications will not be lost on the most subtle minds.
So one observes with a certain curiosity the beginnings of a new direc- tion concerning symbolization and language in the Internationl Journal of Psychoanalysis, with a great many sticky fingers leafing through the pages of Sapir and Jespersen. These exercises are still somewhat unpractised, but it is above all the tone that is lacking. A certain'seriousness' as one enters the domain of veracity cannot fail to raise a smile.
And how could a psychoanalyst of today not realize that speech is the key to that truth, when his whole experience must find in speech alone its instrument, its context, its material, and even the background noise of its uncertainties.
The Meaning of the Letter
As my title suggests, beyond this 'speech', what the psychoanalytic expetience discovers in the unconscious is the whole structure of language.
Thus from the outset I have alerted informed minds to the extent to which the notion that the unconscious is merely the seat of the instincts will have to be rethought.
But how are we to take this 'letter' here? Quite simply, literally.
By 'letter' I designate that material support that concrete discourse borrows from language.
This simple definition assumes that language is not to be confused with the various psychical and somatic functions that serve it in the speaking subject - primarily because language and its structure exist prior to the moment at which each subject at a certain point in his mental development makes his entry into it.
Let us note, then, that aphasias, although caused by purely anatomical lesions in the cerebral apparatus that supplies the mental centre for these functions, prove, on the whole, to distribute their deficits between the two sides of the signifying effect of what we call here 'the letter' in the creation of signification. A point that will be clarified later.
Thus the subject, too, if he can appear to be the slave of language is all the more so of a discourse in the universal movement in which his place is already inscribed at birth, if only by virtue of his proper name.
Reference to the experience of the community, or to the substance of this discourse, settles nothing. For this experience assumes its essential dimension in the tradition that this discourse itself establishes. This tradition, long before the drama of history is inscribed in it, lays down the elementary structures of culture. And these very structures reveal an ordering of possible exchanges which, even if unconscious, is inconceivable outside the permutations authorized by language.
With the result that the ethnographic duality of nature and culture is giving way to a ternary conception of the human condition - nature, society, and culture - the last term of which could well be reduced to language, or that which essentially distinguishes human society from natural societies.
But I shall not make of this distinction either a point or a point of departure, leaving to its own obscurity the question of the original relations between the signifier and labour. I shall be content, for my little jab at the general function of praxis in the genesis of history, to point out that the very society that wished to restore, along with the privileges of the producer, the causal hierarchy of the relations between production and the ideological superstructure to their full political rights, has none the less failed to give birth to an ^esperanto in which the relations of language to socialist realities would have rendered any literary formalism radically impossible?
For my part, I shall trust only those assumptions that have already proven their value by virtue of the fact that language through them has attained the status of an object of scientific investigation.
For it is by virtue of this fact that linguistics is seen to occupy the key position in this domain, and the reclassification of the sciences and a regrouping of them around it signals, as is usually the case, a revolution in knowledge; only the necessities of communication made me inscribe it at the head of this volume under the title 'the sciences of man' - despite the confusion that is thereby covered over.
To pinpoint the emergence of linguistic science we may say that, as in the case of all sciences in the modern sense, it is contained in the constitutive moment of an algorithm that is its foundation. This algorithm is the following:
which is read as: the signifier over the signified, 'over' corresponding to the bar separating the two stages.
This sign should be attributed to Ferdinand de Saussure although it is not found in exactly this form in any of the numerous schemas, which none the less express it, to be found in the printed version of his lectures of the years I906-7, I9089, and I9I0-11, which the piety of a group of his disciples caused to be published under the title, Cours de linguistique génerale, a work of prime importance for the transmission of a teaching worthy of the name, that is, that one can come to terms with only in its own terms.
That is why it is legitimate for us to give him credit for the formulation S/s by which, in spite of the differences among schools, the beginning of modern linguistics can be recognized.
The thematics of this science is henceforth suspended, in effect, at the primordial position of the signifier and the signified as being distinct orders separated initially by a barrier resisting signification. And that is what was to make possible an exact study of the connections proper to the signifier, and of the extent of their function in the genesis of the signified.
For this primordial distinction goes well beyond the discussion concerning the arbitrariness of the sign, as it has been elaborated since the earliest reflections of the ancients, and even beyond the impasse which, through the same period, has been encountered in every discussion of the bi-univocal correspondence between the word and the thing, if only in the mere act of naming. All this, of course, is quite contrary to the appearances suggested by the importance often imputed to the role of the index finger pointing to an object in the learning pro¦ss of the infans subject learning his mother tongue, or the use in foreign language teaching of so-called 'concrete' methods.
One cannot go further along this line of thought than to demonstrate that no signification can be sustained other than by reference to another signification: in its extreme form this amounts to the proposition that there is no language (langue) in existence for which there is any question of its inability to cover the whole field of the signified, it being an effect of its existence as a language (langue) that it necessarily answers all needs.
If we try to grasp in language the constitution of the object, we cannot fail to notice that this constitution is to be found only at the level of concept, a very different thing from a simple nominative, and that the thing, when reduced to the noun, breaks up into the double, divergent beam of the 'cause' (causa) in which it has taken shelter in the French word chose, and the nothing (rien) to which it has abandoned its Latin dress (rem).
These considerations, important as their existence is for the philosopher, turn us away from the locus in which language questions us as to its very nature. And we will fail to pursue the question further as long as we cling to the illusion that the signifier answers to the function of representing the signified, or better, that the signifier has to answer for its existence in the name of any signification whatever.
For even reduced to this latter formulation, the heresy is the same - the heresy that leads logical positivism in search of the 'meaning of meaning', as its objective is called in the language of its devotees. As a result, we can observe that even a text highly charged with meaning can be reduced, through this sort of analysis, to insignificant bagatelles, all that survives being mathematical algorithms that are, of course, without any meaning.
To return to our formula S/s: if we could infer nothing from it but the notion of the parallelism of its upper and lower terms, each one taken in its globality, it would remain the enigmatic sign of a total mystery. Which of course is not the case.
In order to grasp its function I shall begin by reproducing the classic, yet faulty illustration by which its usage is normally introduced, and one can see how it opens the way to the kind of error referred to above.
In my lecture, I replaced this illustration with another, which has no greater claim to correctness than that it has been transplanted into that incongruous dimension that the psychoanalyst has not yet altogether renounced because of his quite justified feeling that his conformism takes its value entirely from it. Here is the other diagram:
where we see that, without greatly extending the scope of the signifier concerned in the experiment, that is, by doubling a noun through the mere juxtaposition of two terms whose complementary meanings ought apparently to reinforce each other, a surprise is produced by an unexpected precipitation of an unexpected meaning: the image of twin doors symbolizing, through the solitary confinement offered Western Man for the satisfaction of his natural needs away from home, the imperative that he seems to share with the great majority of primitive communities by which his public life is subjected to the laws of urinary segregation.
It is not only with the idea of silencing the nominalist debate with a low blow that I use this example, but rather to show how in fact the signifier enters the signified, namely, in a form which, not being immaterial, raises the question of its place in reality. For the blinking gaze of a short sighted person might be justified in wondering whether this was indeed the signifier as he peered closely at the little enamel signs that bore it, a signifier whose signified would in this call receive its final honours from the double and solemn procession from the upper nave.
But no contrived example can be as telling as the actual experience of truth. So I am happy to have invented the above, since it awoke in the person whose word I most trust a memory of childhood, which having thus happily come to my attention is best placed here.
A train arrives at a station. A little boy and a little girl, brother and sister, are seated in a compartment face to face next to the window through which the buildings along the station platform can be seen passing as the train pulls to a stop. 'Look', says the brother, 'we're at Ladies!'; 'Idiot!' replies his sister, 'Can't you see we're at Gentlemen'.
Besides the fact that the rails in this story materialize the bar in the Saussurian algorithm (and in a form designed to suggest that its resistance may be other than dialectical), we should add that only someone who didn't have his eyes in front of the holes (it's the appropriate image here) could possibly confuse the place of the signifier and the signified in this story, or not see from what radiating centre the signifier sends forth its light into the shadow of incomplete significations.
For this signifier will now carry a purely animal Dissension, destined for the usual oblivion of natural mists, to the unbridled power of ideological warfare, relentless for families, a torment to the Gods. For these children, Ladies and Gentlemen will be hen¦forth two countries towards which each of their souls will strive on divergent wings, and between which a truce will be the more impossible since they are actually the same country and neither can compromise on its own superiority without detracting from the glory of the other.
But enough. It is beginning to sound like the history of France. Which it is more human, as it ought to be, to evoke here than that of England, destined to tumble from the Large to the Small End of Dean Swift's egg.
It remains to be conceived what steps, what corridor, the S of the signifier, visible here in the plurals in which it focuses its welcome beyond the window, must take in order to rest its elbows on the ventilators through which, like warm and cold air, indignation and scorn come hissing out below.
One thing is certain: if the algorithm S/s with its bar is appropriate, access from one to the other cannot in any case have a signification. For in so far as it is itself only pure function of the signifier, the algorithm can reveal only the structure of a signifier in this transfer.
Now the structure of the signifier is, as it is commonly said of language itself, that it should be articulated.
This means that no matter where one starts to designate their reciprocal encroachments and increasing inclusions, these units are subjected to the double condition of being reducible to ukimate differential elements and of combining them according to the laws of a closed order.
These elements, one of the decisive discoveries of linguistics, are phonemes; but we must not expect to find any phonetic constancy in the modulatory variability to which this term applies, but rather the synchronic system of differential couplings necessary for the discernment of sounds in a given language. Through this, one sees that an essential element of the spoken word itself was predestined to flow into the mobile characters which, in a jumble of lower-case Didots or Garamonds, render validly present what we call the 'letter', namely, the essentially localized structure of the signifier.
With the second property of the signifier, that of combining according to the laws of a closed order, is affirmed the necessity of the topological substratum of which the term I ordinarily use, namely, the signifying chain, gives an approximate idea: rings of a neckla¦ that is a ring in another neckla¦ made of rings.
Such are the structural conditions that define grammar as the order of constitutive encroachments of the signifier up to the level of the unit immediately superior to the sentence, and lexicology as the order of constitutive inclusions of the signifier to the level of the verbal locution.
In examining the limits by which these two exercises in the understanding of linguistic usage are determined, it is easy to see that only the correlations between signifier and signifier provide the standard for all research into signification, as is indicated by the notion of 'usage' of a taxeme or semanteme which in fact refers to the context just above that of the units concerned.
But it is not because the undertakings of grammar and lexicology are exhausted within ¦rtain limits that we must think that beyond those limits signification reigns supreme. That would be an error.
For the signifier, by its very nature, always anticipates meaning by unfolding its dimension before it. As is seen at the level of the sentence when it is interrupted before the significant term: 'I shall never...', 'All the same it is...', 'And yet there may be. ..'. Such sentences are not without meaning, a meaning all the more oppressive in that it is content to make us wait for it.
We are forced, then, to accept the notion of an incessant sliding of the signified under the signifier - which Ferdinand de Saussure illustrates with an image resembling the wavy lines of the upper and lower Waters in miniatures from manuscripts of Genesis; a double flux marked by fine streaks of rain, vertical dotted lines supposedly confining segments of correspondence.
All our experience runs counter to this linearity, which made me speak
once, in one of my seminars on psychosis, of something more like 'anchoring points' ('points de capiton') as a schema for taking into account the dominance of the letter in the dramatic transformation that dialogue can effect in the subject.
The linearity that Saussure holds to be constitutive of the chain of discourse, in conformity with its emission by a single voice and with its horizontal posidon in our writing - if this linearity is necessary, in fact, it is not suflicient. It applies to the chain of discourse only in the direction in which it is orientated in time, being taken as a signifying factor in all languages in which 'Peter hits Paul' reverses its dme when the terms are inverted.
But one has only to listen to poetry, which Saussure was no doubt in the habit of doing, for a polyphony to be heard, for it to become clear that all discourse is aligned along the several staves of a score.
There is in effect no signifying chain that does not have, as if attached to the punctuation of each of its units, a whole articulation of relevant contexts suspended 'vertically', as it were, from that point.
Let us take our word 'tree' again, this time not as an isolated noun, but at the point of one of these punctuations, and see how it crosses the bar of the Saussurian algorithm. (The anagram of 'arbre' and 'barre' should be noted.)
For even broken down into the double spectre of its vowels and consonants, it can still call up with the robur and the plane tree the significations it takes on, in the context of our flora, of strength and majesty.
Drawing on all the symbolic contexts suggested in the Hebrew of the Bible, it erects on a barren hill the shadow of the cross. Then reduces to the capital Y, the sign of dichotomy which, except for the illustration used by heraldry, would owe nothing to the tree however genealogical we may think it.
Circulatory tree, tree of life of the cerebellum, tree of Saturn, tree of Diana, crystals formed in a tree struck by lightning, is it your figure that traces our desdny for us in the tortoise-shell cracked by the fire, or your lightning that causes that slow shift in the axis of being to surge up from an unnamable night into the '`'`language:
No! seys the Tree, it says No! in the shower of sparks of its superb headlines that require the harmonics of the tree just as much as their continuation:
Which the storm treats as universally As it does a blade of grass. (Paul Valéry)
For this modern verse is ordered according to the same law of the parallelism of the signifier that creates the harmony governing the primitive Slavic epic or the most refined Chinese poetry.
As is seen in the fact that the tree and the blade of grass are chosen from the same mode of the existent in order for the signs of contradiction - saying 'No!' and 'treat as' - to affect them, and also so as to bring about, through the categorical contrast of the particularity of 'superb' with the 'universally' that reduces it, in the condensation of the 'head' (tête) and the 'storm' (tempête), the indiscernible shower of sparks of the eternal instant.
But this whole signifier can only operate, it may be said, if it is present in the subject. It is this objection that I answer by supposing that it has passed over to the level of the signified.
For what is important is not that the subject know anything whatsoever. (If LAD IES and GENTLEMEN were written in a language unknown to the little boy and girl, their quarrel would simply be the more exclusively a quarrel over words, but no less ready to take on signification.)
What this structure of the signifying chain discloses is the possibility I have, precisely in so far as I have this language in common with other subjects, that is to say, in so far as it exists as a language, to use it in order to signify something quite other than what it says. This function of speech is more worth pointing out than that of 'disguising the thought' (more often than not indefinable) of the subject; it is no less than the function of indicadng the place of this subject in the search for the true.
I have only to plant my tree in a locution; climb the tree, even project on to it the cunning illumination a descriptive context gives to a word; raise it (arborer) so as not to let myself be imprisoned in some sort of communiqué of the facts, however official, and if I know the truth, make it heard, in spite of all the between-the-lines censures by the only signifier my acrobatics through the branches of the tree can constitute, provocative to the point of burlesque, or perceptible only to the practised eye, according to whether I wish to be heard by the mob or by the few.
The properly signifying function thus depicted in language has a name. We learned this name in some grammar of our childhood, on the last page, where the shade of Quintilian, relegated to some phantom chapter concerning 'final considerations on style', seemed suddenly to speed up his voice in an attempt to get in all he had to say before the end.
It is among the figures of style, or tropes - from which the verb 'to find' (trouver) comes to us - that this name is found. This name is metonymy.
I shall refer only to the example given there: 'thirty sails'. For the disquietude I felt over the fact that the word 'ship', concealed in this expression, seemed, by taking on its figurative sense, through the endless repetition of the same old example, only to increase its presence, obsured (voilait) not so much those illustrious sails (voiles) as the definition they were supposed to illustrate.
The part taken for the whole, we said to ourselves, and if the thing is to be taken seriously, we are left with very little idea of the importance of this fleet, which 'thirty sails' is precisely supposed to give us: for each ship to have just one sail is in fact the least likely possibility.
By which we see that the connexion between ship and sail is nowhere but in the signifier, and that it is in the word-to-word connexion that metonymy is based.
I shall designate as metonymy, then, the one side (versant) of the effective field constituted by the signifier, so that meaning can emerge there.
The other side is metaphor. Let us immediately find an illustration; Quillet's dictionary seemed an appropriate place to find a sample that would not seem to be chosen for my own purposes, and I didn't have to go any further than the well known line of Victor Hugo: His sheaf was neither miserly nor spiteful . . . under which aspect I presented metaphor in my seminar on the psychoses.
It should be said that modern poetry and especially the Surrealist school have taken us a long way in this d;rection by showing that any conjunction of two signifiers would be equally sufficient to constitute a metaphor, except for the additional requirement of the greatest possible disparity of the images signified, needed for the production of the poetic spark, or in other words for metaphoric creation to take place.
It is true this radical position is based on the experiment known as automatic writing, which would not have been attempted if its pioneers had not been reassured by the Freudian discovery. But it remains a confused position because the doctrine behind it is false.
The creative spark of the metaphor does not spring from the presentation of two images, that is, of two signifiers equally actualized. It flashes between two signifiers one of which has taken the place of the other in the signifying chain, the occulted signifier remaining present through its (metonymic) connexion with the rest of the chain.
One word for another: that is the formula for the metaphor and if you are a poet you will produce for your own delight a continuous stream, a dazzling tissue of metaphors. If the result is the sort of intoxication of the dialogue that Jean Tardieu wrote under this title, that is only because he was giving us a demonstration of the radical superfluousness of all
signification in a perfectly convincing representation of a bourgeois comedy.
It is obvious that in the line of Hugo cited above, not the slightest spark of light springs from the proposition that the sheaf was neither miserly nor spiteful, for the reason that there is no question of the sheaf's having either the merit or demerit of these attributes, since the attributes, like the sheaf, belong to Booz, who exercises the former in disposing of the latter and without informing the latter of his sentiments in the case.
If, however, his sheaf does refer us to Booz, and this is indeed the case, it is because it has replaced him in the signifying chain at the very place where he was to be exal^ted by the sweeping away of greed and spite.
But now Booz himself has been swept away by the sheaf, and hurled into the outer darkness where greed and spite harbour him in the hollow of their negation.
But once his sheaf has thus usurped his place, Booz can no longer return there; the slender thread of the little word hzs that binds him to it is only one more obstacle to his return in that it links him to the notion of possession that retains him at the heart of greed and spite. So his generosity, affirmed in the passage, is yet reduced to less than nothing by the munificence of tke sheaf which, coming from nature, knows neither our reserve nor our rejections, and even in its accumulation remains prodigal by our standards.
But if in this profusion the giver has disappeared along with his gift, it is only in order to rise again in what surrounds the figure of speech in which he was annihilated. For it is the figure of the burgeoning of fecundity, and it is this that announces the surprise that the poem celebrates, namely, the promise that the old man will receive in the sacred context of his accession to paternity.
So, it is between the signifier in the form of the proper name of a man and the signifier that metaphorically abolishes him that the poetic spark is produced, and it is in this case all the more effective in realizing the signification of paternity in that it reproduces the mythical event in terms of which Freud reconstructed the progress, in the unconscious of all men, of the patemal mystery.
Modern metaphor has the same structure. So the line Love is a pebble laughing in the sunlight, recreates love in a dimension that seems to me most tenable in the face of its imminent lapse into the mirage of narcissistic altruism.
We see, then that, metaphor occurs at the precise point at which sense emerges from non-sense, that is, at that frontier which, as Freud discovered, when crossed the other way produces the word that in French is the word par excellence, the word that is simply the signifier 'esprit'; it is at this frontier that we realize that man defies his very destiny when he derides the signifier.
But to come back to our subject, what does man find in metonymy if not the power to circumvent the obstacles of social censure? Does not this form, which gives its field to truth in its very oppression, manifest a certain servitude inherent in its presentation?
One may read with profit a book by Leo Strauss, from the land that traditionally offers asylum to those who choose ^freedom, in which the author reflects on the relation between the art of writing and persecution. By pushing to its limits the sort of connaturality that links this art to that condition, he lets us glimpse a certain something which in this matter imposes its form, in the eflfect of truth on desire.
But haven't we felt for some time now that, having followed the ways of the letter in search of Freudian truth, we are getting very warm indeed, that it is burning all about us?
Of course, as it is said, the letter killeth while the spirit giveth life. We can't help but agree, having had to pay homage elsewhere to a noble victim of the error of seeking the spirit in the letter; but we should also like to know how the spirit could live without the letter. Even so, the pretentions of the spirit woult remain unassailable if the letter had not shown us that it produces all the effects of truth in man without involving the spirit at all.
It is none other than Freud who had this revelation, and he called his discovery the unconscious. . . .
[from Lacan's Écrits, Norton, 1977 pp. 146 159]
- Lacan, Jacques. The Seminar of Jacques Lacan, Book XX: Encore, On Feminine Sexuality, The Limits of Love and Knowledge 1972-1973. Trans. Bruce Fink. New York: W. W. Norton & Company, 1998. pp. 34, 65, 68