Difference between revisions of "Bar"

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bar (barre)           
  
bar (barre)            The term 'bar' first appears in Lacan's work in 1957, where it
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The term 'bar' first appears in Lacan's work in 1957, where it is introduced in the context of a discussion of Saussure's concept of the SIGN (E, 149). In this context, the bar is the line that separates the signifier from the signified in the Saussurean algorithm (see Figure 18), and stands for the resistance inherent in signification which is only crossed in metaphor. Lacan takes pleasure in the fact that, in French, barre is an anagram of arbre (tree), since it is precisely with a tree that Saussure illustrates his own concept of the sign (E, 154).
 
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Not long after the 1957 paper in which the term first appears, in the seminar of 1957-8, Lacan goes on to use the bar to strike through his algebraic symbols S and A in a manner reminiscent of Heidegger's practice of crossing out the word 'being' (see Heidegger, 1956). The bar is used to strike through the S to produce, S, the 'barred subject'. The bar here represents the division of the subject by language, the SPLIT. Thus whereas before 1957 S designates the subject (e.g. in schema L), from 1957 on S designates the signifier and S designates the (divided) subject. The bar is also used to strike through the A (the big Other) to produce the algebraic notation for the 'barred Other', A            .
is introduced in the context of a discussion of Saussure's concept of the SIGN
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However, Lacan continues to use both signs in his algebra (e.g. in the graph of desire). The barred Other is the Other insofar as it is castrated, incomplete, marked by a lack, as opposed to the complete, consistent, uncastrated Other, an un-barred A, which does not exist.
 
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In 1973 the bar is used to strike through the definite article la whenever it precedes the noun femme (woman),        as in Lacan's famous phrase kffemme n existe pas ('woman does not exist'). The definite article in French indicates universality, and by crossing it out Lacan illustrates his thesis that femininity is resistant to all forms of generalisation (see S20, 68).
(E, 149). In this context, the bar is the line that separates the signifier from the
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In addition to these functions, the bar can also be interpreted as the symbolic phallus (which itself is          never barred),    as the symbol of negation in theformulae of sexuation (see SEXUAL DIFFERENCE), and as the trait unaire (see IDENTIFICATION).
 
 
signified in the Saussurean algorithm (see Figure 18), and stands for the
 
 
 
resistance inherent in signification which is only crossed in metaphor. Lacan
 
 
 
takes pleasure in the fact that, in French, barre is an anagram of arbre (tree),
 
 
 
since it is precisely with a tree that Saussure illustrates his own concept of the
 
 
 
sign (E, 154).
 
 
 
      Not long after the 1957 paper in which the term first appears, in the seminar
 
 
 
of 1957-8, Lacan goes on to use the bar to strike through his algebraic symbols
 
 
 
S and A in a manner reminiscent of Heidegger's practice of crossing out the
 
 
 
word 'being' (see Heidegger, 1956). The bar is used to strike through the S to
 
 
 
produce, S, the 'barred subject'. The bar here represents the division of the
 
 
 
subject by language, the SPLIT. Thus whereas before 1957 S designates the
 
 
 
subject (e.g. in schema L), from 1957 on S designates the signifier and S
 
 
 
designates the (divided) subject. The bar is also used to strike through the A
 
 
 
(the big Other) to produce the algebraic notation for the 'barred Other', A            .
 
 
 
However, Lacan continues to use both signs in his algebra (e.g. in the graph of
 
 
 
desire). The barred Other is the Other insofar as it is castrated, incomplete,
 
 
 
marked by a lack, as opposed to the complete, consistent, uncastrated Other, an
 
 
 
un-barred A, which does not exist.
 
 
 
      In 1973 the bar is used to strike through the definite article la whenever it
 
 
 
precedes the noun femme (woman),        as in Lacan's famous phrase kffemme
 
 
 
  n existe pas ('woman does not exist'). The definite article in French indicates
 
 
 
universality, and by crossing it out Lacan illustrates his thesis that femininity is
 
 
 
resistant to all forms of generalisation (see S20, 68).
 
 
 
      In addition to these functions, the bar can also be interpreted as the symbolic
 
 
 
phallus (which itself is          never barred),    as the symbol of negation in the
 
 
 
 
 
 
 
 
 
 
 
formulae of sexuation (see SEXUAL DIFFERENCE), and as the trait unaire (see
 
 
 
IDENTIFICATION).
 
 
 
 
 
 
 
  
 
== References ==
 
== References ==

Revision as of 04:23, 26 April 2006

bar (barre)

The term 'bar' first appears in Lacan's work in 1957, where it is introduced in the context of a discussion of Saussure's concept of the SIGN (E, 149). In this context, the bar is the line that separates the signifier from the signified in the Saussurean algorithm (see Figure 18), and stands for the resistance inherent in signification which is only crossed in metaphor. Lacan takes pleasure in the fact that, in French, barre is an anagram of arbre (tree), since it is precisely with a tree that Saussure illustrates his own concept of the sign (E, 154). Not long after the 1957 paper in which the term first appears, in the seminar of 1957-8, Lacan goes on to use the bar to strike through his algebraic symbols S and A in a manner reminiscent of Heidegger's practice of crossing out the word 'being' (see Heidegger, 1956). The bar is used to strike through the S to produce, S, the 'barred subject'. The bar here represents the division of the subject by language, the SPLIT. Thus whereas before 1957 S designates the subject (e.g. in schema L), from 1957 on S designates the signifier and S designates the (divided) subject. The bar is also used to strike through the A (the big Other) to produce the algebraic notation for the 'barred Other', A . However, Lacan continues to use both signs in his algebra (e.g. in the graph of desire). The barred Other is the Other insofar as it is castrated, incomplete, marked by a lack, as opposed to the complete, consistent, uncastrated Other, an un-barred A, which does not exist. In 1973 the bar is used to strike through the definite article la whenever it precedes the noun femme (woman), as in Lacan's famous phrase kffemme n existe pas ('woman does not exist'). The definite article in French indicates universality, and by crossing it out Lacan illustrates his thesis that femininity is resistant to all forms of generalisation (see S20, 68). In addition to these functions, the bar can also be interpreted as the symbolic phallus (which itself is never barred), as the symbol of negation in theformulae of sexuation (see SEXUAL DIFFERENCE), and as the trait unaire (see IDENTIFICATION).

References