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Since the early 1970s, [[film]], [[media]], and [[cultural ]] theorists have appealed to [[Lacanian ]] [[psychoanalytic ]] [[theory ]] in [[order ]] to discern [[processes ]] of [[subjectivization]], [[representation]], and [[ideological ]] [[interpellation]]. However, beginning with the [[work ]] of theorists such as [[Jacqueline Rose]], [[Joan Copjec]], and [[Slavoj Žižek]], a new approach to [[Lacan ]] has been advanced, one which pays closer attention to [[concepts ]] such as [[sexual ]] [[difference]], the ‘''[[objet ]] [[petit a]]''‘ (the [[object]]-[[cause ]] of [[desire]]), [[fantasy]], the [[Real]], [[enjoyment]], and the [[drive]]. Žižek in [[particular ]] has advanced a [[political]]-[[philosophical ]] re-[[interpretation ]] of Lacan that has spawned a [[whole ]] new wave of film, media, and cultural theory that shows a marked difference from an early Lacanian approach. The contributors in this book take up a specifically Žižekian approach to studies of [[cinema ]] and media, both old and new, raising questions [[about ]] [[power]], [[ideology]], [[sexual difference]], and enjoyment. Including chapters written by key [[figures ]] in Žižekian film, media, and cultural theory such as Jodi [[Dean]], Todd McGowan, [[Paul ]] A. Taylor, and Fabio Vighi, it concludes with a response from Žižek himself.</div>