Difference between revisions of "Counterpart"

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The term [[counterpart]] (''[[semblable]]'') designates other people in whom the subject perceives a likeness to himself (principally a visual likeness).
 
  
The counterpart plays an important part in Lacan's work from the 1930s on, in the [[mirror stage]] and in the [[intrusion complex]].
 
  
The child identifies with his image on the basis of the recognition of bodily similarity. It is this identification that gives rise to the "imago of the counterpart."<ref>Lacan, 1938: 35-9</ref>
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The term '[[counterpart]]' ([[French]]:''[[semblable]]'') denotes other people in whom the [[subject]] perceives a (visual) likeness to itelf.
  
The imago of the counterpart is interchangeable with the image of the subject's own body, the [[specular image]] with which the [[subject]] identifies in the [[mirror stage]], leading to the formation of the [[ego]].  
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The [[counterpart]] plays an important part in [[Lacan]]'s work from the 1930s on, in the [[mirror stage]] and in the [[intrusion complex]].
  
This interchangeability is evident in such phenomena as [[transitivism]], and illustrates the way that the subject constitutes his objects on the basis of his ego.
 
The image of another person's body can only be identified with insofar as it is perceived as similar to one's own body, and conversely the counterpart is only recognised as a separate, identifiable ego by projecting one's own ego onto him.
 
  
In 1955 Lacan introduces a distinction between 'the [[big Other]]' and 'the little other' (or 'the [[imaginary other]]'), reserving the latter term for the counterpart and/or [[specular image]].
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== Mirror Stage==
The counterpart is the little other because it is not truly other at all; it is not the radical [[alterity]] represented by the [[Other]], but the other insofar as he is similar to the ego (hence the interchangeability of a and a' in [[schema L]]).
 
  
==def==
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The [[child]] [[identifies]] with its [[image]] on the basis of the recognition of bodily similarity.  
This notion of the 'specular ego' was first developed in the essay, 'The Mirror Stage.'
 
  
 +
It is this [[identification]] that gives rise to the "imago of the counterpart."<ref>Lacan, 1938: 35-9</ref>
 +
 +
The [[imago]] of the [[counterpart]] is interchangeable with the [[image]] of the [[subject]]'s own [[body]], the [[specular image]] with which the [[subject]] [[identifies]] in the [[mirror stage]], leading to the [[formation]] of the [[ego]].
 +
 +
This interchangeability is evident in such phenomena as [[transitivism]], and illustrates the way that the [[subject]] constitutes his [[object]]s on the basis of his [[ego]].
 +
 +
The [[image]] of another person's [[body]] can only be [[identified]] with insofar as it is perceived as similar to one's own [[body]], and conversely the [[counterpart]] is only recognised as a [[separate]], [[identifiable]] [[ego]] by [[projection|projecting]] one's own [[ego]] onto him.
 +
 +
In 1955 [[Lacan]] introduces a distinction between 'the [[big Other]]' and 'the [[little other]]' (or 'the [[imaginary other]]'), reserving the latter term for the [[counterpart]] and/or [[specular image]].
 +
 +
The [[counterpart]] is the [[little other]] because it is not truly [[other]] at all; it is not the radical [[alterity]] represented by the [[Other]], but the [[other]] insofar as he is similar to the [[ego]] (hence the interchangeability of a and a' in [[schema L]]).
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 +
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==See Also==
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==References==
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<references/>
 
counterpart 278 [[Seminar XI]]
 
counterpart 278 [[Seminar XI]]
  
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[[Category:Imaginary]]
 
[[Category:Imaginary]]
 
[[Category:Jacques Lacan]]
 
[[Category:Jacques Lacan]]
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[[Category:Dictionary]]

Revision as of 11:08, 19 June 2006


The term 'counterpart' (French:semblable) denotes other people in whom the subject perceives a (visual) likeness to itelf.

The counterpart plays an important part in Lacan's work from the 1930s on, in the mirror stage and in the intrusion complex.


Mirror Stage

The child identifies with its image on the basis of the recognition of bodily similarity.

It is this identification that gives rise to the "imago of the counterpart."[1]

The imago of the counterpart is interchangeable with the image of the subject's own body, the specular image with which the subject identifies in the mirror stage, leading to the formation of the ego.

This interchangeability is evident in such phenomena as transitivism, and illustrates the way that the subject constitutes his objects on the basis of his ego.

The image of another person's body can only be identified with insofar as it is perceived as similar to one's own body, and conversely the counterpart is only recognised as a separate, identifiable ego by projecting one's own ego onto him.

In 1955 Lacan introduces a distinction between 'the big Other' and 'the little other' (or 'the imaginary other'), reserving the latter term for the counterpart and/or specular image.

The counterpart is the little other because it is not truly other at all; it is not the radical alterity represented by the Other, but the other insofar as he is similar to the ego (hence the interchangeability of a and a' in schema L).


See Also

References

  1. Lacan, 1938: 35-9

counterpart 278 Seminar XI