Difference between revisions of "Discourse"

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discourse (discours)                  Whenever Lacan uses the term 'discourse' (rather
+
discourse (discours)                   
 
 
than, say, 'speech') it is in order to stress the transindividual nature of
 
 
 
language, the fact that speech always implies another subject, an interlocu-
 
 
 
  tor. Thus the famous Lacanian formula, 'the unconscious is the discourse of
 
 
 
  the other' (which first appears in 1953, and later becomes 'the unconscious is
 
 
 
  the discourse of the Other') designates the unconscious as the effects on the
 
 
 
subject of speech that is addressed to him from elsewhere; by another subject
 
 
 
    who has been forgotten, by another psychic locality (the other scene).
 
 
 
      In 1969, Lacan begins to use the term 'discourse' in a slightly different way,
 
 
 
though one that still carries with it the stress on INTERSUBJECTIVITY. From this
 
 
 
point on the term designates 'a social bond, founded in language' (S20, 21).
 
 
 
  Lacan identifies four possible types of social bond, four possible articulations
 
 
 
  of the symbolic network which regulates intersubjective relations. These 'four
 
 
 
  discourses' are the discourse of the master, the discourse of the university, the
 
 
 
  discourse of the hysteric, and the discourse of the analyst. Lacan represents
 
 
 
  each of the four discourses by        an algorithm: each algorithm contains the
 
 
 
following four algebraic symbols:
 
 
 
      Si    = the master signifier
 
 
 
      S2    = knowledge (le savoir)
 
 
 
      S      = the subject
 
 
 
      a      = surplus enjoyment
 
 
 
 
 
 
 
  What distinguishes the four discourses from one another is the positions of
 
 
 
  these four symbols. There    are four positions in the algorithms of the four
 
 
 
discourses, each of which is designated by a different name. The names of the
 
 
 
  four positions are shown in Figure 2; Lacan gives different names to these
 
 
 
 
 
 
 
 
 
 
 
                              the agent                            the other
 
 
 
                                  truth                              production
 
 
 
  
 +
Whenever Lacan uses the term 'discourse' (''discours'') (rather than, say, 'speech') it is in order to stress the transindividual nature of language, the fact that speech always implies another subject, an interlocutor. Thus the famous Lacanian formula, 'the unconscious is the discourse of the other' (which first appears in 1953, and later becomes 'the unconscious is the discourse of the Other') designates the unconscious as the effects on the subject of speech that is addressed to him from elsewhere; by another subject who has been forgotten, by another psychic locality (the other scene).
  
 +
In 1969, Lacan begins to use the term 'discourse' in a slightly different way, though one that still carries with it the stress on [[intersubjectivity]].  From this point on the term designates 'a social bond, founded in language' (S20, 21). Lacan identifies four possible types of social bond, four possible articulations of the symbolic network which regulates intersubjective relations. These 'four discourses' are the discourse of the master, the discourse of the university, the discourse of the hysteric, and the discourse of the analyst. Lacan represents each of the four discourses by an algorithm: each algorithm contains the following four algebraic symbols:
 +
Si    = the master signifier
 +
S2    = knowledge (le savoir)
 +
S      = the subject
 +
a      = surplus enjoyment
  
 +
What distinguishes the four discourses from one another is the positions of these four symbols. There are four positions in the algorithms of the four discourses, each of which is designated by a different name. The names of the four positions are shown in Figure 2; Lacan gives different names to these positions at different points in his work, and this figure is taken from the 1972-3 seminar.<ref>S20, 21</ref>
  
 +
the agent                            the other
 +
truth                              production
 
Figure 2      The structure of the four discourses
 
Figure 2      The structure of the four discourses
 +
Source: Jacques Lacan, Le SÈminaire. Livre XX. Encore, ed. Jacques-Alain Miller, Paris: Seuil, 1975.
  
Source: Jacques Lacan, Le SÈminaire. Livre XX. Encore, ed. Jacques-Alain Miller, Paris: Seuil,
+
Each discourse is defined by writing the four algebraic symbols in a different position. The symbols always remain in the same order, so each discourse is simply the result of rotating the symbols a quarter turn. The top-left position ('the agent') is the dominant position which defines the discourse. In addition to the four symbols, each algorithm also contains an arrow going from the agent to the other.<ref>The four discourses are shown in Figure 3 (taken from Sl7, 31).</ref>
 
 
1975.
 
 
 
 
 
 
 
 
 
 
 
positions at different points in his work, and this figure is taken from the
 
 
 
1972-3 seminar (S20, 21).
 
 
 
      Each discourse is defined by writing the four algebraic symbols in a different
 
 
 
position. The symbols always remain in the same order, so each discourse is
 
 
 
simply the result of rotating the symbols a quarter turn. The top-left position
 
 
 
('the agent') is the dominant position which defines the discourse. In addition
 
 
 
to the four symbols, each algorithm also contains an arrow going from the
 
 
 
agent to the other. The four discourses are shown in Figure 3 (taken from Sl7,
 
 
 
31).
 
 
 
      In 1971, Lacan proposes that the position of the agent is also the position of
 
 
 
the SEMBLANCE. In 1972, Lacan inscribes two arrows in the formulas instead of
 
 
 
one; one arrow (which Lacan labels 'impossibility') goes from the agent to the
 
 
 
other, and the other      arrow (which is labelled 'powerlessness') goes from
 
 
 
production to truth (S20, 21).
 
 
 
      The discourse of the MASTER iS the basic discourse from which the other three
 
 
 
discourses      are derived. The dominant position is occupied by the master
 
 
 
signifier (Si), which represents the subject (S) for another signifier or, more
 
 
 
precisely, for all other signifiers (S2); however, in this signifying operation
 
 
 
there is always a surplus, namely, objet petit a. The point is that all attempts at
 
 
 
totalisation are doomed to failure. The discourse of the master 'masks the
 
 
 
division of the subject' (Sl7, 118). The discourse also illustrates clearly the
 
 
 
structure of the dialectic of the master and the slave. The master (S,) is the
 
 
 
agent who puts the slave (S2) (O WOrk; the result of this work is a surplus (a)
 
 
 
that the master attempts to appropriate.
 
  
 +
In 1971, Lacan proposes that the position of the agent is also the position of the [[seblance]]. In 1972, Lacan inscribes two arrows in the formulas instead of one; one arrow (which Lacan labels 'impossibility') goes from the agent to the other, and the other arrow (which is labelled 'powerlessness') goes from production to truth.<ref>S20, 21</ref>
  
 +
The discourse of the [[master]] is the basic discourse from which the other three discourses are derived. The dominant position is occupied by the master signifier (Si), which represents the subject (S) for another signifier or, more precisely, for all other signifiers (S2); however, in this signifying operation there is always a surplus, namely, objet petit a. The point is that all attempts at totalisation are doomed to failure. The discourse of the master 'masks the division of the subject' (Sl7, 118). The discourse also illustrates clearly the structure of the dialectic of the master and the slave. The master (S,) is the agent who puts the slave (S2) (O WOrk; the result of this work is a surplus (a) that the master attempts to appropriate.
  
          Discourse of the master                                Discourse of the university
+
        Discourse of the master                                Discourse of the university
  
 
               SiaS2                                                            S24a
 
               SiaS2                                                            S24a
Line 147: Line 46:
 
   Miller, Paris: Seuil, 1975.
 
   Miller, Paris: Seuil, 1975.
  
 +
The discourse of the university is produced by a quarter turn of the discourse of the master (anticlockwise). The dominant position is occupied by knowledge (savoir). This illustrates the fact that behind all attempts to impart an apparently 'neutral' knowledge to the other can always be located an attempt at mastery (mastery of knowledge, and domination of the other to whom this knowledge is imparted). The discourse of the university represents the hegemony of knowledge, particularly visible in modernity in the form of the hegemony of science.
  
 +
The discourse of the hysteric is also produced by a quarter turn of the discourse of the master, but in a clockwise direction. It is not simply 'that which is uttered by a hysteric', but a certain kind of social bond in which any subject may be inscribed. The dominant position is occupied by the divided subject, the symptom. This discourse is that which points the way towards knowledge.<ref>$17, 23</ref>.
 +
Psychoanalytic treatment involves 'the structural intro- duction of the discourse of the hysteric by means of artificial conditions'; in other words, the analyst 'hystericises' the patient's discourse.<ref>Sl7, 35<.ref>
  
 +
The discourse of the analyst is produced by a quarter turn of the discourse of the hysteric (in the same way as Freud developed psychoanalysis by giving an interpretative turn to the discourse of his hysterical patients). The position of the agent, which is the position occupied by the analyst in the treatment, is occupied by objet petit a; this illustrates the fact that the analyst must, in the course of the treatment, become the cause of the analysand's desire.<ref>Sl7, 41</ref>
  
 
+
The fact that this discourse is the inverse of the discourse of the master emphasises that, for Lacan, psychoanalysis is an essentially subversive practice which undermines all attempts at domination and mastery.<ref>For further information on the four discourses, see Bracher et al., 1994.</ref>
                              the agent                            the other
 
 
 
                                  truth                              production
 
 
 
 
 
 
 
 
 
 
 
Figure 2      The structure of the four discourses
 
 
 
Source: Jacques Lacan, Le SÈminaire. Livre XX. Encore, ed. Jacques-Alain Miller, Paris: Seuil,
 
 
 
1975.
 
 
 
 
 
 
 
 
 
 
 
positions at different points in his work, and this figure is taken from the
 
 
 
1972-3 seminar (S20, 21).
 
 
 
      Each discourse is defined by writing the four algebraic symbols in a different
 
 
 
position. The symbols always remain in the same order, so each discourse is
 
 
 
simply the result of rotating the symbols a quarter turn. The top-left position
 
 
 
('the agent') is the dominant position which defines the discourse. In addition
 
 
 
to the four symbols, each algorithm also contains an arrow going from the
 
 
 
agent to the other. The four discourses are shown in Figure 3 (taken from Sl7,
 
 
 
31).
 
 
 
      In 1971, Lacan proposes that the position of the agent is also the position of
 
 
 
the SEMBLANCE. In 1972, Lacan inscribes two arrows in the formulas instead of
 
 
 
one; one arrow (which Lacan labels 'impossibility') goes from the agent to the
 
 
 
other, and the other      arrow (which is labelled 'powerlessness') goes from
 
 
 
production to truth (S20, 21).
 
 
 
      The discourse of the MASTER iS the basic discourse from which the other three
 
 
 
discourses      are derived. The dominant position is occupied by the master
 
 
 
signifier (Si), which represents the subject (S) for another signifier or, more
 
 
 
precisely, for all other signifiers (S2); however, in this signifying operation
 
 
 
there is always a surplus, namely, objet petit a. The point is that all attempts at
 
 
 
totalisation are doomed to failure. The discourse of the master 'masks the
 
 
 
division of the subject' (Sl7, 118). The discourse also illustrates clearly the
 
 
 
structure of the dialectic of the master and the slave. The master (S,) is the
 
 
 
agent who puts the slave (S2) (O WOrk; the result of this work is a surplus (a)
 
 
 
that the master attempts to appropriate.
 
 
 
 
 
 
 
          Discourse of the master                                Discourse of the university
 
 
 
              SiaS2                                                            S24a
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
          Discourse of the hysteric                              Discourse of the analyst
 
 
 
              SMS,                                                              a->S
 
 
 
              a      S2                                                          S2    Si
 
 
 
 
 
 
 
Figure 3      The four discourses
 
 
 
  Source: Jacques Lacan, Le SÈminaire. Livre XVIL L'envers de la psychanalyse, ed. Jacques-Alain
 
 
 
  Miller, Paris: Seuil, 1975.
 
 
 
The discourse of the university is produced by a quarter turn of the discourse
 
 
 
of the master (anticlockwise). The dominant position is occupied by knowl-
 
 
 
edge (savoir). This illustrates the fact that behind all attempts to impart an
 
 
 
apparently 'neutral' knowledge to the other can always be located an attempt
 
 
 
  at mastery (mastery of knowledge, and domination of the other to whom this
 
 
 
knowledge is imparted). The discourse of the university represents the hege-
 
 
 
mony of knowledge, particularly visible in modernity in the form of the
 
 
 
hegemony of science.
 
 
 
      The discourse of the hysteric is also produced by a quarter turn of the
 
 
 
discourse of the master, but in a clockwise direction. It is not simply 'that
 
 
 
which is uttered by a hysteric', but a certain kind of social bond in which any
 
 
 
subject may be inscribed. The dominant position is occupied by the divided
 
 
 
subject, the symptom. This discourse is that which points the way towards
 
 
 
knowledge ($17, 23). Psychoanalytic treatment involves 'the structural intro-
 
 
 
duction of the discourse of the hysteric by means of artificial conditions'; in
 
 
 
other words, the analyst 'hystericises' the patient's discourse (Sl7, 35).
 
 
 
      The discourse of the analyst is produced by a quarter turn of the discourse of
 
 
 
the hysteric (in the same way as Freud developed psychoanalysis by giving an
 
 
 
interpretative turn to the discourse of his hysterical patients). The position of
 
 
 
the agent, which is the position occupied by the analyst in the treatment, is
 
 
 
occupied by objet petit a; this illustrates the fact that the analyst must, in the
 
 
 
  course of the treatment, become the cause of the analysand's desire (Sl7, 41).
 
 
 
The fact that this discourse is the inverse of the discourse of the master
 
 
 
emphasises that, for Lacan, psychoanalysis is an essentially subversive prac-
 
 
 
tice which undermines all attempts at domination and mastery. (For further
 
 
 
information on the four discourses, see Bracher et al., 1994.)
 

Revision as of 04:01, 22 May 2006

discourse (discours)

Whenever Lacan uses the term 'discourse' (discours) (rather than, say, 'speech') it is in order to stress the transindividual nature of language, the fact that speech always implies another subject, an interlocutor. Thus the famous Lacanian formula, 'the unconscious is the discourse of the other' (which first appears in 1953, and later becomes 'the unconscious is the discourse of the Other') designates the unconscious as the effects on the subject of speech that is addressed to him from elsewhere; by another subject who has been forgotten, by another psychic locality (the other scene).

In 1969, Lacan begins to use the term 'discourse' in a slightly different way, though one that still carries with it the stress on intersubjectivity. From this point on the term designates 'a social bond, founded in language' (S20, 21). Lacan identifies four possible types of social bond, four possible articulations of the symbolic network which regulates intersubjective relations. These 'four discourses' are the discourse of the master, the discourse of the university, the discourse of the hysteric, and the discourse of the analyst. Lacan represents each of the four discourses by an algorithm: each algorithm contains the following four algebraic symbols: Si = the master signifier S2 = knowledge (le savoir) S = the subject a = surplus enjoyment

What distinguishes the four discourses from one another is the positions of these four symbols. There are four positions in the algorithms of the four discourses, each of which is designated by a different name. The names of the four positions are shown in Figure 2; Lacan gives different names to these positions at different points in his work, and this figure is taken from the 1972-3 seminar.[1]

the agent the other truth production Figure 2 The structure of the four discourses Source: Jacques Lacan, Le SÈminaire. Livre XX. Encore, ed. Jacques-Alain Miller, Paris: Seuil, 1975.

Each discourse is defined by writing the four algebraic symbols in a different position. The symbols always remain in the same order, so each discourse is simply the result of rotating the symbols a quarter turn. The top-left position ('the agent') is the dominant position which defines the discourse. In addition to the four symbols, each algorithm also contains an arrow going from the agent to the other.[2]

In 1971, Lacan proposes that the position of the agent is also the position of the seblance. In 1972, Lacan inscribes two arrows in the formulas instead of one; one arrow (which Lacan labels 'impossibility') goes from the agent to the other, and the other arrow (which is labelled 'powerlessness') goes from production to truth.[3]

The discourse of the master is the basic discourse from which the other three discourses are derived. The dominant position is occupied by the master signifier (Si), which represents the subject (S) for another signifier or, more precisely, for all other signifiers (S2); however, in this signifying operation there is always a surplus, namely, objet petit a. The point is that all attempts at totalisation are doomed to failure. The discourse of the master 'masks the division of the subject' (Sl7, 118). The discourse also illustrates clearly the structure of the dialectic of the master and the slave. The master (S,) is the agent who puts the slave (S2) (O WOrk; the result of this work is a surplus (a) that the master attempts to appropriate.

        Discourse of the master                                 Discourse of the university
             SiaS2                                                             S24a




         Discourse of the hysteric                               Discourse of the analyst
             SMS,                                                              a->S
             a      S2                                                          S2    Si


Figure 3 The four discourses

  Source: Jacques Lacan, Le SÈminaire. Livre XVIL L'envers de la psychanalyse, ed. Jacques-Alain
  Miller, Paris: Seuil, 1975.

The discourse of the university is produced by a quarter turn of the discourse of the master (anticlockwise). The dominant position is occupied by knowledge (savoir). This illustrates the fact that behind all attempts to impart an apparently 'neutral' knowledge to the other can always be located an attempt at mastery (mastery of knowledge, and domination of the other to whom this knowledge is imparted). The discourse of the university represents the hegemony of knowledge, particularly visible in modernity in the form of the hegemony of science.

The discourse of the hysteric is also produced by a quarter turn of the discourse of the master, but in a clockwise direction. It is not simply 'that which is uttered by a hysteric', but a certain kind of social bond in which any subject may be inscribed. The dominant position is occupied by the divided subject, the symptom. This discourse is that which points the way towards knowledge.[4]. Psychoanalytic treatment involves 'the structural intro- duction of the discourse of the hysteric by means of artificial conditions'; in other words, the analyst 'hystericises' the patient's discourse.Cite error: Closing </ref> missing for <ref> tag

The fact that this discourse is the inverse of the discourse of the master emphasises that, for Lacan, psychoanalysis is an essentially subversive practice which undermines all attempts at domination and mastery.[5]

  1. S20, 21
  2. The four discourses are shown in Figure 3 (taken from Sl7, 31).
  3. S20, 21
  4. $17, 23
  5. For further information on the four discourses, see Bracher et al., 1994.