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Here, he asserts the [[split ]] between the [[eye]] and the [[gaze]] when he analyzes [[Holbein]]'s [[The Ambassadors]] as a "trap for the gaze" (''piège à regards''), but also as a ''dompte-[[regard]]'' (the gaze is tamed by an [[object]]) and a ''[[trompe 'loeil|trompe-l'oeil]]''. In the foreground, a [[floating ]] object, a [[phallus|phallic]] [[ghost ]] object gives [[presence ]] to the - F of [[castration]].
This object is the heart of the organization of [[desire]] through the framework of the [[drive]]s.
