Difference between revisions of "Dompte-regard"
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| − | Here, he asserts the [[split]] between the [[eye]] and the [[gaze]] when he analyzes [[Holbein]]'s [[The Ambassadors]] as a "trap for the gaze" (''piège à regards''), but also as a ''dompte-[[regard]]'' (the gaze is tamed by an [[object]]) and a ''[[trompe 'loeil|trompe-l'oeil]]''. | + | Here, he asserts the [[split]] between the [[eye]] and the [[gaze]] when he analyzes [[Holbein]]'s [[The Ambassadors]] as a "trap for [[The Gaze|the gaze]]" (''piège à regards''), but also as a ''dompte-[[regard]]'' (the gaze is tamed by an [[object]]) and a ''[[trompe 'loeil|trompe-l'oeil]]''. |
In the foreground, a [[floating]] object, a [[phallus|phallic]] [[ghost]] object gives [[presence]] to the - F of [[castration]]. | In the foreground, a [[floating]] object, a [[phallus|phallic]] [[ghost]] object gives [[presence]] to the - F of [[castration]]. | ||
This object is the heart of the organization of [[desire]] through the framework of the [[drive]]s. | This object is the heart of the organization of [[desire]] through the framework of the [[drive]]s. | ||
Latest revision as of 22:25, 27 May 2019
Here, he asserts the split between the eye and the gaze when he analyzes Holbein's The Ambassadors as a "trap for the gaze" (piège à regards), but also as a dompte-regard (the gaze is tamed by an object) and a trompe-l'oeil. In the foreground, a floating object, a phallic ghost object gives presence to the - F of castration. This object is the heart of the organization of desire through the framework of the drives.
dompte-regard and trompe l' (lil, 109, 111-12[1]
