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Created page with "<div class="book"> <div class="book-info"> <div class="book-info__title"> Everything You Always Wanted to Know about Lacan: But Were Afraid to Ask Hitchcock..."
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Everything You Always Wanted to [[Know]] [[about]] [[Lacan]]: But Were Afraid to Ask [[Hitchcock]] - Slavoj [[Zizek]]

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[[Slavoj Zizek]]

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{|
| [[Author]]:
| Slavoj Zizek
|-
| File type:
| djvu
|-
| Series:
|
|-
| Publisher:
|
|-
| Year:
| 1992
|-
| [[Language]]:
| [[English]]
|-
| ISBN:
| 0860915921,9780860915928
|-
| [[Time]] Added:
| Wed Feb 13 2019 13:57:21 GMT+0300 (MSK)
|-
| File type:
| djvu
|-
| Size:
| 5 mb
|-
| City:
|
|-
| Edition:
|
|-
| Pages:
| 288
|-
| Id:
| 486425
|-
| Time Modified:
| Wed Feb 13 2019 13:57:21 GMT+0300 (MSK)
|-
| Extension:
| djvu
|-
| Bibtex:
| &quot;Slavoj Zizek&quot;,
|-
|
| &quot;Everything You Always Wanted to Know about Lacan: But Were Afraid to Ask Hitchcock&quot;
|}


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[[File:https://libgen.me/covers/486000/c7ad2ecf68535cf9e76d736442fe974e-d.jpg|c7ad2ecf68535cf9e76d736442fe974e-d.jpg]]

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'A modernist [[work]] of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a [[trauma]] which undermines the complacency of our daily routine and resists [[being]] integrated. What [[postmodernism]] does, however, is the very opposite: it [[objects]] par excellence are products with mass appeal; the aim of the postmodernist [[treatment]] is to estrange their initial homeliness: 'you [[think]] what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the [[difference]] between [[symptom]] and sinthom/the [[structure]] of the Borromean [[knot]]/the fact that [[Woman]] is one of the Names-of-the-[[Father]] ...you've totally missed the point!' if there is an author whose [[name]] epitomises this interpretive [[pleasure]] of 'estranging' the most banal [[content]], it is [[Alfred Hitchcock]] (and - useless to deny it - this book partakes unrestrainedly in this [[madness]]).' Hitchcock is placed on the [[analyst]]'s couch in this extraordinary volume of [[case]] studies, as its contributors bring to bear an unrivalled enthusiasm and [[theoretical]] sweep on the entire Hitchcock oeuvre, from [[Rear Window]] to [[Psycho]], as an exemplar of '[[postmodern]]' defamiliarization. Starting from the premise that 'everything has [[meaning]]', the [[films]]' ostensible [[narrative]] content and [[formal]] procedures are analysed to reveal a rich proliferation of [[ideological]] and [[psychical]] mechanisms at work. But Hitchcock is here to [[lure]] the reader into 'serious' [[Marxist]] and [[Lacanian]] considerations on the [[construction]] of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies. Contributors: Frederic [[Jameson]], [[Pascal]] Bonitzer, [[Miran Bozovic]], [[Michel Chion]], Mlladen [[Dolar]], Stojan Pellko, [[Renata Salecl]], Alenka [[Zupancic]] and Slavoj Zizek.

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[https://libgen.me/item/adv/486425 <span class="underline">Download</span>]

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