Difference between revisions of "Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)"

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Žižek, S. (ed.) (1992) Everything You Always Wanted to Know About Lacan
 
(But Were Afraid to Ask Hitchcock), London and New York: Verso.
 
As loyal Žižek readers will know, no Žižek book is complete without
 
a reference to an Alfred Hitchcock film. Here, what is usually just an
 
incidental affection for the director's work is expanded to a book-
 
length passion. Žižek and the other authors in this volume (including
 
Fredric Jameson and Mladen Dolar) adopt what Žižek describes as a
 
transferential relationship towards Hitchcock, one which allows that
 
even the smallest details of his films are meaningful. This 'meaning-
 
fulness' extends to the fact that, for Žižek, Hitchcock's films portray
 
the three main types of subjectivity which correspond to the three
 
main stages of capitalism. Probably the best of the books edited by
 
Žižek (although well over a third is actually written by him as well),
 
this is a very entertaining and accessible mixture of film studies and
 
psychoanalysis.
 
  
[[Category:Works]]
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=====Book Description=====
[[Category:Slavoj Žižek]]
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[[Image:Everything.You.Always.Wanted.To.Know.About.Lacan.jpg|200px|thumb|Book Cover]]
[[Category:Psychoanalysis]]
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'A modernist work of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: 'you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and ''sinthom''/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you've totally missed the point!' if there is an author whose name epitomises this interpretive pleasure of 'estranging' the most banal content, it is Alfred Hitchcock (and - useless to deny it - this book partakes unrestrainedly in this madness).'
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Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of 'postmodern' defamiliarization.  Starting from the premise that 'everything has meaning', the films' ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychic mechanisms at work.  But Hitchcock is here also a bait to lure the reader into 'serious' Marxist and Lacanian considerations on the construction of meaning.  Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.
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=====Product Details=====
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|width="100%"| [[Everything You Always Wanted Yo Know About Lacan (But Were Afraid To Ask Hitchcock)]]. [[Slavoj Žižek]], Editor. London; New York: Verso, 1992. Paperback, 279 pages, Language: English, ISBN: 0860915921. <small>Buy it at [http://www.amazon.com/exec/obidos/ASIN/0860915921/nosubject-20/ Amazon.com], [http://www.amazon.ca/exec/obidos/ASIN/0860915921/nosub07-20/ Amazon.ca], [http://www.amazon.de/exec/obidos/ASIN/0860915921/nosub-21/ Amazon.de], [http://www.amazon.co.uk/exec/obidos/ASIN/0860915921/nosubjencyofl-21/ Amazon.co.uk] or [http://www.amazon.fr/exec/obidos/ASIN/0860915921/nosub04-21/ Amazon.fr].</small>
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Revision as of 00:21, 15 June 2007

Books by Slavoj Žižek

Book Description
Book Cover

'A modernist work of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: 'you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and sinthom/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you've totally missed the point!' if there is an author whose name epitomises this interpretive pleasure of 'estranging' the most banal content, it is Alfred Hitchcock (and - useless to deny it - this book partakes unrestrainedly in this madness).'

Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of 'postmodern' defamiliarization. Starting from the premise that 'everything has meaning', the films' ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychic mechanisms at work. But Hitchcock is here also a bait to lure the reader into 'serious' Marxist and Lacanian considerations on the construction of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.

Product Details
Everything You Always Wanted Yo Know About Lacan (But Were Afraid To Ask Hitchcock). Slavoj Žižek, Editor. London; New York: Verso, 1992. Paperback, 279 pages, Language: English, ISBN: 0860915921. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.