Difference between revisions of "Five Lessons on Wagner"

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[[File:Five Lessons on Wagner.jpg|thumb]]
 
==Book Description==
 
==Book Description==
A leading radical intellectual tackles the many controversial interpretations of Wagner’s work.
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A leading radical [[intellectual]] tackles the many controversial [[interpretations]] of Wagner’s [[work]].
  
For over a century, Richard Wagner’s music has been the subject of intense debate among philosophers, many of whom have attacked its ideological—some say racist and reactionary—underpinnings. In this major new work, Alain Badiou, radical philosopher and keen Wagner enthusiast, offers a detailed reading of the critical responses to the composer’s work, which include Adorno’s writings on the composer and Wagner’s recuperation by Nazism as well as more recent readings by Philippe Lacoue-Labarthe and others. Slavoj Žižek provides an afterword, and both philosophers make a passionate case for re-examining the relevance of Wagner to the contemporary world.
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For over a century, Richard Wagner’s [[music]] has been the [[subject]] of intense debate among [[philosophers]], many of whom have attacked its ideological—some say racist and reactionary—underpinnings. In this major new work, [[Alain]] [[Badiou]], radical [[philosopher]] and keen [[Wagner]] enthusiast, offers a detailed [[reading]] of the critical responses to the composer’s work, which include Adorno’s writings on the composer and Wagner’s recuperation by [[Nazism]] as well as more [[recent]] readings by [[Philippe Lacoue-Labarthe]] and [[others]]. [[Slavoj Žižek]] provides an afterword, and both philosophers make a passionate [[case]] for re-examining the relevance of Wagner to the contemporary [[world]].

Latest revision as of 07:31, 24 May 2019

Books by Alain Badiou

Five Lessons on Wagner.jpg

Book Description

A leading radical intellectual tackles the many controversial interpretations of Wagner’s work.

For over a century, Richard Wagner’s music has been the subject of intense debate among philosophers, many of whom have attacked its ideological—some say racist and reactionary—underpinnings. In this major new work, Alain Badiou, radical philosopher and keen Wagner enthusiast, offers a detailed reading of the critical responses to the composer’s work, which include Adorno’s writings on the composer and Wagner’s recuperation by Nazism as well as more recent readings by Philippe Lacoue-Labarthe and others. Slavoj Žižek provides an afterword, and both philosophers make a passionate case for re-examining the relevance of Wagner to the contemporary world.