Difference between revisions of "Guide/Contents"

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=Lacan and Film=
 
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Revision as of 21:01, 25 July 2006

Reference




The Imaginary

Introduction
Context and Influences
Phenomenology
The Self as Mirror Image
The Dialectic of Recognition and Desire
The Mirror Stage
The Mirror, the Screen and the Spectator
Christian Metz's Critique of Baudry
Laura Mulvey and Visual Pleasure
Summary


The Symbolic

Introduction
The Primacy of the Signifier
Roman Jakobson (1896-1982)
The Symbolic Order
The Purloined Letter
Summary


The Oedipus Complex and the Meaning of the Phallus

Introduction
The Oedipus Complex
The Meaning of the Phallus
The Imaginary Phallus
The Symbolic Phallus
The Law of the Father and the Superego
The Two Fathers
Racism, Anti-Semitism and the Imperative to Enjoyment!
Summary


The Subject of the Unconscious

Introduction
Formations of the Unconscious
The Unconscious as Gap or Rupture
The Unconscious is Structured like a Language
The Unconscious is the Discourse of the Other
Alienation and Separation
The Lacanian Subject
The Drive
Hamlet and the Tragedy of Desire
Summary


The Real

Das Ding (The Thing)
Unconscious Fantasy
Summary


Sexual Difference

Introduction
Freud and the Enigma of Feminine Sexuality
To Have or to Be the Phallus?
Femininity as Masquerade
The Woman Does Not Exist
Encore: The Theory of Sexuation
Masculinity
Femininity
There is No Such Thing as a Sexual Relationship
Courtly Love
Summary