Difference between revisions of "Guide/Contents"
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:[[Guide/Imaginary#Introduction|Introduction]] | :[[Guide/Imaginary#Introduction|Introduction]] | ||
:[[Guide/Imaginary#Context and Influences|Context and Influences]] | :[[Guide/Imaginary#Context and Influences|Context and Influences]] | ||
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:[[Guide/Imaginary#Laura Mulvey and Visual Pleasure|Laura Mulvey and Visual Pleasure]] | :[[Guide/Imaginary#Laura Mulvey and Visual Pleasure|Laura Mulvey and Visual Pleasure]] | ||
:[[Guide/Imaginary#Summary|Summary]] | :[[Guide/Imaginary#Summary|Summary]] | ||
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=[[Guide/The Symbolic|The Symbolic]]= | =[[Guide/The Symbolic|The Symbolic]]= | ||
Revision as of 00:08, 8 September 2006
The Imaginary
- Introduction
- Context and Influences
- Phenomenology
- The Self as Mirror Image
- The Dialectic of Recognition and Desire
- The Mirror Stage
- The Mirror, the Screen and the Spectator
- Christian Metz's Critique of Baudry
- Laura Mulvey and Visual Pleasure
- Summary
The Symbolic
- Introduction
- The Primacy of the Signifier
- Roman Jakobson (1896-1982)
- The Symbolic Order
- The Purloined Letter
- Summary
The Oedipus Complex and the Meaning of the Phallus
- Introduction
- The Oedipus Complex
- The Meaning of the Phallus
- The Law of the Father and the Superego
- The Two Fathers
- Racism, Anti-Semitism and the Imperative to Enjoyment!
- Summary
The Subject of the Unconscious
- Introduction
- Formations of the Unconscious
- Alienation and Separation
- The Lacanian Subject
- The Drive
- Hamlet and the Tragedy of Desire
- Summary
The Real
- Das Ding (The Thing)
- Unconscious Fantasy
- Summary
