Difference between revisions of "Jacques Lacan - Télévision (Video) - Psychoanalysis and Psychotherapy"
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| + | <dhflashplayer>file=TV%20-%20Psychoanalysis%20and%20Psychotherapy.flv|width=500|height=384|path=http://nosubject.com/archive/flv/</dhflashplayer></center> | ||
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| + | {| class="" width="500px" cellpadding="2" align="center" bgcolor="ffffff" style="background:#ffffff; border: 1px solid #aaaaaa; width:500px; text-align:justify; line-height:2.0em;" | ||
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| + | <small>There is no structure except through language. | ||
| + | There is no sexual relation. | ||
| + | "Every interview is a comedy, as is perhaps every bond built up by speech - including even analysis. [...] Lacan never shied away from theatrics - it goes hand in hand with the use of discourse. The bores reproached him for it; they reason badly. What we agreed upon beforehand was that I would converse with Lacan in front of the cameras. But that was not possibly for after every cut, when it was time to start up again, Lacan shifted a bit - in his discourse. Each time he gave an additional twist to his reflections which were unfolding there, under the spotlights, thwarting any chance of bridge-building. We stopped after two hours; I gave him in writing a list of questions; and he wrote this play, 'Television', in about two weeks time; I saw him every evening and he gave me the day's manuscript pages; then he read or acted out - with a few improvised variations - the written text you have before you. He made a spring-board of this false start.' | ||
| − | < | + | [[Jacques-Alain Miller]], 'Microscopia: An Introduction to the Reading of Television', (1987), trans. [[Bruce Fink]] (1990).</small><BR><BR><small>Subtitles adapted from the translation by Denis Hollier, Rosalind Krauss, and Annette Michelson in '[[Television: A Challenge to the Psychoanalytic Establishment]]' - Jacques Lacan (Norton, London: 1990). Complete video (without subtitles) [[Jacques Lacan - Télévision (Video)|available here]].</small> |
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Revision as of 00:42, 1 July 2007
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There is no structure except through language. There is no sexual relation. "Every interview is a comedy, as is perhaps every bond built up by speech - including even analysis. [...] Lacan never shied away from theatrics - it goes hand in hand with the use of discourse. The bores reproached him for it; they reason badly. What we agreed upon beforehand was that I would converse with Lacan in front of the cameras. But that was not possibly for after every cut, when it was time to start up again, Lacan shifted a bit - in his discourse. Each time he gave an additional twist to his reflections which were unfolding there, under the spotlights, thwarting any chance of bridge-building. We stopped after two hours; I gave him in writing a list of questions; and he wrote this play, 'Television', in about two weeks time; I saw him every evening and he gave me the day's manuscript pages; then he read or acted out - with a few improvised variations - the written text you have before you. He made a spring-board of this false start.' Jacques-Alain Miller, 'Microscopia: An Introduction to the Reading of Television', (1987), trans. Bruce Fink (1990). |
