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<small>There is no [[structure ]] except through [[language]].There is no [[sexual ]] relation.

"Every interview is a [[comedy]], as is perhaps every bond built up by [[speech ]] - including even [[analysis]]. [...] [[Lacan ]] never shied away from theatrics - it goes hand in hand with the use of [[discourse]]. The bores reproached him for it; they [[reason ]] badly. What we agreed upon beforehand was that I would converse with Lacan in front of the cameras. But that was not possibly for after every cut, when it was [[time ]] to start up again, Lacan shifted a bit - in his discourse. Each time he gave an additional twist to his reflections which were unfolding there, under the spotlights, thwarting any [[chance ]] of bridge-building. We stopped after two hours; I gave him in [[writing ]] a [[list ]] of questions; and he wrote this play, '[[Television]]', in [[about ]] two weeks time; I saw him every evening and he gave me the day's manuscript pages; then he read or acted out - with a few improvised variations - the written [[text ]] you have before you. He made a spring-board of this [[false ]] start.'

[[Jacques-Alain Miller]], 'Microscopia: An Introduction to the [[Reading ]] of Television', (1987), trans. [[Bruce Fink]] (1990).</small><BR><BR><small>Subtitles adapted from the [[translation ]] by Denis Hollier, Rosalind Krauss, and Annette Michelson in '[[Television: A Challenge to the Psychoanalytic Establishment]]' - [[Jacques Lacan ]] (Norton, [[London]]: 1990). [[Complete ]] video (without subtitles) [[Jacques Lacan - Télévision (Video)|available here]].</small>