Difference between revisions of "Optical Model"

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optical model (modËle optique)                       
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[[optical]] [[model]] (modËle optique)                       
Freud compares the psyche with an optical apparatus such as a microscope or a camera in The Interpretation of Dreams (Freud, 1900a: SE V, 536). Lacan also uses optical apparatuses at several points in his work: for example he            uses the  camera to provide    a  'materialist definition of the phenomenon of consciousness' (S2, ch. 4).
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[[Freud]] compares the [[psyche]] with an optical [[apparatus]] such as a microscope or a camera in The [[Interpretation]] of [[Dreams]] (Freud, 1900a: SE V, 536). [[Lacan]] also uses optical apparatuses at several points in his [[work]]: for example he            uses the  camera to provide    a  '[[materialist]] definition of the phenomenon of [[consciousness]]' (S2, ch. 4).
Lacan argues that optics is a useful way of approaching the structure of the psyche because images play an important role in psychic structure (Sl, 76).
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Lacan argues that [[optics]] is a useful way of approaching the [[structure]] of the psyche because [[images]] play an important [[role]] in [[psychic]] structure (Sl, 76).
However, like Freud, Lacan warns that such an approach can never provide more than rather crude analogies, since optical images are not the same as the kind of images which        are the object of psychoanalytic research. For this reason, Lacan soon replaces optical images with topological figures which are intended to prevent imaginary capture (see TOPOLOGY). Nevertheless,      as Freud said of his own optical models, "we need the assistance of provisional ideas' (Freud, 1900: 536).
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However, like Freud, Lacan warns that such an approach can never provide more than rather crude analogies, since optical images are not the same as the kind of images which        are the [[object]] of [[psychoanalytic]] research. For this [[reason]], Lacan soon replaces optical images with [[topological]] [[figures]] which are intended to prevent [[imaginary]] [[capture]] (see TOPOLOGY). Nevertheless,      as Freud said of his own optical models, "we [[need]] the assistance of provisional [[ideas]]' (Freud, 1900: 536).
The optical model first appears in 1954 (which is the version reproduced in Figure 12, taken from Sl, 124), and is taken up later in 'A remark on Daniel Lagache's report' (1958b), in the seminar on the transference (1960-1), and elsewhere. It is basically an optical experiment which is constructed by means of a plane mirror and a concave mirror. The concave mirror produces a real image of an inverted flower-pot, hidden from view by a box, which is then reflected in the plane mirror to produce a virtual image. This virtual image is only visible to a subject who places himself within a particular area of vision.  
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The [[optical model]] first appears in 1954 (which is the version reproduced in [[Figure]] 12, taken from Sl, 124), and is taken up later in 'A remark on [[Daniel Lagache]]'s report' (1958b), in the [[seminar]] on the [[transference]] (1960-1), and elsewhere. It is basically an optical experiment which is constructed by means of a plane [[mirror]] and a concave mirror. The concave mirror produces a [[real]] [[image]] of an inverted flower-pot, hidden from view by a box, which is then reflected in the plane mirror to produce a [[virtual]] image. This virtual image is only [[visible]] to a [[subject]] who places himself within a [[particular]] area of [[vision]].  
Lacan uses the model to illustrate various points. Two of the most important points are the structuring role of the symbolic order and the function of the EGO-IDEAL.
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Lacan uses the model to illustrate various points. Two of the most important points are the [[structuring]] role of the [[symbolic]] [[order]] and the function of the EGO-IDEAL.
1.    The optical model illustrates the way that the position of the subject in the symbolic order (represented by the angle of the plane mirror) determines the way in which the imaginary is articulated with the real. 'My position in the imaginary    . . . is only conceivable insofar as one finds a guide beyond the imaginary, on the level of the symbolic plane' (Sl, 141). The optical model thus illustrates the primary importance of the symbolic order in structuring the imaginary. The action of psychoanalytic treatment can be compared to the rotation of the plane mirror, which alters the position of the subject in the symbolic.
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1.    [[The optical model]] illustrates the way that the [[position]] of the subject in [[the symbolic]] order (represented by the angle of the plane mirror) determines the way in which [[the imaginary]] is articulated with the real. 'My position in the imaginary    . . . is only conceivable insofar as one finds a [[guide]] beyond the imaginary, on the level of the symbolic plane' (Sl, 141). The optical model thus illustrates the primary importance of the [[symbolic order]] in structuring the imaginary. The [[action]] of psychoanalytic [[treatment]] can be compared to the rotation of the plane mirror, which alters the position of the subject in the symbolic.
2.    The optical model also illustrates the function of the ideal ego, which is represented in the diagram as the real image, in opposition to the ego-ideal, which is the symbolic guide governing the angle of the mirror and hence the position of the subject (Sl, 141).
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2.    The optical model also illustrates the function of the [[ideal]] ego, which is represented in the diagram as the real image, in opposition to the [[ego-ideal]], which is the symbolic guide governing the angle of the mirror and hence the position of the subject (Sl, 141).
  
  

Latest revision as of 20:27, 20 May 2019


optical model (modËle optique) Freud compares the psyche with an optical apparatus such as a microscope or a camera in The Interpretation of Dreams (Freud, 1900a: SE V, 536). Lacan also uses optical apparatuses at several points in his work: for example he uses the camera to provide a 'materialist definition of the phenomenon of consciousness' (S2, ch. 4). Lacan argues that optics is a useful way of approaching the structure of the psyche because images play an important role in psychic structure (Sl, 76). However, like Freud, Lacan warns that such an approach can never provide more than rather crude analogies, since optical images are not the same as the kind of images which are the object of psychoanalytic research. For this reason, Lacan soon replaces optical images with topological figures which are intended to prevent imaginary capture (see TOPOLOGY). Nevertheless, as Freud said of his own optical models, "we need the assistance of provisional ideas' (Freud, 1900: 536). The optical model first appears in 1954 (which is the version reproduced in Figure 12, taken from Sl, 124), and is taken up later in 'A remark on Daniel Lagache's report' (1958b), in the seminar on the transference (1960-1), and elsewhere. It is basically an optical experiment which is constructed by means of a plane mirror and a concave mirror. The concave mirror produces a real image of an inverted flower-pot, hidden from view by a box, which is then reflected in the plane mirror to produce a virtual image. This virtual image is only visible to a subject who places himself within a particular area of vision. Lacan uses the model to illustrate various points. Two of the most important points are the structuring role of the symbolic order and the function of the EGO-IDEAL. 1. The optical model illustrates the way that the position of the subject in the symbolic order (represented by the angle of the plane mirror) determines the way in which the imaginary is articulated with the real. 'My position in the imaginary . . . is only conceivable insofar as one finds a guide beyond the imaginary, on the level of the symbolic plane' (Sl, 141). The optical model thus illustrates the primary importance of the symbolic order in structuring the imaginary. The action of psychoanalytic treatment can be compared to the rotation of the plane mirror, which alters the position of the subject in the symbolic. 2. The optical model also illustrates the function of the ideal ego, which is represented in the diagram as the real image, in opposition to the ego-ideal, which is the symbolic guide governing the angle of the mirror and hence the position of the subject (Sl, 141).



References