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Scene

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[[scene]] ([[French]]:''[[{{Top}}scène]]''){{Bottom}}
==Sigmund Freud==
[[Freud]] states borrowed the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'') from G.T. Fechner, and used it in ''[[The Interpretation of Dreams]]'', [[stating]] that "the [[scene]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud. {{F}} ''[[The Interpretation of Dreams]]'', 1900a. [[SE ]] V. p.535-6</ref>
This led [[Freud]] borrowed to formulate the expression "[[another sceneidea]]of " ([[Germanscene|psychical locality]]: ''[[eine andere Schauplatz]]'')".
However, [[Freud]] developed the idea of "emphasized that this [[psychical localityconcept]]" (in opposition of locality is not to be confused with [[physical]] locality or [[anatomical]] locality), and [[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p. 285</ref> [[Lacan]] makes repeated reference to Fechner's expression in his [[work]];<ref>{{E}} p. 193</ref> the "other scene" is, in [[Lacan]]ian [[terms]], the [[Other]].
==Jacques Lacan==
==Fantasy==[[Lacan]] takes this as a justification for also uses the term "[[scene]]" to denote the [[imaginary]] and [[symbolic]] theatre in which the [[subject]] plays out his own use [[fantasy]], which is built on the edifice of the [[real]] (the [[topologyworld]]).<ref>{{E}} p.285</ref>
The [[Lacanscene]] uses the term "of [[scenefantasy]]" to denote the is a [[imaginaryvirtual]] and [[symbolicspace]] which is framed, in the same way that the [[scene]] (of a play is framed by the proscenium arch in a theatre, whereas the world) in is a [[real]] space which lies beyond the [[subjectframe]] comes to stage his or her .<ref>{{F}} ''[[fantasySeminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]] (which is built on the edifice of the '', unpublished. [[realSeminar]])of 19 December 1962.</ref>
The ==Acting Out and the Passage to the Act==This [[scenenotion]] of [[fantasyscene]] is a virtual space which is framed, in the same way that the scene of a play is framed used by the proscenium arch in a theatre, whereas the world is a [[realLacan]] to distinguish between [[acting out]] space which lies beyond and [[passage to the frame.<ref>Lacan. 1962-3. Seminar of 19 December 1962act]].</ref>
== Acting Out and The former still remains [[inside]] the Passage to [[scene]], for it is still inscribed in the Act ==[[symbolic order]].
[[Lacan]] uses the term "[[scene]]" to distinguish between "[[acting out]]" and the "[[passage to the act]]."
It is said that the [[process ]] of [[acting out]] remains inside the [[scene]], inscribed in the [[symbolic]] [[order]]. The [[passage to the act]], however, exits the [[scene]], crossing over from the [[symbolic]] into the [[real]]. There is a total [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>Lacan, 1962-3: seminar of 16 January 1963</ref>
== Perversion ==The [[passage to the act]], however, is an exit from the [[scene]], is a crossing over from the [[symbolic]] into the [[real]]; there is a [[total]] [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]]'', unpublished. [[Seminar]] of 16 January 1963.</ref>
==Perversion==
The [[fantasy]] [[scene]] is also an important aspect in [[perversion]].
The [[pervert]] typically [[stages ]] his [[enjoyment]] in terms of some highly stylised [[scene]], and according to a stereotypical script.
==See Also==
{{See}}
* [[Acting out]]
* [[Identification]]
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* [[Fantasy]]
* [[Other]]
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* [[Passage to the act]]
* [[Perversion]]
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* [[Subject]]
* [[Topology]]
{{Also}}
== References ==
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[[Category:Psychoanalysis]]
[[Category:Jacques Lacan]]
[[Category:Terms]]
[[Category:Help]]
[[Category:Dictionary]]
[[Category:Concepts]]
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