scene (''{{Top}}scène''){{Bottom}}
==Sigmund Freud==
[[Freud]] states borrowed the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'') from G.T. Fechner, and used it in ''[[The Interpretation of Dreams]]'', [[stating]] that "the [[scene ]] of [[action ]] of dreams [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud{{F}} ''[[The Interpretation of Dreams]]'', 1900a: . [[SE ]] V, . p. 535-6</ref>
Freud borrowed the expression 'another scene' (''eine andere Schauplatz''). This led [[Freud]] developed to formulate the [[idea ]] of '"[[scene|psychical locality]]' (in opposition to physical or antomical locality)".
==Jacques Lacan==However, [[Freud]] emphasized that this [[concept]] of locality is not to be confused with [[physical]] locality or [[anatomical]] locality, and [[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p.285</ref>
[[Lacan]] uses the term makes repeated reference to denote the Fechner's expression in his [[imaginarywork]] and [[symbolic]] [[;<ref>{{E}} p. 193</ref> the "other scene]] (world) " is, in which the [[subjectLacan]] comes to stage his or her ian [[fantasyterms]] (which is built on the edifice of , the [[RealOther]]).
The ==Jacques Lacan====Fantasy==[[Lacan]] also uses the term "[[scene of ]]" to denote the [[imaginary]] and [[symbolic]] theatre in which the [[subject]] plays out his [[fantasy is a virtual space ]], which is framed, in the same way that built on the scene edifice of a play is framed by the proscenium arch in a theatre, whereas [[real]] (the world is a [[Realworld]] space which lies beyond the frame).<ref>Lacan, 1962-3: seminar of 19 December 1962</ref>
== Acting Out and The [[scene]] of [[fantasy]] is a [[virtual]] [[space]] which is framed, in the Passage to same way that the Act ==[[scene]] of a play is framed by the proscenium arch in a theatre, whereas the world is a [[real]] space which lies beyond the [[frame]].<ref>{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]]'', unpublished. [[Seminar]] of 19 December 1962.</ref>
==Acting Out and the Passage to the Act==This [[Lacannotion]] uses the term 'of [[scene]]' is used by [[Lacan]] to distinguish between '[[acting out]]' and the '[[passage to the act]]'.
It is said that the process of The former still remains [[acting outinside]] remains inside the [[scene]], for it is still inscribed in the [[symbolic]] [[order]].
The [[passage to the actLacan]], however, exits uses the term "[[scene]], crossing over from the " to distinguish between "[[symbolicacting out]] into " and the "[[realpassage to the act]]."
There It is a total said that the [[identificationprocess]] with of [[acting out]] remains inside the [[otherscene]] and hence an abolution of , inscribed in the [[subjectsymbolic]] [[order]].<ref>Lacan, 1962-3: seminar of 16 January 1963</ref>
== Perversion ==The [[passage to the act]], however, is an exit from the [[scene]], is a crossing over from the [[symbolic]] into the [[real]]; there is a [[total]] [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]]'', unpublished. [[Seminar]] of 16 January 1963.</ref>
==Perversion==
The [[fantasy]] [[scene]] is also an important aspect in [[perversion]].
The [[pervert]] typically [[stages ]] his [[enjoyment]] in terms of some highly stylised [[scene]], and according to a stereotypical script.
==See Also==
{{See}}
* [[Acting out]]
* [[Identification]]
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* [[Fantasy]]
* [[Other]]
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* [[Passage to the act]]
* [[Perversion]]
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* [[Subject]]
* [[Topology]]
{{Also}}
== References ==
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