scene (''scène'')
scene (scËne) [[Freud borrowed the expression 'another scene' (''eine andere Schauplatz'') from G. T. Fechner, and used it in The Interpretation of Dreams, stating ]] states that '"the scene of action of dreams is different from that of waking ideational life' (."<ref>Freud, 1900a: SE V, 535-6</ref>Freud borrowed the expression 'another scene' (''eine andere Schauplatz''). This led [[Freud to formulate ]] developed the idea of 'psychical locality'. However, Freud emphasised that this concept of locality is not (in opposition to be confused with physical locality or anatomical antomical locality, and ).Lacan takes this as a justification for his own use of TOPOLOGY (see E, 285). [[Lacan makes repeated reference to Fechner's expression in his work (e.g. E, 193); the 'other scene' is, in Lacanian terms, the Other. Lacan also ]] uses the term 'scene' to designate denote the [[Imaginaryimaginary]] and [[Symbolicsymbolic]] [[scene]] theatre (world) in which the [[subject plays out hiS ]] comes to stage his or her [[Fantasyfantasy]], (which is built on the edifice of the [[Real]] (the world).
The scene of fantasy is a virtual space which is framed, in the same way that the scene of a play is framed by the proscenium arch in a theatre, whereas the world is a [[Real]] space which lies beyond the frame (Lacan, 1962-3: seminar of 19 December 1962).
The notion of == Acting Out and the Passage to the Act ==[[Lacan]] uses the term '[[scene is used by Lacan ]]' to distinguish between '[[Acting Outacting out]] ' and PASSAGE TO THE ACTthe '[[passage to the act]]'. The former still It is said that the process of [[acting out]] remains inside the [[scene]], for it is still inscribed in the [[Symbolicsymbolic]] [[order]]. The [[passage to of the act]], however, is an exit from exits the [[scene]], is a crossing over from the [[Symbolicsymbolic]] to into the [[Realreal]]; there .There is a total [[identification ]] with the object (objet petit a), [[other]] and hence an abolition abolution of the [[subject ]].<ref>(Lacan, 1962-3: seminar of 16 January 1963). The fantasy scene is also an important aspect in PERVERSION. The pervert typically stages his enjoyment in terms of some highly stylised scene, and according to a stereotypical script.</ref>
== Perversion ==
The [[fantasy]] [[scene]] is also an important aspect in [[perversion]].
The [[pervert]] typically stages his [[enjoyment]] in terms of some highly stylised [[scene]], and according to a stereotypical script.
