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[[Freud]] borrowed the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'') from G.T. Fechner, and used it in ''[[The Interpretation of Dreams]]'', [[stating ]] that "the [[scene]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>{{F}} ''[[The Interpretation of Dreams]]'', 1900a. [[SE]] V. p. 535-6</ref>

This led [[Freud]] to formulate the [[idea ]] of "[[scene|psychical locality]]".

However, [[Freud]] emphasized that this [[concept ]] of locality is not to be confused with [[physical ]] locality or [[anatomical ]] locality, and [[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p. 285</ref>

[[Lacan]] makes repeated reference to Fechner's expression in his [[work]];<ref>{{E}} p. 193</ref> the "other scene" is, in [[Lacan]]ian [[terms]], the [[Other]].

[[Lacan]] also uses the term "[[scene]]" to denote the [[imaginary]] and [[symbolic]] theatre in which the [[subject]] plays out his [[fantasy]], which is built on the edifice of the [[real]] (the [[world]]).

The [[scene]] of [[fantasy]] is a [[virtual ]] [[space ]] which is framed, in the same way that the [[scene]] of a play is framed by the proscenium arch in a theatre, whereas the world is a [[real]] space which lies beyond the [[frame]].<ref>{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]]'', unpublished. [[Seminar]] of 19 December 1962.</ref>

This [[notion ]] of [[scene]] is used by [[Lacan]] to distinguish between [[acting out]] and [[passage to the act]].

The former still remains [[inside ]] the [[scene]], for it is still inscribed in the [[symbolic order]].

It is said that the [[process ]] of [[acting out]] remains inside the [[scene]], inscribed in the [[symbolic]] [[order]].

The [[passage to the act]], however, is an exit from the [[scene]], is a crossing over from the [[symbolic]] into the [[real]]; there is a [[total ]] [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-63]]'', unpublished. [[Seminar]] of 16 January 1963.</ref>

The [[pervert]] typically [[stages ]] his [[enjoyment]] in terms of some highly stylised [[scene]], and according to a stereotypical script.