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Author: [[Jacques Lacan]]<BR>Translator: Adrian Price<BR>Source: Hurly‐Burly; Issue 6; September 2011; EMD Press; Lassay‐les‐Châteaux; 2011;p. 17‐20 <BR><big>[https://www.freud2lacan.com/docs/DISSOLUTION-July-12-1980-3col.pdf PDF]</big> (freud2lacan.com)

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But can’t we turn what features there are to our advantage, as an approach to my knot? Consider if you will the spongy bag produced by the link to the id in his article called ''Das Ich und das Es.''<ref>RGK: see page 24 of S.E. XIX</ref>

This bag is supposedly the container of the drives. What a potty idea it is to sketch it out like that! It’s only understandable if the drives are thought of as marbles, to be fired out, no doubt, through the orifices of the body once they’ve been ingested.

Anyone can do better than that. I say ''anyone''—a frog for instance.

There’s a painting that’s been lingering in my mind for a long while now. I’ve remembered its author’s name, not without the difficulties one meets at my age. The painting is by Bramantino.<ref>RGK: Bartolomeo Suardi, best known as Bramantino (c. 1456 – c. 1530), was an Italian painter and architect, mainly active in his native Milan.</ref><ref> RGK: Lacan’s difficulty of remembering the