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By [[Jacques Lacan]]
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==Introduction==
The conception of the [[mirror]]-[[phase]] which I introduced at our last congress, thirteen years ago, has since become more or less established in the [[practice]] of the [[French]] group; I [[think]] it nevertheless worthwhile to bring it again to your attention, especially today, for the light that it sheds on the [[formation]] of the I as we [[experience]] it in [[psychoanalysis]].<ref>''Translator's note'': '<i>I</i>' is used here and throughout to translate [[Lacan]]'s '<i>je</i>', in 'le <i>je</i>', 'la [[fonction]] du <i>je</i>', etc. '<i>Ego</i>' translates 'le <i>moi</i>' and is used in the normal [[sense]] of [[psychoanalytic]] [[literature]]. On '<i>je</i>', see Note 2 below.</ref> It is an experience which leads us to oppose any [[philosophy]] directly issuing from the ''[[Cogito]]''.
This act[[event]] can take [[place]], as we have known since Baldwin, far from exhausting itself, as in the case age of the monkeysix months, once the image and its [[repetition]] has been mastered and found empty, immediately rebounds in often compelled us to ponder over the case startling [[spectacle]] of the child nurseling in a series front of gestures the mirror. Unable as yet to walk, or even to stand up, and narrowly confined as he is within some support, human or artificial (what, in which [[France]], we call a ''trotte-bébé''), he experiences nevertheless surmounts, in play a flutter of jubilant [[activity]], the relation between the movements assumed obstructions of his support in [[order]] to fix his attitude in the image and the reflected environmenta more or less leaning-forward [[position]], and between this virtual complex and bring back an instantaneous aspect of the reality image to hold it reduplicates --the child's own body, and the persons and things around himin his [[gaze]].
This jubilant assumption of his specular image by form would have to be called the child at ''[[Ideal]]-I''<ref>Throughout this article we leave in its peculiarity the [[translation]] we have adopted for [[Freud]]'s <i>infansIdeal-Ich</i>stage, still sunk in his motor incapacity and nursling dependence, would seem to exhibit in an exemplary situation the symbolic matrix in which the (i.e. '<i>Ije-idéal</i> is precipitated in '), without further comment, save that we have not maintained it since.</ref>, if we wanted to restore it to a primordial formfamiliar scheme, before in the sense that it will also be the root-stock for secondary identifications, among which we place the functions of libidinal normalization. But the important point is objectified in that this form situates the dialectic [[instance]] of identification with the other''ego'', and before language restores to itits [[social]] determination, in a fictional direction, which will always remain irreducible for the universal[[individual]] alone, or rather, its function which will rejoin the [[development]] of the subject only asymptotically, whatever the success of the [[dialectical]] syntheses by which he must resolve as subject''I'' his discordance with his own reality.
The fact is that the [[total ]] form of the body by which the subject anticipates in a mirage the [[maturation ]] of his [[power ]] is given to him only as <i>''[[Gestalt</i> [an image of a whole]]'', that is to say, in an exteriority in which this form is certainly more constituent than constituted, but in which it appears to him above all in a contrasting size that fixes it and in a symmetry that inverts it, which are in contrast [[conflict]] with the turbulent movements that turbulence of the motions which the subject feels are animating him. Thus, this <i>''Gestalt</i> '' -- whose pregnancy should be regarded as bound up with linked to the [[species]], though its motor style remains scarcely recognizable unrecognizable -- by these two twin aspects of its [[appearance]], symbolizes the [[mental ]] permanence of the <i>''I</i>'', at the same time as it prefigures its [[alienating ]] destination; it is still pregnant with the correspondences that which unite the <i>''I</i> '' with the statue in which man projects himself, with the phantoms that which dominate him, or finally, with the automation [[automaton]] in which, in an ambiguous relation, the world of his own making fabrication tends to find completion.
Indeed, where ''imagos'' are concerned -- whose veiled faces it is our privilege to see in [[outline]] in our daily experience and the penumbra of symbolic efficacity<ref>Cf. Claude Lévi-[[Strauss]], ''[[Structural]] [[Anthropology]]'', [[London]] [[1968]], Chapter X. . T]he </ref> -- the mirror-image would seem to be the threshold of the [[visible ]] world, if we go by the mirror disposition that which the <i>''imago of one's our own body</i> '' presents in [[hallucinations ]] or [[dreams ]], whether it concerns its individual features, or even its infirmities, or its [. . .[object]] -projections; or if we observe notice the [[role ]] of the mirror [[apparatus ]] in the appearances of the <i>''[[double</i>]]'', in which the psychical [[psychic]] realities, however heterogeneous, are manifested[[manifest]] themselves.
That a <i>''Gestalt</i> '' should be capable of formative effects in the organism is attested by a piece of [[biological ]] experimentation that which is itself so [[alien ]] to the [[idea ]] of psychical psychic [[causality ]] that it cannot bring itself to formulate its results in these [[terms]]. It nevertheless recognizes that it is a necessary condition for the maturation of the gonad of the [[female ]] pigeon that it should see [[another ]] member of its species, of either sex: ; so sufficient in itself is this condition that the desired effect may be obtained merely by placing the individual [pigeon] within reach of the field of [[reflection ]] of a mirror. Similarly, in the [[case ]] of the migratory locust, the transition within a generation from the solitary to the gregarious form can be obtained by exposing the exposure of the individual, at a certain stage, to the exclusively [[visual ]] [[action ]] of a similar image, provided it is animated by movements of a style sufficiently close to that characteristic of the species. Such facts are inscribed in an order of homeomorphic identification that which would itself fall within the larger question of the meaning of beauty as both formative and erogenic[[erotogenic]].
But facts of mimicry are no less instructive when conceived as cases of heteromorphic identification, inasmuch as they raise the problem of the [[significance]] of [[space]] for the [[living]] organism; [[psychological]] [[concepts]] hardly seem less appropriate for shedding light on these matters than ridiculous attempts to reduce [[them]] to the supposedly supreme law of [[adaptation]]. Let us only [[recall]] how Roger [[Caillois]] (who was then very young, and still fresh from his breach with the sociological [[school]] of his [[training]]) illuminated the subject by using the term '<i>legendary psychasthenia</i>' to classify morphological mimicry as an [[obsession]] with space in its derealizing effect.
We are therefore led to [[regard]] the function of the mirror-phase as a [[particular]] case of the function of the ''imago'', which is to establish a relation of the organism to its reality -- or, as they say, of the ''Innenwelt'' to the ''[[Umwelt]]''.
This fragmented body - , the term for which terms I have also introduced into our system [[theoretical]] [[frame]] of theoretical references - usually reference, regularly manifests itself in dreams when the movement of the analysis encounters a certain level of [[aggressive ]] disintegration in the individual. It then appears in the form of disjointed limbs, or of those organs represented figured in exoscopy, growing wings and taking up arms for intestinal persecutions -- the very same that the visionary Hieronymus Bosch has fixed, for all time, in painting, as they climbed, in their ascent (p. 5) from the fifteenth century , to the [[imaginary ]] zenith of modern man. But , but this form is even tangibly revealed at the organic level, in the lines of 'fragilization' that which define the anatomy of [[phantasy]], as exhibited in the schizoid and spasmodic [[symptoms ]] of [[hysteria]].
Correlatively, the formation of the <i>''I</i> '' is [[symbolized ]] in dreams by a fortress, or a stadium -- its inner arena and enclosure, surrounded by marshes and rubbish-tips, dividing it into two opposed fields of contest where the subject flounders in quest of the lefty, haughty and remote inner castle whose form , which, in its shape (sometimes juxtaposed in the same scenario) , symbolizes the ''id '' in a quite startling wayfashion. Similarly, on the mental plane, we find realized the structures of fortified works, the [[metaphor ]] of which arises spontaneously, and as if issuing from the symptoms themselves, to designate describe the mechanisms of [[obsessional ]] [[neurosis ]] -- [[inversion]], [[isolation]], reduplication, cancellation and [[displacement]].
But if were we were to build on these this merely [[subjective givens alone - however little we free them ]] data, and should this be detached from the experiential condition of experience that makes which would make us see them as partaking of the nature of derive it from a linguistic language [[technique - ]], our theoretical attempts enterprise would remain exposed to the charge of projecting themselves itself into the unthinkable of an absolute subject. This That is why I we have sought to find in the [[present ]] hypothesis, grounded in a conjunction of objective data, the guiding grid for a ''method of symbolic reduction''.
It establishes in the defenses ''defences of the ego '' a genetic order , in accordance with the [. . . [wish]] formulated by Miss [[Anna Freud]], in the first part of her great [[work]] , and situates (as against a frequently expressed prejudice) [[hysterical ]] [[repression ]] and its returns at a more archaic stage than obsessional inversion and its isolating [[processes]], and the latter in turn as preliminary to paranoiac [[alienation]], which dates from the deflection of the specular mirror ''I '' into the social ''I''.
This moment in which the mirror-phase comes to an end inaugurates, by the identification with the ''imago'' of the fellow and the drama of primordial [[jealousy]] (so well high-lighted by the school of Charlotte Bühler in the phenomenon of [[infantile]] ''[[transitivism]]''), the dialectic which will henceforth link the I to socially elaborated situations.
These propositions are denied by all our experience, inasmuch as it teaches us not to regard the ego as centred on the ''[[perception]]-consciousness system'', or as organized by the 'reality [[principle]]' -- a principle which is the expression of a scientistic prejudice most hostile to the dialectic of knowledge. Our experience shows that we should start instead from the ''function of [[misrecognition]]'' which characterizes the ego in all its structures, so markedly articulated by Miss Anna Freud. For, if the ''[[Verneinung]]'' represents the patent form of that function, its effects will, for the most part, remain [[latent]], so long as they are not illuminated by a light reflected in the plane of fatality, where the ''id'' is revealed. We can thus understand the inertia characteristic of the [[formations]] of the ''I'', and find there the most extensive definition of neurosis -- even as the ensnarement of the subject by the situation which gives us the most general [[formula]] for [[madness]], not only the madness which lies behind the walls of asylums, but also the madness which deafens the world with its sound and fury. The sufferings of neurosis and [[psychosis]] are for us the school of the passions of the soul, just as the scourge of the psychoanalytic scales, when we compute the tilt of their [[threat]] to entire communities, gives us the [[index]] of the deadening of the passions of the city. At this junction of nature and [[culture]] which is so persistently scanned by modern anthropology, psychoanalysis alone recognizes this [[knot]] of imaginary servitude which [[love]] must always undo again, or sever. For such a task we place no reliance on altruistic [[feeling]], we who lay bare the aggressiveness that underlies the activity of the philanthropist, the idealist, the pedagogue, and even the reformer. In the recourse of subject to subject that which we preserverpreserve, psychoanalysis may can accompany the [[patient ]] to the ecstatic [[limit ]] of the "Thous 'Thou art that." in which ', wherein is revealed to him the cipher of his mortal destiny, but it is not in our mere power as practitioners to bring him to that point where the real journey beingsbegins. ( 1949 -- ''translated'' by Jean Roussel) ==Notes==<references/>* [http://www.ny-liability-insurance.com/ Liability Insurance NY] ==See Also==* [[Le stade du miroir comme formateur de la fonction du Je]]* [[Mirror stage]] __NOEDITSECTION__
[[Category:Works by Jacques Lacan]]
[[Category:Essays by Jacques Lacan]]
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[[Category:Jacques Lacan]]
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* "[[Le stade du miroir comme formateur de la fonction du je, telle qu’elle nous est révélée, dans l’expérience psychanalytique]]." ''[[Écrits]]''. Paris: Seuil, 1966: 93-100 ["[[The mirror stage as formative of the function of the I as revealed in psychoanalytic experience]]." Trans. [[Alan Sheridan]]. ''[[Écrits: A Selection]]''. London: Tavistock, 1977; New York: W.W. Norton & Co., 1977: 1-7].