Difference between revisions of "Theodor Adorno"

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=Intrumental Reason=
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'''Theodor Ludwig Wiesengrund Adorno''' ([[September 11]], 1903 – August 6, 1969) was a [[German]] [[sociologist]], [[philosopher]], musicologist and composer. He was a member of the [[Frankfurt School]] along with [[Max Horkheimer]], [[Walter Benjamin]], [[Herbert Marcuse]], [[Jürgen Habermas]] and [[others]].
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==Slavoj Žižek==
"What we need today is not the passage from the 'critique of political economy' to the transcendental-ontological 'critique of instrumental reason', but a return to the 'critique of political economy' that would reveal how the standard Communit project was ''utopian'' precisely in so far as it was not ''radical enough'' - in so far as, in it, the fundamental capitalist thrust of unleashed productivity survived, deprived of its concrete contradictory conditions of existence. The insufficiency of [[Heidegger]], [[Adorno]] and [[Horkheimer]], and so on, lies in thier abandonment of the concrete social analysis of capitalism: in their very critique or overcoming of MArx, they in a way ''repeat'' Marx's mistake - like Marx, they perceive unbridled producitvity as something that is ultimately ''independent'' of he concrete capitalist social formation. Capitalism and Communism are not two different historical realizations, two species, of 'instrumental reason' - instrumental reason ''as such'' is capitalist, grounded in capitalistrelations; and 'actually existing Socialism' failed because it was ultimately a subspecies of capitalism, an ideological attempt to 'have one's cake and eat it', to break out of capitalism while retaining its key ingredient.</blockquote><ref>Žižek, S. (2000) [[The Fragile Absolute]], or Why the Christian Legacy is Worth Fighting For, London and New York: Verso. p. 18</ref>
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Further information [[about]] [[Theodor Adorno]] can be found in the following reference(s):
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* [[Slavoj Žižek|Žižek, Slavoj]]. [[The Ticklish Subject|The Ticklish Subject: The Absent Centre of Political Ontology]]. [[London]]: Verso, 1999.
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: break with [[Habermas]] - p. 347
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: ''[[Dialectic]] of [[Enlightenment]]'' (with [[Horkheimer]]) - pp. 10, 46, 359
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: ''[[Negative]] Dialectics'' - p. 89
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: ''[[Philosophy]] of the New [[Music]]'' - p. 250
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: sphere of'' Kulturindustrie'' - p. 358
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: violin versus piano - pp. 101-2
  
<ref>Žižek, S. (2000) [[The Fragile Absolute]], or Why the Christian Legacy is Worth Fighting For, London and New York: Verso. p. 105</ref>
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* {{Z}} ''[[The Fragile Absolute|The Fragile Absolute, or Why the Christian Legacy is Worth Fighting For]].'' London and New York: Verso, 2000. p. 105
 
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* {{Z}} ''[[Tarrying with the Negative|Tarrying with the Negative: Kant, Hegel and the Critique of Ideology]]''. Durham: Duke [[University]] Press, 1993. p. 242 n. 19
==Late Capitalism==
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* {{Z}} ''[[Looking Awry|Looking Awry: An Introduction to Jacques Lacan through Popular Culture]]''. Cambridge: MIT Press, 1991. p. 142
<ref>Žižek, S. (2000) [[The Fragile Absolute]], or Why the Christian Legacy is Worth Fighting For, London and New York: Verso. p. 61-2</ref>
 
  
 
==References==
 
==References==
 
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==See Also==
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[[Category:People|Adorno, Theodor]]
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[[Category:Philosophy|Adorno, Theodor]]
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[[Category:Politics|Adorno, Theodor]]
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[[Category:Index|Adorno, Theodor]]
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[[Category:The Ticklish Subject|Adorno, Theodor]]
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[[Category:Tarrying with the Negative|Adorno, Theodor]]
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[[Category:Looking Awry|Adorno, Theodor]]
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[[Category:Slavoj Žižek|Adorno, Theodor]]

Latest revision as of 12:07, 4 October 2019

Theodor W. Adorno.jpg

Theodor Ludwig Wiesengrund Adorno (September 11, 1903 – August 6, 1969) was a German sociologist, philosopher, musicologist and composer. He was a member of the Frankfurt School along with Max Horkheimer, Walter Benjamin, Herbert Marcuse, Jürgen Habermas and others.

Slavoj Žižek

Further information about Theodor Adorno can be found in the following reference(s):

break with Habermas - p. 347
Dialectic of Enlightenment (with Horkheimer) - pp. 10, 46, 359
Negative Dialectics - p. 89
Philosophy of the New Music - p. 250
sphere of Kulturindustrie - p. 358
violin versus piano - pp. 101-2

References