Difference between revisions of "Tradition"
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==[[:Category: Freudian Dictionary|Freudian Dictionary]]== | ==[[:Category: Freudian Dictionary|Freudian Dictionary]]== | ||
| − | <blockquote>Incomplete and dim memories of the past, which we call tradition, are a great incentive to the artist, for he is free to fill in the gaps in the memories according to the behests of his imagination and to form after his own purpose the image of the time he has undertaken to reproduce. One might almost say that the more shadowy tradition has become, the more meet is it for the poet's use.<ref>{{M&M}} Part III, Section I</ref></blockquote> | + | <blockquote>Incomplete and dim [[memories]] of the [[past]], which we call tradition, are a great incentive to the [[artist]], for he is free to fill in the gaps in the memories according to the behests of his [[imagination]] and to [[form]] after his own [[purpose]] the [[image]] of the [[time]] he has undertaken to reproduce. One might almost say that the more shadowy tradition has become, the more meet is it for the poet's use.<ref>{{M&M}} Part III, Section I</ref></blockquote> |
{{Freudian Dictionary}} | {{Freudian Dictionary}} | ||
Latest revision as of 02:42, 21 May 2019
Freudian Dictionary
Incomplete and dim memories of the past, which we call tradition, are a great incentive to the artist, for he is free to fill in the gaps in the memories according to the behests of his imagination and to form after his own purpose the image of the time he has undertaken to reproduce. One might almost say that the more shadowy tradition has become, the more meet is it for the poet's use.[1]
- ↑ Template:M&M Part III, Section I
