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[[Freud]] states that "the [[scene]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud. 1900a. SE V. p.535-6</ref>
[[Freud]] borrowed the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'')from G. T. Fechner, and used it in ''[[The Interpretation of Dreams]]'', stating that "the [[scene]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud. 1900a. SE V. p.535-6</ref> This led [[Freud]] to formulate the idea of "psychical locality." However, [[Freud]] emphasized that this concept of locality is not to be confused with physical locality or anatomical locality, and [[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p.285</ref> ([[Lacan]] makes repeated reference to Fechner's expression in his work;<ref>{{E}} p.193</ref> the "other scene" is, in [[Lacan]]ian terms, the [[Other]].)
[[Freud]] developed the idea of "[[psychical locality]]" (in opposition to [[physical]] or [[anatomical]] locality).
[[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p.285</ref>
[[Lacan]] uses the term "[[scene]]" to denote the [[imaginary]] and [[symbolic]] [[scene]] (world) (theater) in which the [[subject]] comes to stage (plays out) his or her [[fantasy]] (which is built on the edifice of the [[real]](the world)).
The [[scene]] of [[fantasy]] is a virtual space which is framed, in the same way that the scene of a play is framed by the proscenium arch in a theatre, whereas the world is a [[real]] space which lies beyond the frame.<ref>Lacan. 1962-3. Seminar of 19 December 1962.</ref>
== Acting Out and the Passage to the Act ==
This notion of [[scene]] is used by [[Lacan]] to distinguish between [[acting out]] and [[passage to the act]].
The former still remains inside the [[scene]], for it is still inscribed in the [[symbolic order]].
[[Lacan]] uses the term "[[scene]]" to distinguish between "[[acting out]]" and the "[[passage to the act]]."
It is said that the process of [[acting out]] remains inside the [[scene]], inscribed in the [[symbolic]] [[order]].
The [[passage to the act]], however, exits is an exit from the [[scene]], crossing is a rossing over from the [[symbolic]] into the [[real]]. There ; there is a total [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>Lacan, 1962-3: seminar of 16 January 1963</ref>
== Perversion ==
The [[fantasy]] [[scene]] is also an important aspect in [[perversion]].
==See Also==
* [[Acting out]]
* [[Fantasy]]
* [[Passage to the act]]
* [[Topology]]
== References ==
[[Category:Jacques Lacan]]
[[Category:Terms]]
[[Category:HelpFantasy]]
[[Category:Dictionary]]
[[Category:Concepts]]
[[Category:Psychoanalysis]]
