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{{Topp}}lettre{{Bottom}}
When [[Lacan]] takes up [[Saussure]]'s work in the 1950s, he adapts it freely to his own purposes. He thus conceives of the [[letter]], not as a mere graphic representation of a sound, but as the [[materialism|material basis]] of [[language]] itself.
<blockquote>"By ''letter'' I designate that material support that concrete discourse borrows from language."<ref>{{E}} p. 147</ref></blockquote>
The [[letter]] is thus connected with the [[real]], a [[materialism|material substrate]] that underpins the [[symbolic order]]. The concept of [[materialism|materiality]] implies, for [[Lacan]], both the indivisibility and the idea of locality; the [[letter]] is therefore "the essentially localized structured of the signifier."<ref>{{E}} p. 153</ref>
=====Meaningless in itself==Meaning===As an element of the [[real]], the [[letter]] is [[meaning]]less in itself. [[Lacan]] illustrates this by referring to ancient Egyptian hieroglyphics, which were indecipherable to Europeans for so long. Until Champollion was able to decipher them on the basis of the Rosetta Stone, no one knew how to understand these enigmatic inscriptions, but it was nevertheless clear that they were organized into a signifying system.<ref>{{S1}} p. 244-5; {{E}} p. 160</ref> In the same way, the [[signifier]] persists as a [[meaning]]less [[letter]] which makes the destiny of the [[subject]] and which he must decipher.
=====Wolf Man==Repetition===A good example [[Lacan]] illustrates this [[repetition]] by reference to [[Edgar Allan Poe]]'s story ''[[The Purloined Letter]]''.<ref>Poe, Edgar Allan. 1844. "The Purloined Letter," in ''Great Tales and Poems of this is Edgar Allan Poe'', New York: Pocket Library, 1951.</ref> Playing on the case double-meaning of the term "[[Wolf Manletter]]", in which [[FreudLacan]] noted that the presents [[meaningPoe]]less 's account of a written document (a [[letter]] V reappeared under many guides in ) which passes through various hands as a [[metaphor]] for the [[Wolf Mansignifier]] which circulates between various [[subject]]'s life, assigning a peculiar position to whoever is possessed by it.<ref>{{FL}} 1955a. "[[Works of Sigmund FreudJacques Lacan|From the History of an Infantile NeurosisLe séminaire sur 'La lettre volée']]", in [[Jacques Lacan]],''[[Écrits]]'', Paris: Seuil, 1966, pp. 11-61 [" 1918b [1914[Works of Jacques Lacan|Seminar on 'The Purloined Letter']]", trans. Jeffrey Mehlman, ''Yale French Studies'', 48 (1972): 38-72.</ref> It is in this paper that [[SELacan]] XVII, 3proposes that "a letter always arrives at its destination."<ref>{{Ec}} p.41</ref>
=====Repetition=====As To the example of the [[Wolf Man]] demonstrates, the [[letter]] is essentially that which [[return]]s and [[repetition|repeats]] itself; it constantly insists in inscribing itself in the [[subject]]'s life. =====Example==========''The Purloined Letter''=====[[Lacan]] illustrates this [[repetition]] by reference to Edgar Allan Poe's story ''The Purloined Letter''.<ref>Poe, Edgar Allan. 1844. "The Purloined Letter," in ''Great Tales and Poems of Edgar Allan Poe'', New York: Pocket Library, 1951.</ref> Playing on the double-meaning of the term "[[letter]]", [[Lacan]] presents Poe's account of a written document (a [[letter]]) which passes through various hands as a [[metaphor]] for the [[signifier]] which circulates between various [[subject]]s, assigning a peculiar position to whoever is possessed by it.<ref>{{L}} 1955a. "[[Works of Jacques Lacan|Le séminaire sur 'La lettre volée']]", in [[Jacques Lacan]], ''[[Écrits]]'', Paris: Seuil, 1966, pp. 11-61 ["[[Works of Jacques Lacan|Seminar on 'The Purloined Letter']]", trans. Jeffrey Mehlman, ''Yale French Studies'', 48 (1972): 38-72.</ref> =====A Letter Always Arrives at its Destination=====It is in this paper that [[Lacan]] proposes that "a letter always arrives at its destination."<ref>{{Ec}} p.41</ref> =====Role of the Analyst=====
It is because of the role of the [[letter]] in the [[unconscious]] that the [[analyst]] must focus not on the [[meaning]] or the [[signification]] of the [[analysand]]'s [[discourse]], but purely on its formal properties; the [[analyst]] must read the [[analysand]]'s [[speech]] as if it were a text, "taking it literally" (''prendre à la lettre'').
=====Letter and Writing=====There is thus a close connection between the [[letter]] and [[writing]], a connection which [[Lacan]] explores in his [[seminar]] of 1972-3.<ref>{{S20}} ppp. 29-38</ref> Although both the [[letter]] and [[writing]] are located in the [[order]] of the [[real]], and hence partake of a [[meaning]]less quality, [[Lacan]] argues that the [[letter]] is that which one reads, as opposed to [[writing]], which is not to be read.<ref>{{S20}} p. 29</ref> =====Formalization and Mathemes===== [[Writing]] is also connected with the idea of [[formalization]] and the [[matheme]]s; [[Lacan]] thus speaks of his [[algebra]]ic [[symbol]]s as "[[letter]]s."<ref>{{S20}} p. 30</ref> =====Jacques Derrida===== [[Lacan]]'s concept of the [[letter]] is the subject of a critique by [[Jacques Derrida]]<ref>[[Jacques Derrida|Derrida, Jacques]] 1975. "Le facteur de la vérité," in ''The Post Card: From Socrates to Freud and Beyond'', trans. Alan Bass, Chicago and London: University of Chicago Press, 1987, pp. 413-96.</ref> and by two of Derrida's followers.<ref>Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc. 1973. ''Le Titre de la lettre'', Paris: Galilée.</ref>. [[Lacan]] refers to the latter work in his 1972-3 [[seminar]].<ref>{{S20}} p. 62-6.</ref>
==See Also==
[[Category:Terms]]
[[Category:OK]]
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