Difference between revisions of "Listening"

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Listening must be distinguished from audition. Audition is the function and exercise of the sense of hearing, whereas listening is much more global. Listening is simultaneously being sensitive to words, the voice that carries them, and the broader context of human communication. The relationship that links patient and psychoanalyst can be understood as listening, each listening to the other.
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Listening must be distinguished from audition. Audition is the function and exercise of the [[sense]] of hearing, whereas listening is much more [[global]]. Listening is simultaneously [[being]] sensitive to [[words]], the [[voice]] that carries [[them]], and the broader context of [[human]] [[communication]]. The [[relationship]] that [[links]] [[patient]] and [[psychoanalyst]] can be [[understood]] as listening, each listening to the [[other]].
  
The psychoanalyst's relation with the patient is different from that of ordinary life. The psychoanalyst listens in silence (silence is an opening into the unconscious), listens without according priority to the content of the words, listens to the voice and the body and the affects expressed through them. The analyst's sensitivity to the effects of the voice is amplified by being in a state of free-floating attention, unaffected by the requirements of dialog, the need to respond, the interplay of ideas, and considerations of politeness. Intonation is a subtle vocal posture and expression, and tone creates a music that influences the analyst's counter-transfer and warns the analyst against repression. Analytical listening is accompanied by a benevolent, receptive attitude that abstains from all critical evaluation and judgment. Such listening affords patients a space in which, free from visual confrontation, they can deploy their imagination in free association. The psychoanalyst's listening is the patient's guarantee that the Other is present, referring the patient back to the primordial Other and all its successive representations. By listening to what the patient says, the analyst becomes sensitive to the former child, animated by the "instinct to listen" (Bernard This, Piera Aulagnier) to the sounds of the primal scene, among other things.
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The psychoanalyst's relation with the patient is different from that of ordinary [[life]]. The psychoanalyst listens in [[silence]] (silence is an opening into the [[unconscious]]), listens without according priority to the [[content]] of the words, listens to the voice and the [[body]] and the affects expressed through them. The [[analyst]]'s sensitivity to the effects of the voice is amplified by being in a [[state]] of free-[[floating]] attention, unaffected by the requirements of dialog, the [[need]] to respond, the interplay of [[ideas]], and considerations of politeness. Intonation is a subtle vocal posture and expression, and tone creates a [[music]] that influences the analyst's counter-transfer and warns the analyst against [[repression]]. Analytical listening is accompanied by a benevolent, receptive attitude that abstains from all critical evaluation and judgment. Such listening affords [[patients]] a [[space]] in which, free from [[visual]] confrontation, they can deploy their [[imagination]] in free [[association]]. The psychoanalyst's listening is the patient's [[guarantee]] that the Other is [[present]], referring the patient back to the primordial Other and all its successive representations. By listening to what the patient says, the analyst becomes sensitive to the former [[child]], animated by the "[[instinct]] to listen" (Bernard This, Piera Aulagnier) to the sounds of the [[primal]] [[scene]], among other things.
  
For patients, the psychoanalyst's listening enables them first to hear a voice that refers them back to the benevolent voice of the first stages of life and that they can progressively introject while engaged in free-floating listening, and then to hear words enabling them to bring their histories to life by deploying their own unconscious forces. Patients have a special dialog with the analyst that requires reworking their energies in as complete and free a way as possible. Listening to the analyst's words shatters thought systems and promotes change, the analyst's reflections being brief, incomplete, and ambiguous interventions rather than explanatory interpretations. The two types of listening thus promote the elaboration of a powerful synergy.
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For patients, the psychoanalyst's listening enables them first to hear a voice that refers them back to the benevolent voice of the first [[stages]] of life and that they can progressively [[introject]] while engaged in free-floating listening, and then to hear words enabling them to bring their histories to life by deploying their own unconscious forces. Patients have a special dialog with the analyst that requires reworking their energies in as [[complete]] and free a way as possible. Listening to the analyst's words shatters [[thought]] systems and promotes [[change]], the analyst's reflections being brief, incomplete, and ambiguous interventions rather than explanatory [[interpretations]]. The two types of listening thus promote the elaboration of a powerful synergy.
  
 
MARIE-FRANCE CASTARÈDE
 
MARIE-FRANCE CASTARÈDE
  
See also: Cathartic method; Evenly-suspended attention; Face-to-face situation; Fundamental rule; Initial inter-view(s); Music and psychoanalysis; Psychoanalytic treatment; "Recommendations to Physicians Practicing Psycho-Analysis".
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See also: [[Cathartic method]]; Evenly-[[suspended attention]]; Face-to-face [[situation]]; [[Fundamental rule]]; Initial inter-view(s); Music and [[psychoanalysis]]; [[Psychoanalytic]] [[treatment]]; "Recommendations to Physicians Practicing [[Psycho]]-[[Analysis]]".
 
[[Category:Enotes]]
 
[[Category:Enotes]]

Latest revision as of 01:04, 26 May 2019

Listening must be distinguished from audition. Audition is the function and exercise of the sense of hearing, whereas listening is much more global. Listening is simultaneously being sensitive to words, the voice that carries them, and the broader context of human communication. The relationship that links patient and psychoanalyst can be understood as listening, each listening to the other.

The psychoanalyst's relation with the patient is different from that of ordinary life. The psychoanalyst listens in silence (silence is an opening into the unconscious), listens without according priority to the content of the words, listens to the voice and the body and the affects expressed through them. The analyst's sensitivity to the effects of the voice is amplified by being in a state of free-floating attention, unaffected by the requirements of dialog, the need to respond, the interplay of ideas, and considerations of politeness. Intonation is a subtle vocal posture and expression, and tone creates a music that influences the analyst's counter-transfer and warns the analyst against repression. Analytical listening is accompanied by a benevolent, receptive attitude that abstains from all critical evaluation and judgment. Such listening affords patients a space in which, free from visual confrontation, they can deploy their imagination in free association. The psychoanalyst's listening is the patient's guarantee that the Other is present, referring the patient back to the primordial Other and all its successive representations. By listening to what the patient says, the analyst becomes sensitive to the former child, animated by the "instinct to listen" (Bernard This, Piera Aulagnier) to the sounds of the primal scene, among other things.

For patients, the psychoanalyst's listening enables them first to hear a voice that refers them back to the benevolent voice of the first stages of life and that they can progressively introject while engaged in free-floating listening, and then to hear words enabling them to bring their histories to life by deploying their own unconscious forces. Patients have a special dialog with the analyst that requires reworking their energies in as complete and free a way as possible. Listening to the analyst's words shatters thought systems and promotes change, the analyst's reflections being brief, incomplete, and ambiguous interventions rather than explanatory interpretations. The two types of listening thus promote the elaboration of a powerful synergy.

MARIE-FRANCE CASTARÈDE

See also: Cathartic method; Evenly-suspended attention; Face-to-face situation; Fundamental rule; Initial inter-view(s); Music and psychoanalysis; Psychoanalytic treatment; "Recommendations to Physicians Practicing Psycho-Analysis".