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[[scene]] ([[French]]:''[[{{Top}}scène]]''){{Bottom}}

[[Freud]] states borrowed the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'') from G.T. Fechner, and used it in ''[[The Interpretation of Dreams]]'', stating that "the [[scene]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud. {{F}} ''[[The Interpretation of Dreams]]'', 1900a. [[SE ]] V. p.535-6</ref>

This led [[Freud]] borrowed to formulate the expression "[[another scene]]" ([[German]]: ''[[eine andere Schauplatz]]'') from G.T. Fechner, and used it in ''[[The Interpretation idea of Dreams]]'', stating that "the [[scene|psychical locality]] of [[action]] of [[dream]]s is different from that of waking ideational [[life]]."<ref>Freud. 1900a. SE V. p.535-6</ref>

This led However, [[Freud]] emphasized that this concept of locality is not to formulate the idea be confused with physical locality or anatomical locality, and [[Lacan]] takes this as a justification for his own use of "psychical locality[[topology]].<ref>{{E}} p."285</ref>

However, [[Freud]] emphasized that this concept of locality is not to be confused with physical locality or anatomical locality, and [[Lacan]] takes this as a justification for his own use of [[topology]].<ref>{{E}} p.285</ref> ([[Lacan]] makes repeated reference to Fechner's expression in his work;<ref>{{E}} p.193</ref> the "other scene" is, in [[Lacan]]ian terms, the [[Other]].) [[Freud]] developed the idea of "[[psychical locality]]" (in opposition to [[physical]] or [[anatomical]] locality).

==Fantasy==[[Lacan]] takes this as a justification for also uses the term "[[scene]]" to denote the [[imaginary]] and [[symbolic]] theatre in which the [[subject]] plays out his own use [[fantasy]], which is built on the edifice of the [[topologyreal]](the world).<ref>{{E}} p.285</ref>

[[Lacan]] uses the term "[[scene]]" to denote the [[imaginary]] and [[symbolic]] [[scene]] (world) (theater) in which the [[subject]] comes to stage (plays out) his or her [[fantasy]] (which is built on the edifice of the [[real]] (the world)). The [[scene]] of [[fantasy]] is a virtual space which is framed, in the same way that the [[scene ]] of a play is framed by the proscenium arch in a theatre, whereas the world is a [[real]] space which lies beyond the frame.<ref>Lacan{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-363]]'', unpublished. [[Seminar ]] of 19 December 1962.</ref>== Acting Out and the Passage to the Act ==

The [[passage to the act]], however, is an exit from the [[scene]], is a rossing crossing over from the [[symbolic]] into the [[real]]; there is a total [[identification]] with the [[other]] and hence an abolution of the [[subject]].<ref>Lacan{{F}} ''[[Seminar X|Le Séminaire. Livre X. L'angoisse, 1962-3: seminar 63]]'', unpublished. [[Seminar]] of 16 January 1963.</ref>

== Perversion ==

[[Category:PsychoanalysisTerms]]{{OK}} __NOTOC__