Difference between revisions of "TOC"
| Line 1: | Line 1: | ||
| − | WHY ŽIŽEK? | + | = WHY ŽIŽEK? = |
| − | + | ||
| + | == Popular culture and philosophy? == | ||
| + | |||
Is this not the way to read Žižek? | Is this not the way to read Žižek? | ||
| + | |||
Subject of a biography: biography of a subject | Subject of a biography: biography of a subject | ||
| + | |||
This book | This book | ||
| − | KEY IDEAS | + | = KEY IDEAS = |
| − | Who are Žižek's influences and how do they affect his work? | + | == Who are Žižek's influences and how do they affect his work? == |
| + | |||
ŽižeA's influences: philosophy, politics and psychoanalysis | ŽižeA's influences: philosophy, politics and psychoanalysis | ||
| + | |||
Hegel | Hegel | ||
| + | |||
Marx | Marx | ||
| + | |||
Lacan | Lacan | ||
| − | The | + | |
| + | The Imaginary | ||
| + | |||
The Symbolic | The Symbolic | ||
| + | |||
The Real | The Real | ||
| + | |||
The philosopher of the Real | The philosopher of the Real | ||
| − | What is a subject and why is it so important? | + | |
| + | |||
| + | |||
| + | == What is a subject and why is it so important? == | ||
The cogito | The cogito | ||
The cogito and the post-structuralists | The cogito and the post-structuralists | ||
| Line 25: | Line 40: | ||
| − | What is so terrible about postmodernity | + | == What is so terrible about postmodernity |
The postmodern risk society | The postmodern risk society | ||
The disintegration of the big Other | The disintegration of the big Other | ||
| Line 33: | Line 48: | ||
| − | How can we distinguish reality from ideology? | + | == How can we distinguish reality from ideology? |
False consciousness and cynicism | False consciousness and cynicism | ||
Belief machines | Belief machines | ||
| Line 40: | Line 55: | ||
| − | What is the relationship between men and women? | + | == What is the relationship between men and women? |
The formulae of sexuation | The formulae of sexuation | ||
'Woman does not exist' | 'Woman does not exist' | ||
| Line 47: | Line 62: | ||
| − | Why is racism always a fantasy? | + | == Why is racism always a fantasy? |
'Che vuoi?': 'What do you want from rne?' | 'Che vuoi?': 'What do you want from rne?' | ||
LooAing through the fantasy window | LooAing through the fantasy window | ||
| Line 54: | Line 69: | ||
| − | AFTER ŽIŽEK | + | = AFTER ŽIŽEK = |
The curse of Jacques: limitations on the influence of Žižek | The curse of Jacques: limitations on the influence of Žižek | ||
Leftism | Leftism | ||
Universal criticism | Universal criticism | ||
The retroactive ŽižeA | The retroactive ŽižeA | ||
Revision as of 02:52, 30 April 2006
Contents
WHY ŽIŽEK?
Popular culture and philosophy?
Is this not the way to read Žižek?
Subject of a biography: biography of a subject
This book
KEY IDEAS
Who are Žižek's influences and how do they affect his work?
ŽižeA's influences: philosophy, politics and psychoanalysis
Hegel
Marx
Lacan
The Imaginary
The Symbolic
The Real
The philosopher of the Real
What is a subject and why is it so important?
The cogito The cogito and the post-structuralists Madness: the vanishing roediator between nature and culture The birth of God: reading the cog ito via Schelling From subject to subjectivization
== What is so terrible about postmodernity
The postmodern risk society
The disintegration of the big Other
The postrnodern superego: enjoy!
Keeping it real: the return of the Other
The act
== How can we distinguish reality from ideology?
False consciousness and cynicism
Belief machines
The three modes of ideology
The spectre that haunts reality
== What is the relationship between men and women?
The formulae of sexuation
'Woman does not exist'
'Woman is a syrnptorn of Man'
'There is no sexual relationship'
== Why is racism always a fantasy?
'Che vuoi?': 'What do you want from rne?'
LooAing through the fantasy window
The ethnic fantasy
The ethics of fantasy
AFTER ŽIŽEK
The curse of Jacques: limitations on the influence of Žižek Leftism Universal criticism The retroactive ŽižeA
