Difference between revisions of "Imaginary"

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{{Top}}imaginaire{{Bottom}}
 
{{Top}}imaginaire{{Bottom}}
  
[[Lacan]]'s use of the term "[[imaginary]]" as a substantive dates back to 1936.<ref>{{Ec}} p. 81</re>  
+
=====Jacques Lacan=====
 +
[[Lacan]]'s use of the term "[[imaginary]]" as a substantive dates back to 1936.<ref>{{Ec}} p. 81</ref>  
  
 +
=====Illusion=====
 
From the beginning, the term has connotations of illusion, fascination and seduction, and relates specifically to the [[dual relation]] between the [[ego]] and the [[specular image]].  
 
From the beginning, the term has connotations of illusion, fascination and seduction, and relates specifically to the [[dual relation]] between the [[ego]] and the [[specular image]].  
  
It is important to note, however, that while the imaginary always retains connotations of illusion and lure, it is not simply synonymous with 'the illusory' insofar as the latter term implies something unnecessary and inconsequential (Ec, 723).
+
It is important to note, however, that while the [[imaginary]] always retains connotations of [[illusion]] and [[lure]], it is not simply synonymous with "the illusory" insofar as the latter term implies something unnecessary and inconsequential.<ref>{{Ec}} p. 723</ref>
  
The imaginary is far from inconsequential; it has powerful effects in the real, and is not simply something that can be dispensed with or 'overcome'.  
+
The [[imaginary]] is far from inconsequential; it has powerful effects in the [[real]], and is not simply something that can be dispensed with or "overcome".  
  
---
+
=====Order=====
 +
From 1953 on, the [[imaginary]]] becomes one of the [[order|three orders]] which constitute the tripartite scheme at the centre of [[Lacan]]ian thought, being opposed to the [[symbolic]] and the [[real]].
  
From 1953 on, the imaginary becomes one of the three ORDERS which constitute the tripartite scheme at the centre of Lacanian thought, being opposed to the symbolic and the real.  
+
=====Ego Formation=====
 +
The basis of the [[imaginary|imaginary order]] continues to be the formation of the [[ego]] in the [[mirror stage]].  
  
The basis of the imaginary order continues to be the formation of the ego in the MIRROR STAGE.  
+
=====Identification=====
 +
Since the [[ego]] is formed by [[identifying]] with the [[counterpart]] or [[specular image]], [[identification]] is an important aspect of the [[imaginary|imaginary order]].  
  
Since the ego is formed by identifying with the counterpart or specular image, IDENTIFICATION is an important aspect of the imaginary order. The ego and the counterpart form the prototypical dual relationship, and are interchangeable.  
+
The [[ego]] and the [[counterpart]] form the prototypical [[dual relation]]ship, and are interchangeable.  
  
This relation­ship whereby the ego is constituted by identification with the little other means that the ego, and the imaginary order itself, are both sites of a radical ALIENATION; 'alienation is constitutive of the imaginary order' (S3, 146).
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=====Alienation=====
 +
This relation­ship whereby the [[ego]] is constituted by [[identification]] with the [[other|little other]] means that the [[ego]], and the [[imaginary|imaginary order]] itself, are both sites of a radical [[alienation]];  
  
The dual relationship between the ego and the counterpart is fundamentally narcissistic, and NARCISSISM is another characteristic of the imaginary order.  
+
<blockquote>"Alienation is constitutive of the imaginary order."<ref>{{S3}} p. 146</ref></blockquote>
  
Narcissism is always accompanied by a certain AGGRESSIVITY.  
+
=====Narcissism=====
 +
The [[dual relation]]ship between the [[ego]] and the [[counterpart]] is fundamentally [[narcissistic]], and [[narcissism]] is another characteristic of the [[imaginary|imaginary order]].  
  
The imaginary is the realm of image and imagination, deception and lure.  
+
[[Narcissism]] is always accompanied by a certain [[aggressivity]].  
  
The principal illusions of the imaginary are those of wholeness, synthesis, autonomy, duality and, above all, similarity.  
+
=====Deception=====
 +
The [[imaginary]] is the realm of image and imagination, [[truth|deception]] and [[lure]].  
  
The imaginary is thus the order of surface appearances which are deceptive, observable phenomena which hide underlying structure; the affects are such phenomena.  
+
The principal illusions of the [[imaginary]] are those of [[gestalt|wholeness]], [[dialectic|synthesis]], [[autonomous ego|autonomy]], [[dual relation|duality]] and, above all, [[counterpart|similarity]].  
  
However, the opposition between the imaginary and the symbolic does not mean that the imaginary is lacking in structure.  
+
=====Structure=====
 +
The [[imaginary]] is thus the [[order]] of surface appearances which are deceptive, observable phenomena which hide underlying [[structure]]; the [[affect]]s are such phenomena.  
  
On the contrary, the imaginary is always already structured by the symbolic order.  
+
However, the opposition between the [[imaginary]] and the [[symbolic]] does not mean that the [[imaginary]] is lacking in [[structure]].  
  
For example in his ussion of the mirror stage in 1949, Lacan speaks of the relations in ginary space, which imply a symbolic structuring of that space (E, I).  
+
On the contrary, the [[imaginary]] is always already [[structure]]d by the [[symbolic order]].  
  
expression 'imaginary matrix' also implies an imaginary which is struc­d by the symbolic (Ec, 221), and in 1964 Lacan discusses how the visual
+
For example in his discussion of the [[mirror stage]] in 1949, [[Lacan]] speaks of the relations in [[imaginary]] space, which imply a [[symbolic]] [[structure|structuring]] of that space.<ref>{{E}} p. 1</ref>
I is structured by symbolic laws (Sll, 91-2). )
 
he imaginary also involves a linguistic dimension. Whereas the signifier is foundation of the symbolic order, the SIGNIFIED and SIGNIFICATION are part of imaginary order. Thus language has both symbolic and imaginary aspects; ts imaginary aspect, language is the 'wall of language' which inverts and orts the discourse of the Other (see SCHEMA L).
 
he imaginary exerts a captivating power over the subject, founded in the ost hypnotic effect of the specular image. The imaginary is thus rooted in subject's relationship to his own body (or rather to the image of his body). s captivating/capturing power is both seductive (the imaginary is mani­ed above all on the sexual plane, in such forms as sexual display and lrtship rituals; Lacan, 1956b: 272) and disabling: it imprisons the subject in ~ries of static fixations (see CAPTATION).
 
  
~he imaginary is the dimension of the human subject which is most closely ced to ethology and animal psychology (S3, 253). All attempts to explain nan subjectivity in terms of animal psychology are thus limited to the Iginary (see NATURE). Although the imaginary represents the closest point ~ontact between human subjectivity and animal ethology (S2, 166), it is not Iply identical; the imaginary order in human beings is structured by the nbolic, and this means that 'in man, the imaginary relation has deviated )m the realm of nature]' (S2, 210) ..  
+
The expression "[[imaginary|imaginary matrix]]" also implies an [[imaginary]] which is [[structure­]]d by the [[symbolic]],<ref>{{Ec}} p. 221</ref> and in 1964 [[Lacan]] discusses how the visual field is [[structure]]d by [[symbolic]] [[law]]s.<ref>{{S11}} p. 91-2</ref>
  
~acan has a Cartesian mistrust of the imagination as a cognitive tool. He ists, like Descartes, on the supremacy of pure intellection, without depen­lce on images, as the only way of arriving at certain knowledge. It is this It lies behind Lacan's use of topological figures, which cannot be repre­lted in the imagination, to explore the structure of the unconscious (see 'OLOGY). This mistrust of the imagination and the senses puts Lacan firmly the side of rationalism rather than empiricism (see SCIENCE).  
+
=====Linguistic Dimension=====
 +
The [[imaginary]] also involves a [[linguistics|linguistic dimension]].
 +
 
 +
Whereas the [[signifier]] is foundation of the [[symbolic order]], the [[signified]] and [[signification]] are part of [[imaginary|imaginary order]].
 +
 
 +
Thus [[language]] has both [[symbolic]] and [[imaginary]] aspects; ts imaginary aspect, language is the 'wall of language' which inverts and orts the [[discourse]] of the [[Other]]
 +
 
 +
=====Captation=====
 +
The [[imaginary]] exerts a [[captation|captivating power]] over the [[subject]], founded in the ost hypnotic effect of the [[specular image]].
 +
 
 +
The [[imaginary]] is thus rooted in [[subject]]'s relationship to his own body (or rather to the [[image]] of his body).
 +
 
 +
This [[captation|captivating/capturing power]] is both [[seductive]] (the [[imaginary]] is manifest­ed above all on the sexual plane, in such forms as sexual display and courtship rituals)<ref>{{L}} 1956b: 272) and disabling: it imprisons the [[subject]] in series of static fixations.
 +
 
 +
=====Nature=====
 +
The [[imaginary]] is the dimension of the [[human]] [[subject]] which is most closely linked to ethology and animal psychology.<ref>{{S3}} p. 253</ref>
 +
 
 +
All attempts to explain [[human]] [[subjectivity]] in terms of animal psychology are thus limited to the [[imaginary]].
 +
 
 +
Although the [[imaginary]] represents the closest point of contact between [[human]] [[subjectivity]] and animal ethology,<ref>{{S2}} p. 166</ref> it is not simply identical; the [[imaginary|imaginary order]] in [[human]] [[being]]s is [[structure]]d by the [[symbolic]], and this means that "in man, the imaginary relation has deviated [from the realm of nature]."<ref>{{S2}} p. 210</ref>
 +
 
 +
=====Imagination===== 
 +
[[Lacan]] has a Cartesian mistrust of the [[imaginary|imagination]] as a cognitive tool.  
 +
 
 +
He insists, like Descartes, on the supremacy of pure intellection, without depen­dence on images, as the only way of arriving at certain [[knowledge]].  
 +
 
 +
It is this that lies behind Lacan's use of [[topology|topological figures]], which cannot be represented in the [[imaginary|imagination]], to explore the [[structure]] of the [[unconscious]].  
 +
 
 +
This mistrust of the [[imaginary|imagination]] and the senses puts [[Lacan]] firmly the side of [[science|rationalism]] rather than [[science|empiricism]].  
  
  

Revision as of 11:50, 31 August 2006

French: imaginaire
Jacques Lacan

Lacan's use of the term "imaginary" as a substantive dates back to 1936.[1]

Illusion

From the beginning, the term has connotations of illusion, fascination and seduction, and relates specifically to the dual relation between the ego and the specular image.

It is important to note, however, that while the imaginary always retains connotations of illusion and lure, it is not simply synonymous with "the illusory" insofar as the latter term implies something unnecessary and inconsequential.[2]

The imaginary is far from inconsequential; it has powerful effects in the real, and is not simply something that can be dispensed with or "overcome".

Order

From 1953 on, the imaginary] becomes one of the three orders which constitute the tripartite scheme at the centre of Lacanian thought, being opposed to the symbolic and the real.

Ego Formation

The basis of the imaginary order continues to be the formation of the ego in the mirror stage.

Identification

Since the ego is formed by identifying with the counterpart or specular image, identification is an important aspect of the imaginary order.

The ego and the counterpart form the prototypical dual relationship, and are interchangeable.

Alienation

This relation­ship whereby the ego is constituted by identification with the little other means that the ego, and the imaginary order itself, are both sites of a radical alienation;

"Alienation is constitutive of the imaginary order."[3]

Narcissism

The dual relationship between the ego and the counterpart is fundamentally narcissistic, and narcissism is another characteristic of the imaginary order.

Narcissism is always accompanied by a certain aggressivity.

Deception

The imaginary is the realm of image and imagination, deception and lure.

The principal illusions of the imaginary are those of wholeness, synthesis, autonomy, duality and, above all, similarity.

Structure

The imaginary is thus the order of surface appearances which are deceptive, observable phenomena which hide underlying structure; the affects are such phenomena.

However, the opposition between the imaginary and the symbolic does not mean that the imaginary is lacking in structure.

On the contrary, the imaginary is always already structured by the symbolic order.

For example in his discussion of the mirror stage in 1949, Lacan speaks of the relations in imaginary space, which imply a symbolic structuring of that space.[4]

The expression "imaginary matrix" also implies an imaginary which is structure­d by the symbolic,[5] and in 1964 Lacan discusses how the visual field is structured by symbolic laws.[6]

Linguistic Dimension

The imaginary also involves a linguistic dimension.

Whereas the signifier is foundation of the symbolic order, the signified and signification are part of imaginary order.

Thus language has both symbolic and imaginary aspects; ts imaginary aspect, language is the 'wall of language' which inverts and orts the discourse of the Other

Captation

The imaginary exerts a captivating power over the subject, founded in the ost hypnotic effect of the specular image.

The imaginary is thus rooted in subject's relationship to his own body (or rather to the image of his body).

This captivating/capturing power is both seductive (the imaginary is manifest­ed above all on the sexual plane, in such forms as sexual display and courtship rituals)Cite error: Closing </ref> missing for <ref> tag

All attempts to explain human subjectivity in terms of animal psychology are thus limited to the imaginary.

Although the imaginary represents the closest point of contact between human subjectivity and animal ethology,[7] it is not simply identical; the imaginary order in human beings is structured by the symbolic, and this means that "in man, the imaginary relation has deviated [from the realm of nature]."[8]

Imagination

Lacan has a Cartesian mistrust of the imagination as a cognitive tool.

He insists, like Descartes, on the supremacy of pure intellection, without depen­dence on images, as the only way of arriving at certain knowledge.

It is this that lies behind Lacan's use of topological figures, which cannot be represented in the imagination, to explore the structure of the unconscious.

This mistrust of the imagination and the senses puts Lacan firmly the side of rationalism rather than empiricism.

</ref>

  1. Lacan, Jacques. Écrits. Paris: Seuil, 1966. p. 81
  2. Lacan, Jacques. Écrits. Paris: Seuil, 1966. p. 723
  3. Lacan, Jacques. The Seminar. Book III. The Psychoses, 1955-56. Trans. Russell Grigg. London: Routledge, 1993. p. 146
  4. Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan. London: Tavistock Publications, 1977. p. 1
  5. Lacan, Jacques. Écrits. Paris: Seuil, 1966. p. 221
  6. Lacan, Jacques. The Seminar. Book XI. The Four Fundamental Concepts of Psychoanalysis, 1964. Trans. Alan Sheridan. London: Hogarth Press and Institute of Psycho-Analysis, 1977. p. 91-2
  7. Lacan, Jacques. The Seminar. Book II. The Ego in Freud's Theory and in the Technique of Psychoanalysis, 1954-55. Trans. Sylvana Tomaselli. New York: Nortion; Cambridge: Cambridge Unviersity Press, 1988. p. 166
  8. Lacan, Jacques. The Seminar. Book II. The Ego in Freud's Theory and in the Technique of Psychoanalysis, 1954-55. Trans. Sylvana Tomaselli. New York: Nortion; Cambridge: Cambridge Unviersity Press, 1988. p. 210