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The
experience of the Yugoslav war and the rise of “irrational”
violence in contemporary societies provides the
theoretical and
political context of this book, which uses
Lacanian psychoanalysis as the basis for a renewal of the
Marxist theory of
ideology. The author’s
analysis leads into a study of the
figure of
woman in modern art and ideology, including studies of
The Crying Game and the
films of
David Lynch, and the
links between violence and
power/gender relations.