Difference between revisions of "Oedipus Complex"

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The principle that desire is the desire of the Other is also decisive in how Lacan reformulates Freud's theory of the child's socialisation through the resolution of its Oedipal complex in its fifth or sixth year. Lacan agrees with Freud that this event is decisive both in the development of the individual, and in the aetiology of any possible subsequent mental illness. However, in trying to understand this stage of subjective development, Lacan distances himself from Freud's emphasis on the biological organ of the penis. Lacan talks instead of the phallus. What he is primarily referring to is what the child perceives it is that the mother desires. Because the child's own desire is structured by its relationships with its first nurturer (usually in Western societies the mother), it is thus the desire of the mother, for Lacan, that is the decisive stake in what transpires with the Oedipus complex and its resolution. In its first years, Lacan contends, the child devotes itself to trying to fathom what it is that the mother desires, so that it can try to make itself the phallus for the mother- a fully satisfying love-object. At around the time of its fifth or sixth desire, however, the father will normally intervene in a way that lastingly thwarts this Oedipal aspiration. The ensuing renunciation of the aspiration to be the phallic Thing for the mother, and not any physical event or its threat, is what Lacan calls castration, and it is thus a function to which he thinks both boys and girls are normally submitted.
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The child's acceptance of its castration marks the resolution of its Oedipal complex, Lacan holds, again shadowing Freud. The Oedipal child remains committed to its project of trying to fathom and fulfil this desire. It accordingly (and famously) perceives the father as a rival and threat to its dearest aspirations. Because of this, in a maverick theoretical conjunction, Lacan indeed likens the father-child relation at this point (at least as it is perceived by the child) to the famous 'struggle to the death for pure recognition' dramatised in Hegel’s Phenomenology of Spirit. In this struggle, of course, the child invariably loses. But everything turns, according to Lacanian theory, on whether this loss constitutes a violent humiliation for the child or whether, as in Hegel's account of 'Lordship and Bondage’, its resolution involves the founding of a pact between the parties, bound by the solemnification of mutually recognised Law. If the castration complex is to normalise the child, Lacan argues, what the child must be made to perceive is that what satisfies or orders the desire of the mother is not any visible (imaginary) feature of the father (his obviously better physical endowments, and so on). The child must come to see that the whims of the mother are themselves ordered by a Law that exceeds and tames them. This law is what Lacan famously dubs the name (nom) of the father, trading on a felicitous homonymy in French between nom (name) and non (the 'no!' to incestuous union). When the father intervenes, (at least when he is what Lacan calls the symbolic father) Lacan's argument is that he does so less as a living enjoying individual than as the delegate and spokesperson of a body of social Law and convention that is also recognised by the mother, as a socialised being, to be decisive. This body of nomoi is what Lacan calls the big Other of the child's given sociolinguistic community. Insofar as the force of its Law is what the child at castration perceives to be what moves the mother and gives the father's words their 'performative force’ (Austin), Lacan also calls it the phallic order.
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d. The Law and Symbolic Identification
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The Law of the father is in this way theorised by Lacan as the necessary mediator between the child and the mother. A castrating acceptance of its sovereignity precipitates the child out of its ambivalent attempts to be the fully satisfying Thing for the mother. As Lacan quips, when the child accedes to castration, it accedes to the impossibility of it directly satisfying its incestous wish. If things go well, however, it will go away with 'title deeds in its pocket' that guarantee that, when the time comes (and if it plays by the rules), it can at least have a satisficing substitute for its first lost love-object. What has occurred, in this event, is that the individual's imaginary identifications (or 'ideal egos’) that exclusively characterised its infantile years have been supplemented by an identification of an entirely different order: what Lacan calls a symbolic identification with an 'ego ideal'. This is precisely identification with and within something that cannot be seen, touched, devoured, or mastered: namely, the words, norms and directives of its given cultural collective. Symbolic identification is always idenification with a normatively circumscribed way of organising the social-intersubjective space within which the subject can take on its most lasting imaginary identifications: (For example, the hysterical-vulnerable female identifies at the symbolic level with the patriarchal way of structuring social relations between sexes, outside of which her imaginary identification would be meaningless).
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e. Summary
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So, to repeat and summarise: Lacan's philosophical anthropology (his answer to the question: what is it to be human?) involves several important reformulations of Freudian tenets. By drawing on Hegel, game theory, and contemporary observations of infant behaviour, he lays greater systematic emphasis than Freud had on the intersubjective constitution of human desire. In this feature at least, his philosophical anthropology is united with that of philosophers such as Levinas, Honneth and Habermas. Equally, since for Lacan human desire is 'the desire of the other', what he contends is at stake in the child's socialisation is its aspiration to be the fully satisfying object for the mother, a function which is finally (or at least norm-ally) fulfilled by the Law-bearing words of the father. Human-being, for Lacan, is thus (as decentred) vitally a speaking animal (what he calls a parle-etre); one whose desire comes to be 'inmixed' with the imperatives of, and stipulated within, the natural language of its society. [see Part 2] Particularly, Lacan picks up on certain cues within Freud's texts (and those of Saint Paul) to emphasise the dialectical structuration of human desire in relation to the prohibitions of Law. If the Law of the father denies immediate access to what the child takes to be the fully satisfying object (as expounded above), from this point on, Lacan argues, (at least neurotic) desire is necessarily articulated in the interstices of what is permitted by the big Other. And it is characterised by an innate and 'fatal' attraction to what it prohibits as such, which is why he placed such central emphasis throughout his career on the enigmatic Freudian notion of a death drive.
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== def ==
 
For Freud, the childhood desire to sleep with the mother and to kill the father. Freud describes the source of this complex in his Introductory Lectures (Twenty-First Lecture): "You all know the Greek legend of King Oedipus, who was destined by fate to kill his father and take his mother to wife, who did everything possible to escape the oracle's decree and punished himself by blinding when he learned that he had none the less unwittingly committed both these crimes" (16.330). According to Freud, Sophocles' play, Oedipus Rex, illustrates a formative stage in each individual's psychosexual development, when the young child transfers his love object from the breast (the oral phase) to the mother. At this time, the child desires the mother and resents (even secretly desires the murder) of the father. (The Oedipus complex is closely connected to the castration complex.) Such primal desires are, of course, quickly repressed but, even among the mentally sane, they will arise again in dreams or in literature. Among those individuals who do not progress properly into the genital phase, the Oedipus Complex, according to Freud, can still be playing out its psychdrama in various displaced, abnormal, and/or exaggerated ways.         
 
For Freud, the childhood desire to sleep with the mother and to kill the father. Freud describes the source of this complex in his Introductory Lectures (Twenty-First Lecture): "You all know the Greek legend of King Oedipus, who was destined by fate to kill his father and take his mother to wife, who did everything possible to escape the oracle's decree and punished himself by blinding when he learned that he had none the less unwittingly committed both these crimes" (16.330). According to Freud, Sophocles' play, Oedipus Rex, illustrates a formative stage in each individual's psychosexual development, when the young child transfers his love object from the breast (the oral phase) to the mother. At this time, the child desires the mother and resents (even secretly desires the murder) of the father. (The Oedipus complex is closely connected to the castration complex.) Such primal desires are, of course, quickly repressed but, even among the mentally sane, they will arise again in dreams or in literature. Among those individuals who do not progress properly into the genital phase, the Oedipus Complex, according to Freud, can still be playing out its psychdrama in various displaced, abnormal, and/or exaggerated ways.         
 
== def ==
 
== def ==

Revision as of 19:23, 25 April 2006

The principle that desire is the desire of the Other is also decisive in how Lacan reformulates Freud's theory of the child's socialisation through the resolution of its Oedipal complex in its fifth or sixth year. Lacan agrees with Freud that this event is decisive both in the development of the individual, and in the aetiology of any possible subsequent mental illness. However, in trying to understand this stage of subjective development, Lacan distances himself from Freud's emphasis on the biological organ of the penis. Lacan talks instead of the phallus. What he is primarily referring to is what the child perceives it is that the mother desires. Because the child's own desire is structured by its relationships with its first nurturer (usually in Western societies the mother), it is thus the desire of the mother, for Lacan, that is the decisive stake in what transpires with the Oedipus complex and its resolution. In its first years, Lacan contends, the child devotes itself to trying to fathom what it is that the mother desires, so that it can try to make itself the phallus for the mother- a fully satisfying love-object. At around the time of its fifth or sixth desire, however, the father will normally intervene in a way that lastingly thwarts this Oedipal aspiration. The ensuing renunciation of the aspiration to be the phallic Thing for the mother, and not any physical event or its threat, is what Lacan calls castration, and it is thus a function to which he thinks both boys and girls are normally submitted. The child's acceptance of its castration marks the resolution of its Oedipal complex, Lacan holds, again shadowing Freud. The Oedipal child remains committed to its project of trying to fathom and fulfil this desire. It accordingly (and famously) perceives the father as a rival and threat to its dearest aspirations. Because of this, in a maverick theoretical conjunction, Lacan indeed likens the father-child relation at this point (at least as it is perceived by the child) to the famous 'struggle to the death for pure recognition' dramatised in Hegel’s Phenomenology of Spirit. In this struggle, of course, the child invariably loses. But everything turns, according to Lacanian theory, on whether this loss constitutes a violent humiliation for the child or whether, as in Hegel's account of 'Lordship and Bondage’, its resolution involves the founding of a pact between the parties, bound by the solemnification of mutually recognised Law. If the castration complex is to normalise the child, Lacan argues, what the child must be made to perceive is that what satisfies or orders the desire of the mother is not any visible (imaginary) feature of the father (his obviously better physical endowments, and so on). The child must come to see that the whims of the mother are themselves ordered by a Law that exceeds and tames them. This law is what Lacan famously dubs the name (nom) of the father, trading on a felicitous homonymy in French between nom (name) and non (the 'no!' to incestuous union). When the father intervenes, (at least when he is what Lacan calls the symbolic father) Lacan's argument is that he does so less as a living enjoying individual than as the delegate and spokesperson of a body of social Law and convention that is also recognised by the mother, as a socialised being, to be decisive. This body of nomoi is what Lacan calls the big Other of the child's given sociolinguistic community. Insofar as the force of its Law is what the child at castration perceives to be what moves the mother and gives the father's words their 'performative force’ (Austin), Lacan also calls it the phallic order.

Back to Table of Contents

d. The Law and Symbolic Identification

The Law of the father is in this way theorised by Lacan as the necessary mediator between the child and the mother. A castrating acceptance of its sovereignity precipitates the child out of its ambivalent attempts to be the fully satisfying Thing for the mother. As Lacan quips, when the child accedes to castration, it accedes to the impossibility of it directly satisfying its incestous wish. If things go well, however, it will go away with 'title deeds in its pocket' that guarantee that, when the time comes (and if it plays by the rules), it can at least have a satisficing substitute for its first lost love-object. What has occurred, in this event, is that the individual's imaginary identifications (or 'ideal egos’) that exclusively characterised its infantile years have been supplemented by an identification of an entirely different order: what Lacan calls a symbolic identification with an 'ego ideal'. This is precisely identification with and within something that cannot be seen, touched, devoured, or mastered: namely, the words, norms and directives of its given cultural collective. Symbolic identification is always idenification with a normatively circumscribed way of organising the social-intersubjective space within which the subject can take on its most lasting imaginary identifications: (For example, the hysterical-vulnerable female identifies at the symbolic level with the patriarchal way of structuring social relations between sexes, outside of which her imaginary identification would be meaningless).

Back to Table of Contents

e. Summary

So, to repeat and summarise: Lacan's philosophical anthropology (his answer to the question: what is it to be human?) involves several important reformulations of Freudian tenets. By drawing on Hegel, game theory, and contemporary observations of infant behaviour, he lays greater systematic emphasis than Freud had on the intersubjective constitution of human desire. In this feature at least, his philosophical anthropology is united with that of philosophers such as Levinas, Honneth and Habermas. Equally, since for Lacan human desire is 'the desire of the other', what he contends is at stake in the child's socialisation is its aspiration to be the fully satisfying object for the mother, a function which is finally (or at least norm-ally) fulfilled by the Law-bearing words of the father. Human-being, for Lacan, is thus (as decentred) vitally a speaking animal (what he calls a parle-etre); one whose desire comes to be 'inmixed' with the imperatives of, and stipulated within, the natural language of its society. [see Part 2] Particularly, Lacan picks up on certain cues within Freud's texts (and those of Saint Paul) to emphasise the dialectical structuration of human desire in relation to the prohibitions of Law. If the Law of the father denies immediate access to what the child takes to be the fully satisfying object (as expounded above), from this point on, Lacan argues, (at least neurotic) desire is necessarily articulated in the interstices of what is permitted by the big Other. And it is characterised by an innate and 'fatal' attraction to what it prohibits as such, which is why he placed such central emphasis throughout his career on the enigmatic Freudian notion of a death drive.


def

For Freud, the childhood desire to sleep with the mother and to kill the father. Freud describes the source of this complex in his Introductory Lectures (Twenty-First Lecture): "You all know the Greek legend of King Oedipus, who was destined by fate to kill his father and take his mother to wife, who did everything possible to escape the oracle's decree and punished himself by blinding when he learned that he had none the less unwittingly committed both these crimes" (16.330). According to Freud, Sophocles' play, Oedipus Rex, illustrates a formative stage in each individual's psychosexual development, when the young child transfers his love object from the breast (the oral phase) to the mother. At this time, the child desires the mother and resents (even secretly desires the murder) of the father. (The Oedipus complex is closely connected to the castration complex.) Such primal desires are, of course, quickly repressed but, even among the mentally sane, they will arise again in dreams or in literature. Among those individuals who do not progress properly into the genital phase, the Oedipus Complex, according to Freud, can still be playing out its psychdrama in various displaced, abnormal, and/or exaggerated ways.

def

The Oedipus complex or conflict is a concept developed by Sigmund Freud to explain the origin of certain neuroses in childhood. It is defined as a male child's unconscious desire for the exclusive love of his mother. This desire includes jealousy towards the father and the unconscious wish for that parent's death. Later researchers used the term Electra complex for the same phenomenon in girls. (In Greek myth, Electra, daughter of Agamemnon, helped plan the murder of her mother.) Freud and his ideas were a primary inspiration for Carl Jung, who further described the concept and coined the term "complex".

The idea is based on the Greek myth of Oedipus, who kills his father Laius and marries his mother Jocasta. The Oedipus conflict, or Oedipus complex, was described as a state of psychosexual development and awareness first occurring around the age of 5 and a half years (a period known as the phallic stage in Freudian theory).

Theory of the Oedipus complex

Relying on material from his self-analysis and on anthropological studies of totemism, Freud developed the Oedipus complex as an explanation of the formation of the superego. The traditional paradigm in a (male) child's psychological coming-into-being is to first select the mother as the object of libidinal investment. This however is expected to arouse the father's anger, and the infant surmises that the most probable outcome of this would be castration. Although Freud devoted most of his early literature to the Oedipus complex in males, by 1931 he was arguing that females do experience an Oedipus complex, and that in the case of females, incestuous desires are initially homosexual desires towards the mothers. It is clear that in Freud's view, at least as we can tell from his later writings, the Oedipus complex was a far more complicated process in female than in male development. Freud used the term "Oedipus complex" for both males and females, and did not like the way rivals had coined the term "Electra Complex" for the process in girls.

The infant internalizes the rules pronounced by his father. This is how the super-ego comes into being. The father now becomes the figure of identification, as the child wants to keep his phallus, but resigns from his attempts to take the mother, shifting his libidinal attention to new objects of desire.

Little Hans: a case study by Freud

Little Hans was a young boy who was the subject of an early but extensive study of castration anxiety and the Oedipus complex by Freud. Hans' neurosis took the shape of a crippling phobia of horses (Hippophobia). Freud wrote a summary of his treatment of Little Hans, in 1909, in a paper entitled "Analysis of a Phobia in a Five-year-old Boy". This was one of just a few case studies that Freud published.

What he learned from Hans' situation backed up his theory.

Hans' fear and anxiety were thought to be the result of several factors, including the birth of a little sister, his desire to replace his father as his mother's mate, conflicts over masturbation, and other issues. Freud saw this anxiety as rooted in an incomplete repression of sexual feelings and other defense mechanisms the boy was using to combat the impulses involved in his sexual development. Hans' behavior and emotional state did improve when he was provided with information by his father, and the two became closer.

Hans, himself, was unable to connect the fear of horses and the desire to get rid of his father. George Serban, in a more modern commentary, says

This assumption was suggested to him by his father. Furthermore, Freud himself admitted that 'Hans had to be told many things that he could not say himself'; that 'he had to be presented with thoughts which he had so far shown no signs of possessing'; and that 'his attention had to be turned in the direction from which his father was expecting something to come.' (Serban 1982)

Critiques of the Oedipus Complex

Popular culture often portrays Freud as overly focused on sexual influences and his theory of the Oedipus Complex is often considered untenable. However, there have always been a great deal of critiques of the Oedipus complex by psychoanalysts and among philosophers who acquainted themselves with the work of Freud.

Alfred Adler contended with Freud's belief over the dominance of the sex drive and whether ego drives were libidinal; he also attacked Freud's ideas over repression. Adler believed that the repression theory should be replaced with the concept of ego-defensive tendencies - compared to the neurotic state derived from inferiority feelings and overcompensation of the masculine protest, Oedipal complexes were to him insignificant. Although Freud believed that the Oedipus complex takes place around the age of five, Melanie Klein believed it took place far earlier, possibly in the first two years of a child's life. There have also been criticisms from anthropologists such as Bronisław Malinowski or Edvard Westermarck. Research such as that of Malinowski in the Trobriand Islands is often cited as a challenge to Freud's conviction that the Oedipus complex is a universal phenomenon.

Philosophy and the Oedipus Complex

Philosophers Michel Foucault and Gilles Deleuze, along with radical psychoanalyst Félix Guattari, have used their work to show how internalized power structures are a function of the world order we live in, bent on disciplining the subject. Discipline is meant by Foucault in both its senses, arguing that the science of man has created its own object, relying on Friedrich Nietzsche's concept of the will to power. According to this theory the Oedipus Complex can only arise historically under certain conditions.

Deleuze and Guattari in Anti-Oedipus apply this to the dissemination of Freud's Oedipus Complex, which they call "Oedipalization". They believe that the capitalist system and psychoanalysis as its tool rely on making people believe in a father, who is more powerful than them and has a phallus, which will always be unobtainable for them. Their idea is that the family structure is the smallest unit of this subjection because now power does not come from a central force like God or a monarch, but is spread over small power units which keep people in submission. Therefore they assume a system of pure immanence without an outside. They believe psychoanalysis is intent on producing neuroses while the capitalist system is really inherently schizophrenic. They propose an escape through anoedipal structures, relying on psychoanalyst Melanie Klein's concept of partial objects and proposing non-centered schizophrenia as a tendency to strive for, displacing psychoanalysis for schizoanalysis.

French theorist and psychoanalyst Jacques Lacan revised the Oedipus complex in line with his structuralist attempt to combine psychoanalysis and linguistics. Lacan claimed that the position of the father could never be held by the infant. On the one hand the infant must identify with the father, in order to participate in sexual relations. However the infant could also never become the father as this would imply sexual relations with the mother. Through the dictates on the one hand to be the father and on the other not to, the father is elevated to an ideal. He is no longer a real material father, but a function of a father. Lacan terms this the Name of the Father. The same goes for the mother — Lacan no longer talks of a real mother, but simply of desire, which is a desire to return to the undifferentiated state of being together with the mother, before the interference through the Name-of-the-Father.

This desire necessarily lacks something, i.e. it is a desire of lack. The father and accordingly the phallus (not a real penis, but a representation of mastery) can never be reached, thus he is above or outside the language system and cannot be spoken about. All language relies on this absence of the phallus from the system of signification. According to this theory, without a phallus outside of language, nothing in language would make sense or could be differentiated. Thus Lacan remodels the linguistic theory of Swiss linguist Ferdinand de Saussure. It is this idea that forms the basis of much contemporary thought, especially poststructuralism. Nothing can be thought that is outside of language, but the phallus is there and therefore structures the whole system of thought accordingly. Oedipus could also be thought of the theme of the story.

References

  • Serban, George. The Tyranny of Magical Thinking. E. P. Dutton Inc., New York 1982. ISBN 052524140X

Usage

The badguy Will Wuu from Gun X Sword suffers from the Oedipus Complex.

Hamlet, from Shakespeare's Hamlet, is thought by some to suffer from Oedipus Complex. Ernest Jones, a famous follower of Sigmund Freud, wrote a critical essay on this topic called Hamlet and Oedipus. However, many have criticized this essay for its highly debatable assumption that the Oedipus Complex is the primary contributor to Hamlet's confusion.

See also